Age, Biography and Wiki

Martin Mailman was born on 30 June, 1932 in United States, is an American classical composer. Discover Martin Mailman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 67 years old?

Popular As N/A
Occupation N/A
Age 67 years old
Zodiac Sign Cancer
Born 30 June, 1932
Birthday 30 June
Birthplace N/A
Date of death 18 April 2000, in Denton, Texas
Died Place N/A
Nationality United States

We recommend you to check the complete list of Famous People born on 30 June. He is a member of famous composer with the age 67 years old group.

Martin Mailman Height, Weight & Measurements

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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Martin Mailman Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Martin Mailman worth at the age of 67 years old? Martin Mailman’s income source is mostly from being a successful composer. He is from United States. We have estimated Martin Mailman's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
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Timeline

1929

His widow, Mary Nan Mailman (1929–2016), established two endowed scholarships in his name: The Martin Mailman Excellence in Band Endowed Scholarship in the Wanda L. Bass School of Music at Oklahoma City University and The Martin Mailman Memorial Composition Scholarship Endowment in the College of Music at the University of North Texas.

1932

Martin S. Mailman (30 June 1932, in New York City – 18 April 2000, in Denton, Texas) was an American composer noted for his music for orchestra, chorus, multimedia, and winds.

He was born in New York City on June 30, 1932.

1951

Burlesque for Trumpet & Piano, Op. 1 (1951)

1952

Dance in Two Moods for Orchestra, Op. 2 (1952)

1953

Promenade for Brass & Percussion, Op. 3 (1953)

1954

He studied composition at the Eastman School of Music at the University of Rochester earning a bachelor's degree in music composition in 1954, a master's degree in music composition in 1955, and a PhD in music composition in 1960.

His teachers at Eastman included Louis Mennini, Wayne Barlow, Bernard Rogers, and Howard Hanson.

Autumn Landscape for Orchestra, Op. 4 (1954)

1955

Jubliate for Orchestra, Op. 5 (1955)

Elegy for Orchestra, Op. 6 (1955)

1956

West Wind for Soprano & Piano, Op. 7 (1956)

1957

Holy, Holy, Holy for Chorus & Organ, Op. 8 (1957)

Cantiones for Orchestra, Op. 9 (1957)

1958

Partita for Band, Op. 10 (1958)

1959

He served for two years in the United States Navy, and he was among the first group of young contemporary American composers chosen in 1959 to participate in The Young Composers Project, sponsored by the Ford Foundation and the National Music Council.

As a result, he spent two years teaching in the schools of Jacksonville, Florida.

The Hunted: An opera in one act, Op. 11 (1959)

Christmas Music for Chorus & Orchestra, Op. 12 (1959)

Prelude and Fugue No. 1 for Orchestra, Op. 13 (1959)

1960

Commencement March for Band, Op. 14 (1960)

Alleluia for Chorus & Band, Op. 15 (1960)

Three Madrigals for Chorus alone, Op. 16 (1960)

Partita for String Orchestra, Op. 17 (1960)

Gateway City Overture for Orchestra, Op. 18 (1960)

Four Miniatures for Band, Op. 19 (1960)

Genesis Resurrected for Narrator, Chorus & Orchestra, Op. 20 (1960)

1961

From 1961 to 1966, he served as the first Composer in Residence at East Carolina University in Greenville, North Carolina.

Petite Partita for Piano, Op. 21 (1961)

Geometrics No. 1 for Band, Op. 22 (1961)

Suite in Three Movements for Orchestra, Op. 23 (1961)

1966

From 1966 until 2000, he was Composer in Residence, Coordinator of Composition, and later, Regents Professor at the University of North Texas College of Music in Denton, Texas.

1982

Dr. Mailman received numerous awards, among which include two American Bandmasters Association/Ostwald Awards for composition, the National Band Association/Band Mans Company prize for composition, the Edward Benjamin Award, Composer of the Year by the Texas Music Teachers Association, and the 1982 Queen Marie-Jose Prize for composition for his Concerto for Violin and Orchestra (Variations), Op. 68.

His works include chamber music, band, choral, and orchestral music, film scores, television music, an opera, and a requiem for chorus, orchestra, and soloist.

A frequently sought-after clinician and teacher, Dr. Mailman served as guest conductor-composer at more than ninety colleges and universities across the United States and Europe.

He was a leader in promoting comprehensive musicianship programs through MENC throughout his career and gave presentations at conventions and schools across the country.

Instead of featuring his own music, he always focused on music in general and the impact it has on students and professionals alike.

He was particularly intrigued by the compositional process and the concept of music as "organized sound over time with intent."

Dr. Mailman’s musical holdings are now handled by his son, Dr. Matthew Mailman, Professor of Conducting in the Wanda L. Bass School of Music at Oklahoma City University.

2000

In November 2000, the University of North Texas Board of Regents awarded Emeritus status to Dr. Mailman posthumously.