Age, Biography and Wiki

Miltos Manetas was born on 6 October, 1964, is a Greek artist. Discover Miltos Manetas's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 59 years old?

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Age 59 years old
Zodiac Sign Libra
Born 6 October, 1964
Birthday 6 October
Birthplace N/A
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We recommend you to check the complete list of Famous People born on 6 October. He is a member of famous artist with the age 59 years old group.

Miltos Manetas Height, Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Miltos Manetas Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Miltos Manetas worth at the age of 59 years old? Miltos Manetas’s income source is mostly from being a successful artist. He is from . We have estimated Miltos Manetas's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income artist

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Timeline

1964

Miltos Manetas (Μίλτος Μανέτας; born October 6, 1964, in Athens) is a Greek painter and multimedia artist.

He currently lives and works in Bogotá.

1990

Manetas has created internet art as well as paintings of cables, computers, video games and Internet websites since the late 1990s, notably since his participation in the 1995 Traffic (art exhibition) curated by Nicolas Bourriaud, which is often related to the beginning of the Relational art movement.

Together with Mai Ueda, Manetas the co-founded "Neen", an art movement which aimed to conflate the new technology of the time with art and poetry.

1995

In 1995 he was included in Traffic, the survey exhibition curated by Nicolas Bourriaud that helped to launch the Relational Aesthetics art movement.

Manetas was categorized as one of idiots of that movement in the catalogue of the Traffic show, and later, in Bourriaud's book Relational Aesthetics.

But at this time, Manetas decided to change his approach to art, abandoning performance, objects and site specific installations, and he began making paintings about computer technology, exploring the possibilities of creating art by using video games and the Internet.

1996

In 1996, Manetas moved to New York City and began working on a series of video game-related artworks, using Lara Croft and Mario as "ready-made" characters.

1998

In SuperMario Sleeping, a video from 1998, Mario sleeps under a tree, while in Flames, a 1997 video, Lara Croft is constantly getting hurt.

Both works were exhibited at the Institute of Contemporary Arts, in the exhibition entitled Made in Italy. It was at that occasion that The Guardian published an article on Manetas calling him the El Greco of the geeks.

In subsequent years, Manetas displayed exhibitions throughout the world.

Another important show was Elysian Fields at Centre Georges Pompidou in Paris, curated by the Purple Institute.

Manetas then commissioned a California branding agency to come up with a new term that would bring a radical change to his work.

2000

Neen was launched at Gagosian Gallery, New York City, in 2000.

In spring of 2000, Manetas presented the new name, Neen, to an exhibition-performance held at the Gagosian Gallery in New York City.

Following this presentation, Manetas moved to Los Angeles, where he started his ElectronicOrphanage enterprise.

He hired young people with experience in contemporary art and/or design, asking them to abandon what they were doing to test ideas for the Internet.

2002

Manetas presented the Whitneybiennial.com, an online exhibition that challenged the 2002 Whitney Biennial show.

His work has been collected by Charles Saatchi.

Born in Athens, Greece to a prominent war family from Arcadia, Miltos Manetas from the atelier of Vrasidas Vlachopoulos in Athens, moved to Milan at the age of 20, where he attended the Brera Academy.

In 2002, Manetas presented the Whitneybiennial.com, an online exhibition which challenged the 2002 Whitney Biennial show.

2007

In 2007, London's Hayward Gallery commissioned Manetas to do a special project around the idea of Existential Computing, a new term he was using for his practice.

During this show, Manetas met Malcolm McLaren and they participated together in a show that artist Stefan Bruggemann curated at the I-20 gallery in New York City in September 2007.

Manetas' work for this exhibition was a piece commissioned previously by Newcastle's Baltic Centre for Contemporary Art and the British magazine Dazed & Confused for the Dazed & Confused versus Andy Warhol exhibition.

It consisted solely of a URL written on the wall: http://www.ThankYouAndyWarhol.com.

2009

In 2009, Manetas together with curator Jan Aman, created the first ever "Internet Pavilion" for the Venice Biennale.

As a part of this work, they invited ThePirateBay and the Piratbyrån activists to participate and make their first "Embassy of Piracy."