Age, Biography and Wiki

Mario Naves was born on 30 December, 1961 in Salt Lake City, Utah, is an American artist, art critic, professor and blogger (born 1961). Discover Mario Naves's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 62 years old?

Popular As N/A
Occupation N/A
Age 62 years old
Zodiac Sign Capricorn
Born 30 December, 1961
Birthday 30 December
Birthplace Salt Lake City, Utah
Nationality United States

We recommend you to check the complete list of Famous People born on 30 December. He is a member of famous artist with the age 62 years old group.

Mario Naves Height, Weight & Measurements

At 62 years old, Mario Naves height not available right now. We will update Mario Naves's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Mario Naves Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Mario Naves worth at the age of 62 years old? Mario Naves’s income source is mostly from being a successful artist. He is from United States. We have estimated Mario Naves's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1961

Mario Naves-- (b. 1961, Salt Lake City, Utah) is an American artist, art critic, professor and blogger.

1984

Mario Naves studied painting and drawing at the University of Utah, receiving a Bachelor of Fine Arts degree in 1984.

1987

He subsequently studied at Pratt Institute, where he earned a Master of Fine Arts degree in 1987, having majored in painting with a minor emphasis in art criticism.

Mario Naves stated that his works-on-paper are "painting by other means."

Artist and critic Maureen Mullarkey wrote that these "means are simple. Paint is dripped, scraped, scumbled, sponged, patted and brushed on pieces of paper that are then torn and rearranged. His technique preserves the accidental aspect of the painting process while it subordinates all randomness to the cognitive, disciplined basis of traditional painting."

Naves' art has been described by The New York Times as "delicate and gorgeous" and by Art in America as "joyous, sophisticated and charming."

The New York Sun stated that Naves "knows from within how a hand functions as an extension of the eye. The refinement of his touch and the sensibility that drives it is a pleasure to see."

In recent years, Naves returned to painting directly on canvas and panel.

1989

1989 National Endowment for the Arts Fellowship

1999

His weekly column on the New York gallery scene, "Currently Hanging", appeared in The New York Observer from 1999 to 2009.

It was at the Observer that Naves established himself as a "maverick dissenter" whose "opinions are as bright and punchy as any editor could wish for."

Naves' views earned enmity and accolades.

ArtNet.Com and Time Out New York cited Naves as the "worst New York art critic".

Jerry Saltz, writing in The Village Voice, twice took Naves to task for his "priggish, stuffy" and "self-congratulatory bitch-slapping."

Writing in Art in America, artist and critic Peter Plagens stated that Naves was among "the critics who craft the most limpid prose these days."

Elsewhere, Naves has been described as a "wickedly talented critic" and a writer who "clearly know[s] something about the production side" of art-making.

His writings on visual culture can be viewed in his ongoing blog Too Much Art

Naves recently turned to curating exhibitions, organizing “Intricate Expanse”, a group exhibition seen at Lesley Heller Workspace.

Naves has taught and lectured at Cooper Union, The New York Studio School, the University of Utah, The Painting Center, Rutgers University, Montclair State University, The National Academy of Design and The Ringling College of Art and Design.

He currently teaches at Pratt Institute, Hofstra University and Brooklyn College.

Awards:

2003

2003 George Sugarcane Foundation

2008

2008 John Pike Memorial Award, National Academy Museum

2010

2010 Pollock Krasner Fellowship

2010 Distinguished Alumni Award, University of Utah

2013

In response to his 2013 exhibition of paintings at Elizabeth Harris Gallery, John Goodrich wrote of Naves's "change in medium, and a more efficient attack that privileges compositions over texture", ultimately describing the shift from collage to painting as "revelatory".

Mario Naves' criticism has appeared in ARTS, The New Criterion, The Wall Street Journal, New Art Examiner, City Arts and Slate.

2015

2015 Professional Development Award, Brooklyn College