Age, Biography and Wiki

Matilde Herrera was born on 1931 in Buenos Aires, Argentina, is an Argentine journalist, writer, and poet. Discover Matilde Herrera's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 59 years old?

Popular As N/A
Occupation Writer, journalist, poet
Age 59 years old
Zodiac Sign
Born 1931, 1931
Birthday 1931
Birthplace Buenos Aires, Argentina
Date of death 1990
Died Place N/A
Nationality Argentina

We recommend you to check the complete list of Famous People born on 1931. She is a member of famous journalist with the age 59 years old group.

Matilde Herrera Height, Weight & Measurements

At 59 years old, Matilde Herrera height not available right now. We will update Matilde Herrera's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Matilde Herrera's Husband?

Her husband is Rafael Beláustegui Roberto Aizenberg

Family
Parents Not Available
Husband Rafael Beláustegui Roberto Aizenberg
Sibling Not Available
Children 3

Matilde Herrera Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Matilde Herrera worth at the age of 59 years old? Matilde Herrera’s income source is mostly from being a successful journalist. She is from Argentina. We have estimated Matilde Herrera's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income journalist

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Timeline

1931

Matilde Herrera (1931–1990) was an Argentine journalist, writer, and poet.

1962

She started working as a journalist in 1962, and carried on this work until her death.

During the time of state terrorism in Argentina, her three children, José, Valeria, and Martín, and their respective spouses – militants of the People's Revolutionary Army – were kidnapped by the Armed Forces.

Valeria and Martín's partner Cristina were pregnant at the time.

Herrera did not lose Tania (the first daughter of Valeria and Pepe who was around one year old) and Antonio (the son of José and Electra); these children were left at police stations and hospitals after the abduction of their parents.

1976

She was a prominent militant against the self-styled National Reorganization Process that took over the country between 1976 and 1983.

She was one of the Grandmothers of the Plaza de Mayo, for whom she personally contributed to the recovery of two children who had been illegally adopted.

Matilde Herrera married Rafael Beláustegui, with whom she had two children.

They later divorced, and she remarried, this time to the artist Roberto Aizenberg.

1977

In 1977, Herrera went into exile in Paris with her husband, where she founded the Commission of Relatives of the Disappeared, together with Claudia Lareu, Diana Cruces, and other militants.

1981

In 1981 they moved to Tarquinia, Italy, and returned to Argentina in 1983, once the military dictatorship ended.

1990

Herrera died seven years later, in 1990, of cancer.

2002

Herrera was honored in 2002 by the Legislature of the City of Buenos Aires, along with 17 other outstanding Argentine women of the 20th century, including Eva Perón and Alicia Moreau de Justo.

The selections were made by the Commission for Women, Children, Adolescents, and Youth.

2010

In an official act carried out on 24 March 2010, the actress Florencia Peña read Herrera's poem "Seremos libres" (We Will Be Free) at the Navy Petty-Officers School of Mechanics, one of the main clandestine detention centers during the military dictatorship.

In the Remembrance Park of Buenos Aires, there stands a statue (Sin título; Untitled) by Roberto Aizenberg in honor of Herrera's three disappeared children: José, Valeria, and Martín.

In the sculpture, the contours of three geometric figures without faces are shown, representing all the young people disappeared during the military dictatorship.