Michele Oka Doner

In later years, Oka Doner co-authored, with Mitchell Wolfson Jr. Miami Beach: Blueprint of an Eden, an intimate portrayal of Miami Beach from the 1920s to the 1960s using their families as prisms to reflect the times.

Michele Oka Doner (born 1945, Miami Beach, Florida, United States) is an American artist and author who works in a variety of media including sculpture, prints, drawings, functional objects and video.

She has also worked in costume and set design and has created over 40 public and private permanent art installations, including “A Walk On The Beach,” a one and a quarter mile long bronze and terrazzo concourse at Miami International Airport.

Born and raised in Miami Beach, Oka Doner is the granddaughter of painter Samuel Heller.

Oka Doner's father, Kenneth Oka, was elected judge and mayor of Miami Beach during her youth (1945–1964).

The family lived a public and politically active life.

In 1957, age 12, Oka Doner began a year-long independent project studying the International Geophysical Year (IGY).

She assembled a book of drawings, writings and collages that became a template for projects realized in later years.

In 1963, Oka Doner left Florida for the University of Michigan, Ann Arbor.

Her art instructor Milton Cohen was experimenting with The Space Theater and George Manupelli began the Ann Arbor Film Festival.

Their students were engaged in poetry, dance, light, music, all combined into a unitary vision, a motif that shaped Oka Doner's student years and is characteristic of her work today.

Oka Doner participated in a Manupelli experimental film, a "Map Read" performance with art drawing instructor Al Loving and Judsonite dancer Steve Paxton as well as several "Happenings."

Another influence was art historian and Islamic scholar, Oleg Grabar, who illustrated how patterns in architecture are able to dissolve space.

A Death Mask, one of her first works, was selected as the cover of Generation, the University's avant garde journal, as campus unrest over the Vietnam war escalated.

Her Tattooed Porcelain Dolls were adopted by students protesting the U.S.'s use of napalm, causing disfiguration.

"The curious tattooed porcelain pieces of Doner are rather disturbing truncated body parts, as if eaten away by some leper. These bizarre open-stomached puppets, tattooed like the natives of the Amazon, or exhibiting configurations resembling those of certain sea shells, their heads (when they have them) with eyes closed, moth half-open and brain visible, fall into the category of surrealistic objects, but with a surrealism filled with a sap which is naive, barbaric and young."

Oka Doner received a Bachelor of Science and Design from the University of Michigan (1966), a M.F.A. (1968), was Alumna-in-Residence (1990), received the Distinguished Alumna Award from the School of Art (1994) and was a Penny Stamps Distinguished Speaker (2008).

Her first student work, Masks, was exhibited in 1967 at the University of Michigan, and Oka Doner's Master of Fine Arts thesis show in 1968 was celebrated at the Rackham Galleries.

Upon graduation in 1968, Oka Doner established a studio in downtown Ann Arbor behind the art gallery "Editions, Inc.," where physicist Lloyd Cross and sculptor Jerry Pethick were experimenting with holography.

Using a krypton laser, they created the first art holograms.

One of Oka Doner's sculptures was appropriated for this experiment.

NBC's cultural reporter, Aline Saarinen featured other ceramic dolls on the Today Show on November 4, 1969.

The "Ceramic Doll" opened in the world's first exhibition of holograms at the Cranbrook Academy Art in 1970.

Oka Doner moved to Detroit and exhibited at the Gertrude Kasle Gallery in 1971.

These sculptures traveled to the Edinburgh College of Art in conjunction with the Festival in 1973.

They were featured on the front page of the Financial Times in a review by art critic Marina Vaizey.

In 1975, a new body of work, Burial Pieces was laid out on the floor of Gallery 7, then a Cooperative Gallery of black artists, led by Charles McGee.

It was the first of many installations that shed pedestals and traditional ways of displaying sculpture.

A one-person show at the Detroit Institute of Arts followed in 1977.

Works in Progress, also forsook conventional props.

Oka Doner installed on the floor of the North Court thousands of pieces of clay depicting images of writing and seeds in the process of germinating.

In 1979, the DIA initiated a small group exhibition, "Image and Object in Contemporary Sculpture," including Michele Oka Doner, Scott Burton, Dennis Oppenheim, and Terry Allen, which traveled to P.S. 1, New York.

"To this viewer, the best work in the show is that of Michele Oka Doner, who makes fossilized relics of clap-bones, plants, primitive idols, and large pelvic-shaped structures that metamorphose into grisly chairs. She has elegantly translated these rudimentary forms into real objects of art."

In 1981, Oka Doner moved to New York City and embarked on a series of public art installations.

In 1987, she won a national competition sponsored by the MTA's Arts For Transit Program with Radiant Site a 165 ft. long wall for the Herald Square subway station in New York City.

The late architect Morris Lapidus said of "Celestial Plaza," "By laying these forms at our feet, she encourages us to stop and search the sparkling expanse for landmarks just as we would search the night sky."

Many examples of her work can be found on campus, including Science Benches, commissioned by the University (1990).

Other work can be found in the collection of the University of Michigan Museum of Art including the large, cast bronze figures by Oka Doner, Angry Neptune, Salacia and Strider, located outside the museum.

Reviewed as classic of social history, with material that was part of the public record of its time, it was used as a textbook in Human Geography at George Washington University in 2008.

She was awarded the honorary degree, Doctor of Arts (2016).