Max Halbe

He attended the gymnasium (secondary school) at Marienburg. In 1883 he began his study of law at the University of Heidelberg.

He studied history and Germanic philology at the University of Berlin, 1885-1887. He obtained his doctorate at the University of Munich in 1888.

In Berlin and Munich, Halbe became acquainted with the leaders of the new naturalistic movement in German literature, and became associated with the Free Stage (German: Freie Bühne) movement in 1889. He was strongly influenced by the association with, and the works of, Johannes Schlaf and Arno Holt. Halbe was not entirely in accord with the Freie Bühne, and with consistent naturalism (see Gerhart Hauptmann), as the latter deviated considerably from his own tendencies.

In the spring of 1890, he wrote the play Free Love (German: Freie Liebe), later called Ein Verhältnis (1895). He married the same year.

He published Eisgang in 1892, and then his primary work, Jugend (Youth), in 1893, which was, after Hauptmann's Die Weber, the most successful contemporary stage play in Germany. It was difficult for him to get Eisgang and Jugend performed, although Jugend got a performance on the Freie Volksbühne in 1892. Jugend was especially difficult to place: famous theatre managers in Berlin (L'Arronge, Barnay, Blumenthal) refused it, but Lautenburg accepted and performed it with great success in 1893. The drama, whose unaffected and sympathetic treatment of sexual relationships made no concessions to prevailing bourgeois morality, won it the enthusiastic praise of socialist critics.

Halbe's play, the comedy The Tourist in America (German: Der Amerikafahrer) made the impression of being witless, and his reputation rapidly declined. Constant laments were uttered by critics as to his failure to fulfill the promise of his early work. Halbe decided to move to the rural atmosphere of Kreuzlingen, on Lake Constance, in 1894.

In 1895 Halbe went to Munich again, where, with Josef Ruederer, he founded the Intimate Theater for Dramatic Experiments (German: Intime Theater für dramatische Experimente), in which writers and poets appeared on the stage, and was a co-founder of Munich Popular Theatre (German: Münchner Volksbühne). As a member of the Munich artist society, his circle included Otto Erich Hartleben, Frank Wedekind, Hanns von Gumppenberg, Ludwig Thoma and Eduard von Keyserling.

The dramas Lebenswende and Mutter Erde (the latter standing with Jugend as his most famous work; a translation into English, Mother Earth, appeared in German Classics, Vol. XX, New York, 1914) and the novel Frau Mesek are of this period.

Franz Mehring, the principal spokesman of the Social Democratic Party of Germany on culture, warmly welcomed Jugend and referred to Halbe, along with Gerhardt Hauptmann, as "one of the princes of Genius land." In 1917 an operatic version of Jugend, composed by Ignatz Waghalter, was premiered in Berlin at the Deutsches Opernhaus (now known as the Deutsche Oper) to great acclaim.

In 1933 and 1935 his biography Scholle und Schicksal and Jahrhundertwende were published.