Age, Biography and Wiki

Marie McMahon was born on 1 September, 1953, is an Australian female artist. Discover Marie McMahon's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 70 years old?

Popular As N/A
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Age 70 years old
Zodiac Sign Virgo
Born 1 September, 1953
Birthday 1 September
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 1 September. She is a member of famous Artist with the age 70 years old group.

Marie McMahon Height, Weight & Measurements

At 70 years old, Marie McMahon height not available right now. We will update Marie McMahon's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Marie McMahon Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Marie McMahon worth at the age of 70 years old? Marie McMahon’s income source is mostly from being a successful Artist. She is from . We have estimated Marie McMahon's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income Artist

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Timeline

1953

Marie Elizabeth Rita McMahon (born September 1953) is an Australian artist, known for her paintings, prints, posters, drawings, and design work.

Born in Melbourne, she has worked in various communities of Australian Aboriginal people and works in Sydney.

Her work has focused on social, political, and environmental issues.

Her posters about Aboriginal rights and Aboriginal life appear in major gallery collections in Australia.

McMahon was born in Melbourne, Australia, in September 1953.

She grew up on Australian Air Force bases in Darwin, Australia, at Richmond near Sydney, and at HMAS Albatross, a naval base on the South Coast of New South Wales.

1960

During the 1960s her family lived in the Philippines until they returned to Sydney.

1970

In the 1970s, posters proliferated as inexpensive ways to express ideas through art.

When asked about that period McMahon said the women artists "saw themselves as outsiders to the mainstream art establishment, inspired by acts like the Sex Pistols and the Clash."

1976

In 1976, McMahon joined the Earthworks Poster Collective at the Tin Sheds Art Workshop located on the campus of the University of Sydney.

While working there she contributed to a catalogue of posters that “were sometimes didactic and often provocative”.

In 1976, Marie began working at The Tin Sheds Workshop at the University of Sydney, where a number of feminists were putting out posters related to feminist issues.

In 1976 McMahon and artist Frances (Budden) Phoenix initiated The Women's Domestic Needlework Group (WDNG) Their aim was to reclaim the creative, but historically undervalued, practices of embroidery, knitting, crochet, lace making and needlework.

1979

The most significant of their four exhibitions was the D'Oyley exhibition at Watters Gallery in Sydney in 1979.

The exhibition, focusing on women's 'fancywork' featured more than 700 handmade doilies that were collected from various thrift shops.

The exhibition was sponsored the Crafts Board of the Australia Council.

McMahon's prints and posters are held in the National Gallery of Victoria, the Bendigo Regional Gallery, the National Gallery of Australia, the Art Gallery of New South Wales, the Australian Queer Archives, and the Museum of Contemporary Art in Sydney.

as well as in various regional galleries in Australia and in private collections.

1980

Recruited with other screen printers by the Aboriginal Arts Board, in 1980 she went to the Northern Territory to work at Tiwi Designs.

Later in the 1980s Marie worked as a designer at Redback Graphix in Wollongong and Sydney, where she produced well-known posters related to health issues for Aboriginal and Torres Strait Islander people.

As a printer she has produced etchings, linocuts, lithographs, and screen prints.

Among her many well-known posters are You are on Aboriginal land and the Australian Government's health promotion Beat the grog and Condoman AIDS awareness campaign, developed in collaboration with Aboriginal and Torres Strait Islander health workers.

1988

From 1988 to 1996, McMahon worked in the Tiwi Islands while living at Batchelor, south of Darwin.

2000

From 2000 to 2001 at she lived Gunbalanya, Arnhem Land, where she produced a series of collages interpreting the landscapes around her.

2004

Marie also produced prints at the Australian Print Workshop in Fitzroy, Victoria and so was included in a major exhibition Place Made: Australian Print Workshop held in early 2004 at the National Gallery of Australia (NGA).

When the NGA acquired many prints from the Workshop, they acquired more than 90 of McMahon's prints.

2009

From 2009–2010, her works have dealt with political conflict in Indochina and Cambodia.

2015

In 2015, the Sydney University Gallery held an exhibition titled Girls in the Tin Shed; Marie had several works in the exhibition.