Mike Hardy

When I reflect back on what led me to pursue my interest in the entertainment industry, there are several key indicators that it was in my blood from an early age. In first grade, the musical director for a Christmas production coaxed me to fill in last minute when the kid who was scheduled to sing the Silent Night, Holy Night solo chickened out at the last minute. By age eight, I was performing magic tricks for my family and friends in my grandparents basement. My family moved to Las Vegas the same year. Later, I joined the drama club in junior high and performed in two short skits in a production put on for the community. At thirteen, I began attending a magic club where a semi-professional magician helped kids learn to perform short routines on a small stage. I fell in love with movies after my mom started leaving me and my brother at the theater for double features while she dropped quarters at the Showboat Hotel. This is when the magic truly took hold, watching such mature themed films as The Satanic Rites of Dracula, The Legend of Hell House, The Land that Time Forgot and The Man With the Golden Gun. My first "television appearance" came in 1977 after myself and some friends had collected donations for the Jerry Lewis Muscular Dystrophy Telethon. We were ushered on stage and I was standing next to my childhood icon as the closing credits rolled.

Finally, on a short visit back to Utah in 1982, my cousin and I were hired as extras on The Capture of Grizzly Adams, but I still didn't realize this would lead to acting as a career path. No, it wasn't until after we'd moved to San Diego, where I finished high school, and then several more years living in Phoeniz, AZ before I finally had the epiphany that I wanted to be an actor.

I signed with my first agent in 1988, Kriti's Modeling and talent agency in Scottsdale, Az, who cast me as an extra in three films and encouraged me to audition for theater. After my first audition, I was cast as Roy Selridge in a summer stock production of Biloxi Blues.

I relocated back to Salt Lake in 1989, winning the role of Master of Ceremonies in a Broadway musical revue. I then started a five year run with Pages Lane Theatre in Centerville, UT. , performing in family themed theater and musical productions including The Unsinkable Molly Brown, You Can't Take it With You and The Miracle Worker. In the ensuing years, I have studied acting for the camera, accents and dialects, acting theory and an introduction to Shakespeare under Frank Gerrish's Fastudio workshop.