McKenzie Wark

McKenzie Wark (born 1961) is an Australian-born writer and scholar.

Wark is known for her writings on media theory, critical theory, new media, and the Situationist International.

Her best known works are A Hacker Manifesto and Gamer Theory.

She is a professor of Media and Cultural Studies at The New School.

Wark was born in Newcastle, Australia in 1961.

After her mother died in 1967, her father, architect Ross Kenneth Wark, raised her and her two older siblings.

McKenzie received a bachelor's degree from Macquarie University in 1985, a Master's from the University of Technology, Sydney in 1990 and received a PhD in communications from Murdoch University in 1998.

Examples given in the book include the stock market crash of 1987, the Tiananmen square demonstrations of 1989 and the fall of the Berlin Wall in 1989.

She argues that the emergence of a global media space – a virtual geography – made out of increasingly pervasive lines of communication – vectors – was emerging as a more chaotic space than globalisation theory usually maintains.

Much of Wark's early engagement in public debate occurred in the Australian post-marxist quarterly Arena, through a number of articles and exchanges about the character of real abstraction, the meta-ideological character of post-structuralism, and the consequences of these issues for emancipatory social theory.

The first of these works examines the so-called 'culture wars' of the 1990s as symptomatic of struggles over the redefinition of Australian national identity and culture in an age of global media.

The second of these 'Australian' books looked at the transformation of a social democratic idea of the 'popular' as a political idea into a more market-based and media-driven popular culture.

Both these studies grew out of Wark's experience as a public intellectual who participated in public controversies, mainly through her newspaper column in The Australian, a leading national daily.

She developed an approach based on participant observation, but adapted to the media sphere.

Wark describes the process of culture by which "the jolt of new experiences becomes naturalised into habit" or second nature and describes the information society as not being new but something that changes through culture the balance between space binding and time binding media.

She further describes the concept of "third nature" or telesthesia, where devices such as television and the telephone create a platform which we use to communicate to people over large distances and not just a machine that we learn to operate individually.

This is described in her book The Virtual Republic:

"While it may feel natural for some to inhabit this media-made world, I suspect there is a fundamental change here that has a lot of people just a bit spooked. It's no longer a case of making second nature out of nature, of building things and getting used to living in the world people build. I think it might be interesting to consider telesthesia to be something fundamentally different. What gets woven out of telegraph, telephone, television, telecommunications is not a second nature but what I call third nature."

In Virtual Geography, published in 1994, Wark offers a theory of what she calls the 'weird global media event'.

In 1995, Wark had an affair with novelist Kathy Acker.

In 1997, Wark met artist Cristen Clifford in Williamsburg, New York.

In two subsequent books, The Virtual Republic, published in 1997, and Celebrities, Culture and Cyberspace (1999), Wark turned her attention to the national cultural space of Australia.

They married in 2000 and have two children together.

Wark is a trans woman.

Wark emigrated to the United States in 2000.

With the Australian poet John Kinsella, Australian novelist Bernard Cohen and Australian memoirist Terri-Ann White, Wark co-wrote Speed Factory, an experimental work about distance and expatriation.

The co-authors developed for this the speed factory writing technique, in which an author writes 300 words, emails it to the next author, who then has 24 hours to write the next 300 words.

Dispositions, another experimental work, followed.

Wark travelled the world with a GPS device and recorded observations at particular times and coordinates.

The media theorist Ned Rossiter has called this approach a 'micro-empiricism', and sees it as derived from the work of the philosopher Gilles Deleuze.

In 2004 Wark published her best known work, A Hacker Manifesto.

Here Wark argues that the rise of intellectual property creates a new class division, between those who produce it, whom she calls the hacker class, and those who come to own it, the vectoralist class.

Wark argues that these vectoralists have imposed the concept of property on all physical fields (thus having scarcity), but now the new vectoralists lay claim to intellectual property, a field that is not bound by scarcity.

By the concept of intellectual property these vectoralists attempt to institute an imposed scarcity in an immaterial field.

Wark argues that the vectoral class cannot control the intellectual (property) world itself, but only in its commodified form—not its overall application or use.

Their email correspondence was published in the book I'm very into you (2007).

In 2017, Wark started her gender transition, and began taking hormones in 2018.

Anticipating that hormone therapy might affect her ability to write, she took leave from the New School and completed the books Reverse Cowgirl, Philosophy for Spiders, Capital is Dead and Sensoria.

Between 2018 and 2022, Wark primarily wrote articles and commissioned pieces, and became involved with queer and trans rave scenes in Brooklyn.

In 2023, she published her first book since her leave of absence, Raving, a first-person account of raving.