Age, Biography and Wiki
Michael Pisaro was born on 1961 in Buffalo, New York, United States, is an American guitarist and composer (b.1961). Discover Michael Pisaro's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 63 years old?
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63 years old |
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1961 |
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Buffalo, New York, United States |
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United States
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He is a member of famous guitarist with the age 63 years old group.
Michael Pisaro Height, Weight & Measurements
At 63 years old, Michael Pisaro height not available right now. We will update Michael Pisaro's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Michael Pisaro Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Michael Pisaro worth at the age of 63 years old? Michael Pisaro’s income source is mostly from being a successful guitarist. He is from United States. We have estimated Michael Pisaro's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Pending |
Salary in 2023 |
Under Review |
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guitarist |
Michael Pisaro Social Network
Timeline
Michael Pisaro (born 1961 in Buffalo, New York) is a guitarist and composer.
A member of the Wandelweiser Composers Ensemble, he has composed over 80 works for a great variety of instrumental combinations, including several pieces for variable instrumentation.
Before joining the composition faculty at the California Institute of the Arts (where he is located presently), he taught music composition and theory at Northwestern University from 1986 to 2000.
It has been selected twice by the ISCM jury for performance at World Music Days festivals (Copenhagen,1996; Manchester, 1998) and has also been part of festivals in Hong Kong (ICMC, 1998), Vienna (Wien Modern,1997), Aspen (1991), Chicago (New Music Chicago, 1990, 1991), Glasgow (INSTAL, 2009), Berlin (MaerzMusik, 2010), Sonorités (Montpellier, 2011) and others.
He has held composer residencies in Germany (Künstlerhof Schreyahn), Switzerland (Forumclaque/Baden), Israel (Miskenot Sha'ananmim), Greece (EarTalk) and in the U.S. (Birch Creek Music Festival/Wisconsin).
Concert length portraits of his music have been given in Munich, Los Angeles, London, Tokyo, Mexico City, Seattle, Jerusalem, Madrid, Santiago, Vienna, New York, Brussels, Curitiba (Brazil), Berlin, Chicago, Düsseldorf, Zürich, Charleston, Toronto, Cologne, Aarau and elsewhere.
His scores are published by Edition Wandelweiser (Germany).
Recordings of his work (solo and collaborative) have been released by Edition Wandelweiser Records, Winds Measure Recordings, Erstwhile Records, Another Timbre, slubmusic, Cathnor, Potlatch, HEM Berlin, Bánh Mì Verlag and on Pisaro's own imprint, Gravity Wave.
A particularly large category of Pisaro's works are solo works, notably a series of 36 pieces (grouped into 6 longer works) for the three-year, 156-concert series organized by Carlo Inderhees at the Zionskirche in Berlin-Mitte from 1997 to 1999.
Another solo piece, pi (1-2594), was performed in installments by the composer on 15 selected days in February 1999, in Evanston, Illinois, in Düsseldorf in 2000–2001 and at the Huddersfield Contemporary Music Festival in 2009 (with pianist Philip Thomas).
Pisaro has also devoted works to poets including among others, his harmony series, which functions as both a kind of poetic anthology and a collection of indeterminate scores, and July Mountain which is a translation of the poem of the same name by Wallace Stevens, into a score for field recordings and several layers of percussion.
Reading Spinoza is an accompanied reading of the Fifth Book of Baruch Spinoza's Ethics.
Much of Pisaro's recent work for percussion has been recorded by frequent collaborator Greg Stuart.
Another recent interest has been in field recording, which began to be represented in Pisaro's Transparent City (2004-2006).
Pisaro's work is frequently performed in the U.S. and in Europe, in music festivals and in many smaller venues.
Pisaro received a 2005-2006 Foundation for Contemporary Arts Grants to Artists Award.