Age, Biography and Wiki
Mary Black was born on 23 May, 1955 in Dublin, Ireland, is an Irish folk singer. Discover Mary Black's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 68 years old?
Popular As |
N/A |
Occupation |
Singer |
Age |
68 years old |
Zodiac Sign |
Gemini |
Born |
23 May, 1955 |
Birthday |
23 May |
Birthplace |
Dublin, Ireland |
Nationality |
Ireland
|
We recommend you to check the complete list of Famous People born on 23 May.
She is a member of famous Singer with the age 68 years old group.
Mary Black Height, Weight & Measurements
At 68 years old, Mary Black height not available right now. We will update Mary Black's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Mary Black's Husband?
Her husband is Joe O'Reilly
Family |
Parents |
Not Available |
Husband |
Joe O'Reilly |
Sibling |
Not Available |
Children |
Danny O'Reilly, Róisín O, Conor O'Reilly |
Mary Black Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Mary Black worth at the age of 68 years old? Mary Black’s income source is mostly from being a successful Singer. She is from Ireland. We have estimated Mary Black's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Singer |
Mary Black Social Network
Timeline
Mary Black (born 23 May 1955) is an Irish folk singer.
She is well known as an interpreter of both traditional folk and modern material which has made her a major recording artist in her native Ireland.
Mary Black was born into a musical family on Charlemont Street in Dublin, Ireland, and had four siblings.
She was educated at St Louis High School, Rathmines.
Her father was a fiddler, who came from Rathlin Island off the coast of northern Ireland, and her mother was a singer.
Her brothers Shay and Michael Black have their own musical group called the Black Brothers and her younger sister Frances would go on to achieve great success as a singer in the 90s.
From this musical background, Mary began singing traditional Irish songs at the age of eight.
As she grew older, she began to perform with her siblings (Shay, Michael and Martin Black) in small clubs around Dublin.
Black joined a small folk band in 1975 called General Humbert, with whom she toured Europe and released two albums, in 1975 and 1978.
In 1982 she developed a professional relationship with musician/producer Declan Sinnott and recorded her first solo album, Mary Black.
The album performed well in the Irish charts and it went gold.
In 1983 it was honoured by the Irish Independent and it is still referred to as one of the best Irish albums of the 1980s.
Black ventured into traditional Irish music with the band De Dannan and toured with them around Europe and in the US.
The album she recorded with them, Anthem, won the Irish Album of the Year award.
During her time with De Dannan, Black also continued with her solo career with albums such as Collected (1984) and Without the Fanfare (1985).
These recordings took Black into a more modern musical direction.
Along with the success of these releases, IRMA named her Entertainer of the Year in 1986 and Best Female Artist in 1987 and 1988.
For much of her early solo career, Sinnott acted as her producer, guitarist and musical director.
Black departed from De Dannan in 1986, and 1987 saw the release of her first multi-platinum Irish album, By the Time it Gets Dark.
However, her popularity reached new heights with the release of the ground-breaking album, No Frontiers, in August 1989.
It rocketed to the top of the Irish album charts (it stayed in the Top 30 for over a year), and achieved triple-platinum status.
Mary's popularity grew in the United States, due to several tours and widespread radio exposure.
Following the success of No Frontiers in the United States, and the extensive airplay received by the lead track "Columbus", Black became a hit NAC recording artist.
Black released three more albums in the 1990s, Circus, Shine, and Speaking with the Angel.
In spring 1991, she embarked on an American tour.
Her 1991 release, Babes in the Wood, entered the Irish charts at No.1 once again and remained there for six weeks.
Her single "The Thorn Upon the Rose" reached No.8 on the Japanese singles chart after it was used in a national railroad television advert.
Babes in the Wood performed well in the US and it was voted one of the top 10 albums of the year in the United Kingdom by Today newspaper.
The album release brought about a sell-out tour and her first concert at the Royal Albert Hall in January, 1992, which was broadcast on Channel 4 a year later.
She was once again named Best Female Artist by the IRMA.
Mary was featured on the cover of Billboard magazine in a story hailing her as "a firm favorite to join the heavy-hitting ranks of such Irish artists as Enya, Sinéad O'Connor and Clannad's Máire Brennan in the international marketplace".
Her next album The Holy Ground once again reached the top of the Irish album chart.
She also toured the US during October/November 1993, in support of the album.
The next project saw Mary join forces with six Irish female artists to record the compilation album, A Woman's Heart.
Its good sales success spawned another album, A Woman's Heart 2.
She was named "Best Female Artist" in 1994 and 1996 for the fourth and fifth time.
This partnership lasted until 1995 when they parted amicably.
Black recorded two duets with American folk singer Joan Baez in the spring of 1995, for Baez's album Ring Them Bells.
A greatest hits album of Mary's work, Looking Back, was released and she went touring mainly in the US, Germany and Scandinavia, to support the release.