Age, Biography and Wiki
Matthias Schmidt was born on 1966, is a German musicologist. Discover Matthias Schmidt's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 58 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
58 years old |
| Zodiac Sign |
N/A |
| Born |
1966 |
| Birthday |
|
| Birthplace |
N/A |
| Nationality |
|
We recommend you to check the complete list of Famous People born on .
He is a member of famous with the age 58 years old group.
Matthias Schmidt Height, Weight & Measurements
At 58 years old, Matthias Schmidt height not available right now. We will update Matthias Schmidt's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Matthias Schmidt Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Matthias Schmidt worth at the age of 58 years old? Matthias Schmidt’s income source is mostly from being a successful . He is from . We have estimated Matthias Schmidt's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
|
Matthias Schmidt Social Network
Timeline
Born in Cologne, Schmidt studied musicology, Germanistic, history of art and philosophy in the universities of Bonn, Berlin and Vienna.
He received his doctorate at the FU Berlin and habilitated at the University of Salzburg.
Schmidt was a research assistant at the Arnold Schönberg-Institute of the University of Music and Performing Arts Vienna, the German Academic Exchange Service, and the Österreichische Forschungsgemeinschaft scholarships in Austria, Italy and several times in the USA.
Schmidt has spent many years of teaching (as lecturer, substitute and visiting professor) at universities in Austria, Switzerland, Germany and the Netherlands in addition to his academic duties as music journalist, exhibition curator and concert dramaturg.
He has been editor of the series of publications of the International Schönberg Society and since 2006 (together with Klaus Pietschmann and Wilhelm Seidel) of the journal Musiktheorie.
Since 2007 Schmidt has been "titular professor" in the field of modern music history at the Musikwissenschaftliches Seminar der Universität Basel.
He is a board member of several foundations and forums, 2010-2017 he was a member of the board of directors of the NCCR Eikones (Basel).
In 2017 Schmidt was elected to the Austrian Academy of Sciences.
Schmidt's work focuses on the history and aesthetics of music of the 18th to 20th centuries (books on Wolfgang Amadeus Mozart, Johannes Brahms, Arnold Schönberg and Ernst Krenek, among others).
Schmidt is also particularly interested in persons and phenomena that lie beyond canonized historiography: for example, he has worked together with students on exhibitions and publications on the composers Felix Weingartner and Yevgeny Gunst as well as on the Swiss origins of the national anthem of Lesotho.
The Viennese musicologist Elisabeth Haas has made an attempt to give Schmidt's book Komponierte Kindheit a thorough critique.
In Die Musikforschung Haas argues that Schmidt ignores widely used sources and uses the thoughts of others for his own.
But where Schmidt relied on himself, there were numerous mistakes in his explanations, each of which testified to insufficient knowledge of the music texts.
However, in the same issue of Die Musikforschung Schmidt was able to refute the criticism in a counterstatement and the accusations contained therein.
