Marilyn Duckworth

Marilyn Rose Duckworth (Adcock; born 10 November 1935) is a New Zealand novelist, poet and short story writer.

Her family spent the years between 1939 and 1947 in England.

Her father Cyril Adcock was a psychologist and Esperantist, her mother was the poet Irene Adcock, and her sister is the poet Fleur Adcock.

She has had four husbands and has four daughters, and during her life has had close personal friendships with other writers including Maurice Shadbolt, Maurice Duggan and James K. Baxter.

Duckworth's first novel, A Gap in the Spectrum, was published in England when she was 23.

Since her first novel was published at the age of 23 in 1959, she has published fifteen novels, one novella, a collection of short stories and a collection of poetry.

Many of her novels feature women with complex lives and relationships.

She has also written for television and radio.

Both her first novel and her second, The Matchbox House (1960), were set in England.

Her third novel, A Barbarous Tongue (1963), won an award for achievement from the New Zealand Literary Fund, and was followed by In Over the Fence is Out (1969) which was set in both England and New Zealand and her first poetry collection Other Lovers' Children (1975).

Around this time she wrote radio plays Home to Mother (1976) and Feet First (1981), radio adaptations of both Gap in the Spectrum and A Barbarous Tongue, television script The Smiler and the Knife (1971) and several episodes of 1975–1983 series Close to Home.

In 1980 she received the Katherine Mansfield Menton Fellowship which enabled her to spend a year working in Menton, France.

It is about a woman trying to manage relationships with several lovers and the demands of her children during the 1981 Springbok tour of New Zealand.

Over the course of her career she has received a number of prestigious awards including the top prize for fiction at the New Zealand Book Awards for Disorderly Conduct (1984) and a Prime Minister's Award for Literary Achievement in 2016.

Duckworth was born in the suburb of Ōtāhuhu in Auckland, New Zealand.

Duckworth did not publish another novel until Disorderly Conduct in 1984.

Sturm describes this as beginning her "extremely prolific" second career.

This novel won the top prize for fiction at the New Zealand Book Awards in 1985.

It was followed by Married Alive (1985) set in a future New Zealand afflicted by an epidemic, and Rest for the Wicked (1986) involving a woman's volunteer work for a sleep research company and how that impacts on her family and relationships.

Janet Wilson has said that Duckworth's best novels "have a New Zealand, specifically Wellington, suburban setting, and often foreground the personal saga against contemporary public events or themes".

Many of her novels focus on women juggling their domestic life and relationships, although some of her novels including Pulling Faces (1987) and Leather Wings (1995) feature male narrators.

Academic Terry Sturm describes her female heroines as "earnestly engaged in a search for their own identities".

Kevin Ireland praised her novels for their wit and crisp dialogue; she is also known for her observational skills.

She cites in particular Pulling Faces (1987) and Messages from Harpo (1989); the latter involves three generations of women dealing with social and legal changes in 1980s New Zealand.

In the 1990s her novels included Unlawful Entry (1992), Seeing Red (1993), Leather Wings(1995) and Studmuffin (1997); a number of these dealt with darker sexual themes such as incest.

In 1996 she edited Cherries on a Plate: New Zealand Writers Talk About their Sisters; she and her sister Adcock also both contributed essays to this work.

In 2000 she published her autobiography, Camping on the Faultline.

Her later novels include Swallowing Diamonds (2003), about a young woman who has grown up in Wainuiomata, and Playing Friends (2007), about an older widowed woman who moves in with a friend and a pregnant teenager.

In 2016 Duckworth received the 2016 Prime Minister's Award for Literary Achievement in fiction, which is awarded to an author with a distinguished body of work.

Duckworth said in response:

"I'd been cheerfully resigned to being nowhere in the attention span of the literary world. Suddenly it’s here upon me, which is great."

Her second poetry collection, The Chiming Blue, was published in 2017.