Age, Biography and Wiki
Michael Oliva was born on 18 April, 1966 in Edmonton, England, is a Michael Oliva is British composer of contemporary classical music. Discover Michael Oliva's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 57 years old?
| Popular As |
N/A |
| Occupation |
composer |
| Age |
57 years old |
| Zodiac Sign |
Aries |
| Born |
18 April, 1966 |
| Birthday |
18 April |
| Birthplace |
Edmonton, England |
| Nationality |
United Kingdom
|
We recommend you to check the complete list of Famous People born on 18 April.
He is a member of famous Composer with the age 57 years old group.
Michael Oliva Height, Weight & Measurements
At 57 years old, Michael Oliva height not available right now. We will update Michael Oliva's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Michael Oliva Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Michael Oliva worth at the age of 57 years old? Michael Oliva’s income source is mostly from being a successful Composer. He is from United Kingdom. We have estimated Michael Oliva's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Composer |
Michael Oliva Social Network
Timeline
Michael Oliva (born 18 April 1966) is a British composer of contemporary classical music, working mainly in electroacoustics and opera.
Oliva was born in Edmonton, north London to a German mother and an Italian father.
From early childhood, his mother regularly took him to the English National Opera.
He attended The Latymer School, a local mixed grammar school known for musical excellence.
Although Oliva had already begun composing at the age of 15, he studied biochemistry (specialising in neurochemistry ) at Lady Margaret Hall, Oxford.
After obtaining his degree in 1988, he decided to concentrate on music.
After university, in addition to concert works, Oliva began composing music for theatre.
During the 1990s, he worked closely with Erica Whyman at Southwark Playhouse, the Gate Theatre and English Touring Theatre.
In 1995, he co-founded the Mother Digital Studio in Shoreditch, east London.
He began working at the Royal College of Music in 1998, where he is now Area Leader for Electroacoustic Music teaching composition with electronics.
Each term, Oliva curates and directs 'From the Soundhouse', public concerts of electroacoustic music (the title is taken from Francis Bacon's New Atlantis ).
These concerts present new works and rarely heard classics from the electroacoustic repertoire.
In 2003, Oliva was a founding member of the contemporary music ensemble rarescale.
He continues to work as electronics performer and composer in residence with the group.
Since 2003, he has worked closely with the low flute specialist Carla Rees.
In opera, his work is notable for its lyrical vocal style.
Oliva makes extensive use of video and electronic sound as an integral part of the storytelling, expanding the form though the use of film and television techniques.
Between 2004 and 2011, Oliva was lecturer in Music Technology at Imperial College London.
He is published by Tetractys.
Oliva’s music draws on a wide range of inspirations, from Scriabin, Stockhausen, Takemitsu, Brian Eno, Miles Davis to spectralism.
He has particular interests in working with microtonal harmony and creating new repertoire for low woodwind, especially the alto flute and bass flute.
