Age, Biography and Wiki

Matteo Messori was born on 23 April, 1976 in Bologna, Italy, is an A 21st-century italian male musician. Discover Matteo Messori's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 47 years old?

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Occupation Keyboard player · conductor
Age 47 years old
Zodiac Sign Taurus
Born 23 April, 1976
Birthday 23 April
Birthplace Bologna, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 23 April. He is a member of famous player with the age 47 years old group.

Matteo Messori Height, Weight & Measurements

At 47 years old, Matteo Messori height not available right now. We will update Matteo Messori's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Matteo Messori Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Matteo Messori worth at the age of 47 years old? Matteo Messori’s income source is mostly from being a successful player. He is from Italy. We have estimated Matteo Messori's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income player

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Timeline

1976

Matteo Messori (born 23 April 1976, in Bologna, Italy) is an Italian keyboard player, conductor, musicologist, composer and teacher.

He performs on period instruments including the harpsichord, pipe organ, clavichord and pedal piano.

He founded the early music ensemble Cappella Augustana.

Matteo Messori was born in Bologna where he initially studied piano under the Arturo Benedetti Michelangeli pupil Franca Fogli and later organ and counterpoint with Umberto Pineschi, graduating cum laude.

He studied harpsichord with Sergio Vartolo at the conservatories of Mantua and Venice, graduating again cum laude.

He studied also musicology at the University of Bologna.

1990

From 1990 he started to work as a continuo player with the ensemble "I Filomusi".

At the same time he undertook a soloist career in Europe and America.

1998

In 1998 he won the First Prize at the National Harpsichord Competition "Gianni Gambi" in Pesaro.

He won also other prizes, including the Medaglia Campiani in Mantua.

2000

In 2000 he founded an early music ensemble Cappella Augustana with which he is recording the complete works by Heinrich Schütz for the Dutch label Brilliant Classics.

Messori's extensive discography includes also several works by Johann Sebastian Bach: the third part of Clavierübung, the Schübler Chorales, 8 Preludes and Fugues, the Canonical Variations, Die Kunst der Fuge and Ein musikalisches Opfer (with his ensemble Cappella Augustana).

He also recorded the first tribute to the sacred music composed by Vincenzo Albrici, who was Kapellmeister in Dresden and organist at the Thomaskirche in Leipzig,

Besides his work with the ensemble Cappella Augustana, he is in frequent demand as organist, harpsichordist and guest conductor.

2010

In 2010 his study on the 16' harpsichord with pedal harpsichord built by Zacharias Hildebrandt for the Collegium Musicum in Leipzig was published in the Bach-Jahrbuch.

He teaches organ and organ composition at the Venice Conservatory and harpsichord at the Bergamo Conservatory.

2011

In November 2011 the German magazine FonoForum wrote: "The complete recording of Bach's late works is a statement with which the still young Italian harpsichordist and organist has come to play in the Champions League of the international Bach interpreters".

He has composed and published choral works, songs for voice and piano, chamber music and solo keyboard pieces, written several musicological articles and edited critical editions.