Masta Ace

Duval Clear (born December 4, 1966), known better by his stage name Masta Ace, is an American rapper and record producer from New York City.

He appeared on the classic 1988 Juice Crew posse cut "The Symphony".

He is noted for his distinct voice and rapping proficiency, and has influenced several MCs.

Clear graduated from the University of Rhode Island in 1988, after meeting Marley Marl in 1987 during his summer break.

Ace made his recording debut on the Juice Crew posse-cut "The Symphony", along with fellow Juice Crew members Craig G, Kool G Rap and Big Daddy Kane, released on Marley Marl's In Control album.

The album also featured two additional Ace tracks, "Keep Your Eyes on the Prize" and "Simon Says".

In 1989, he released his first solo single, "Together" b/w "Letter to the Better".

A year later, his debut album, Take a Look Around, was released through Marl's Cold Chillin' label, featuring production from Marl and DJ Mister Cee.

The album featured two minor hit singles in "Music Man" and "Me & The Biz", the latter track including Ace impersonating Biz Markie who did not reach the studio for the planned duet.

In the years following his debut, Ace developed bitter feelings toward the commercial state of hip hop music and the prominence of Gangsta rap.

Released in 1993, SlaughtaHouse saw Ace express these feelings through a loose concept of the album lampooning a Gangsta rap persona that Ace portrayed as cartoonish and inauthentic.

The album featured Ace's new crew, Masta Ace Incorporated, which included members Eyceurokk, Lord Digga, Paula Perry and R&B vocalist Leschea.

The singles "SlaughtaHouse", "Saturday Nite Live", "Style Wars" and "Jeep Ass Niguh" were taken from the album.

A remix of the latter – titled "Born to Roll" – became a crossover single in 1994, peaking at No. 23 on the Billboard Hot 100 chart.

In the same year, Ace became a member of a temporary crew Crooklyn Dodgers, formed for the release of Spike Lee's movie, Crooklyn, along with MCs Special Ed and Buckshot of Black Moon, and recorded the title track of the album soundtrack.

The song became Ace's second Hot 100 hit in 1994, peaking at No. 60 on the chart.

Ace furthered his mainstream appeal in 1995, with his radio-friendly Sittin' on Chrome album.

This effort was also released with the Masta Ace Incorporated crew, now also known as The I.N.C. The album was Ace's most commercially successful release, breaking into the Top 20 on Billboard's Top R&B/Hip Hop Albums chart.

Sittin' On Chrome included "Born to Roll", as well as two other Hot 100 hit singles, "The I.N.C. Ride" and "Sittin' on Chrome".

By this time, Ace had become fully involved in his music on the production end as well, usually under the name Ase One.

Following the album's success, Ace had a falling out with I.N.C. members Lord Digga and Paula Perry, leading to the breakup of the crew.

After the split, Ace was largely missing from the hip hop scene over the next five years, save for a number of random vinyl singles.

During his vinyl days, he bounced from a number of labels, releasing his "Cars" single on Tape Kingz Records, his "Yeah Yeah Yeah" and "NFL" singles on the Union Label, his "NY Confidential" single on Replay Records, his "Express Delivery" single on Three Sixty Records, his "Spread It Out/Hellbound" single on Yosumi Records, his "Conflict" single on Mona Records, his "Ghetto Like" single on Fat Beats, his "So Now U A MC" single on Bad Magic Records, and his "Brooklyn Blocks" single on Buckshot's Duck Down Records.

Ace's "Ghetto Like" single led to a misunderstanding with an underground emcee named Boogieman, who released a somewhat similar single titled "Ghetto Love" which was released on 420recordings not long before.

He thought that Ace was "biting" his track and released a diss song toward Ace titled "Just You Wait".

Ace responded to Boogieman on the diss track "Acknowledge", which also dissed The High & Mighty over a misunderstanding.

The trading of records led to a rap battle between the two at a Lyricist Lounge event.

"Acknowledge" was also included on Ace's 2001 album, Disposable Arts.

Masta Ace also performed numerous "Dubtitled" voice overs on the television series titled Kung Faux.

Disposable Arts, a concept album chronicling Ace's time spent at a satirical rap school named the "Institute of Disposable Arts", became one of the most acclaimed underground hip hop releases of 2001.

Ace killed the rumors by returning in 2004 with his fifth album A Long Hot Summer, another highly acclaimed effort.

The story concept, similar to that on his last release, served as a prelude to the story told on Disposable Arts, chronicling the "Long Hot Summer" that led to his character's incarceration at the beginning of the Disposable Arts album.

Subsequently, Ace announced the formation of his new rap crew named eMC, including himself, Punchline, Wordsworth and his protégé Strick.

JCOR Records folded soon after the release, leaving it out-of-print, until being re-released in 2005 on Ace's self-established M3 label.

The album closer, "No Regrets", led many fans to believe that it would be Ace's final album, because of the line "I don't know if it's the end, but yo, it might be".

Ace remarked in a December 2006 interview that he would no longer record as a solo artist, only with eMC.

eMC's first group album, The Show, was scheduled for early 2007 but was released in February 2008 digitally and April 2008 physically.

In 2007, Masta Ace had a track included on the Official Joints mixtape, a compilation of previously unreleased tracks by various NYC rappers.

In 2009, Masta Ace joined forces with Boston rapper Ed O.G. to release Arts & Entertainment which was released on November 3, 2009.

Arts & Entertainment got shortened to A&E which resulted in the cable TV channel A&E asking Masta and Edo to remove the symbol from their original album artwork.