Milton Mermikides

He is the 37th Gresham Professor of Music and currently holds the position of Associate Professor of Music at the University of Surrey.

He is also a professor of Jazz Guitar at the Royal College of Music in London and previously held the post of Head of Music Technology and Lecturer in Music at the Royal Academy of Music.

The paper ‘Revisiting December Hollow: Unearthing emotive shape’ was a description of the project – a developed realisation of Zinovieff’s 1969 December Hollow ‘fold-out score’ concept.

The compositional system is designed to generate electronic music and/or conventional scores by slicing through a three-dimensional topographical score of ‘emotional zones’.

Each zone is associated with a Vector of musical parameters and by selecting various trajectories through the shape, countless pieces may be generated.

Milton Mermikides (born 26 May 1971) is a British composer, guitarist and academic of Greek heritage.

His diverse output includes compositions, academic papers, talks (TED (conference)) and musical performances.

He has worked with a number of artists including Tim Minchin, Pat Martino, John Williams, Tod Machover, Steve Winwood and Brian Eno and research bodies such as the Wellcome Trust, UCL Neuroscience, British Library, Science Museum, Aldeburgh Music and the Smithsonian Institution.

Mermikides is widely recognised as a leading figure in data sonification.

Milton John Mermikides was born in Hampton, England in 1971 to CERN nuclear physicist Michael Mermikides and Law Student Olga Lioufis.

He travelled widely as a child, receiving music classes from Ivor Cutler at Fox Primary School in Kensington, London and eventually attending Highgate School in North London.

He gained a BSc in Analytical and Descriptive Economics from the London School of Economics and a BMus in Jazz Performance and Composition from Berklee College of Music (Boston, USA).

Whilst at Berklee he studied Jazz Improvisation with Ed Tomassi, Hal Crook and John Damian.

Mermikides is an atheist and sceptic and a vocal opponent to the Anti-vax movement.

He has been associated with the sceptic movement and has collaborated with George Hrab (with several appearances and references on his podcast and an interview of George by Milton on his album Trebuchet – the 'Virtual liner notes' ), the QED conference (for which he wrote the theme tune ), the James Randi Educational Foundation and The Amazing Meeting.

He was also interviewed on Meet the Skeptics.

His music blends data sonification, Jazz, modernist, generative, world music, IDM, groove, rock and electroacoustic genres.

These are informed by research into musical theory, cognition & perception, scientific concepts, natural processes, algorithmic composition, microrhythm and improvisation.

He has referred to this radical blending of styles, concepts and processes as “liminalism”, a "challenging, blending and melding of the boundaries of musical style, and of the limits of music perception, processes and accessibility".

His data sonification work Bloodlines was broadcast on BBC Radio 4 Midweek, and featured in the Times Higher Education Supplement.

A later data sonification work, Careful, was featured in The Guardian.

He has written music for plays (Derry Playhouse), Film Scores (Martino: Unstrung), arrangements for string quartet (D Rail, played live on BBC Radio 4's Intune), sound installations (Microcosmos at the Royal Academy of Music).

His 2004 work Bloodlines, written with his sister Dr Alex Mermikides, received critical acclaim.

Bloodlines was created by translating his daily blood results, whilst suffering from Acute Lymphoblastic Leukaemia, into each second of a musical composition.

In 2006 Mermikides founded the Eclectic Guitar Orchestra (Milton's Big EGO) – a guitar orchestra made up entirely of eminent guitarists.

Members have included Craig Ogden, John Williams, Paco Peña, Jake Willson, Thomas Leeb, Declan Zapala, Stephen Goss, Gary Ryan, George Hrab and Bridget Mermikides.

Collaborations include; writing the score for Pat Martino's film Martino:Unstrung (2008), arranging and production credits (with Bridget Mermikides) on Tim Minchin's Storm animation, and arranging music for Brian Eno for Hiroko Koshino's fashion shows in China and Japan.

Mermikides was previously guitarist and arranger for band Stax (previously called Souled Out) with singer Sam Brown whose guest artists included Steve Winwood and Tim Rice.

He has also worked with Sleep experts and his Sound Asleep project was exhibited in the Design Museum, London, and featured on BBC Radio 4 Inside Science.

Most recently he has been working with Professor Morten Kringelbach of Oxford University drawing parallels between circadian rhythms and musical theory, culminating in a presentation of new music at a public lecture hosted by the British Neuroscience Association.

Mermikides gained a PhD from the University of Surrey in 2010 for his thesis 'Changes Over Time'.

His academic output consists of many published articles including 'Rondo All Turca', for Total Guitar Magazine, 'On Composing: How To Be A Successful Computer-based Composer' (2010) for Computer Music Magazine Special: Making It, 'Parallel Worlds', '5 Decades of the Jam Band' 'Extreme Guitar Concepts' and 'Bossa Appreciation' (2014) for Guitar Techniques Magazine. He has also contributed chapters to many books including Music and Shape published by Oxford University Press and frequently shares articles on music theory on his website.

In 2014 Mermikides co-founded the International Guitar Research Centre (IGRC) with Stephen Goss and John Williams.

In 2015 was hailed a 'Rap Genius' by Gareth Malone OBE for his satirical instruction article on writing a generic Eurovision song.

He has also written an article on the controversial 432 Hz Movement and has been interviewed as an expert in ancient Greek Tuning on BBC Radio 3 Music Matters.

He has given many keynote presentations, including a talk for TEDx Groningen in April 2016 entitled 'Everything we do is music', at the Hong Kong Academy of the Performing Arts in 2018 as part of the 3rd Altamira Guitar Symposium and the International Guitar Research Centre, The British Sleep Society, Royal Physiological Society, Studium generale and the Frank Mohr Institute.

In 2018, Milton Mermikides was interviewed by Evelyn Glennie on BBC Radio 4 on data sonification and his translations of Bridget Riley prints into music.

Mermikides has collaborated extensively with a diverse range of artists, academics and scientists.

In 2019 he shared a keynote presentation with Jim Al-Khaleli at the University of Surrey Doctoral Conference.

In 2020, a long term collaboration with music technology pioneer Peter Zinovieff climaxed in the presentation of a paper at the EVA London 2020 conference.