Age, Biography and Wiki

Marc Marot was born on 5 May, 1959, is an Artist Manager, Visual Artist. Discover Marc Marot's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 64 years old?

Popular As N/A
Occupation Artist Manager, Visual Artist
Age 64 years old
Zodiac Sign Taurus
Born 5 May, 1959
Birthday 5 May
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 5 May. He is a member of famous with the age 64 years old group.

Marc Marot Height, Weight & Measurements

At 64 years old, Marc Marot height not available right now. We will update Marc Marot's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Marc Marot Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Marc Marot worth at the age of 64 years old? Marc Marot’s income source is mostly from being a successful . He is from . We have estimated Marc Marot's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1978

Marot started his professional career upon leaving art college in 1978. At 19 years old he joined members of prog-rock band Van der Graaf Generator in an offshoot collective called The Pool of Sound, who for three years performed on the live music circuit but were unsuccessful in securing a record deal. He supplemented the living he made from music by working as a landscape gardener and whilst doing so picked up the physically debilitating illness toxoplasmosis which resulted in him giving up touring. He moved to London where he got a job as a counter assistant at the Hounslow branch of Our Price Records.

1982

Whilst he was working five days per week at Our Price Records, he also worked voluntarily at independent music publisher Eaton Music on his day off. In 1982 Terry Oates, the owner of Eaton Music gave Marot his first major break by appointing him as Professional Manager at 22 years old. In 1984, Marot was headhunted by Nick Stewart, the Island Records head of A & R who was responsible for signing U2. Marot's new position was general manager of Blue Mountain Music. In an interview with The Independent Marot described the amusing circumstances of his beginnings at Blue Mountain: "I immediately said: `Yes. It was Island and I desperately wanted to work for Island,' says Marot who, with his brother, had been a collector of the label's records for years. What he didn't know was that Blue Mountain was also the personal company of Chris Blackwell, the place where he stashed all his favourite assets like Bob Marley's catalogue, Free and U2.

1987

The first of Marot's signings was Colourbox, an English electronic musical group signed to the 4AD label. IN 1987 Colourbox joined forces with A.R. Kane and recorded Pump Up the Volume under the name M/A/R/R/S. The song was noted for being one of the first to be constructed almost entirely from samples from other records. Pump Up the Volume was Marot's first international number 1 single, charting in the top position in 5 countries and in the top ten in a further 6. It went on to sell well over 1 million singles worldwide.

1989

About eight months after Polygram's 1989 acquisition of the Island Records Group Marot was appointed MD of Island Records UK. The label went through a period of change with Marot supervising the eradication of much of the former roster and the subsequent rebuild. Artists signed and/or developed by Marot's team while at Island Records included Pulp, PJ Harvey, Stereo MCs, P. M. Dawn, The Cranberries (signed to the US label but developed in the UK), The Orb, Talvin Singh, Tricky, Nine Inch Nails, and Chaka Demus & Pliers. The Mercury Music Prize started in 1992, was dominated by Island acts in the 1990s. The company scored 12 nominations and two wins in the first eight years of the awards, and PJ Harvey has subsequent won the prize twice more since.

1991

In 1991 Island were charged under section 2 of the UK's obscene publication act for wilfully releasing 'efil4zaggin' by NWA in the UK. Given the chance to withdraw the album by the police and avoid prosecution Marot lead the Island records board of director into the decision to defend NWA's right of free speech. Marot was personally threatened with prosecution under section 1 of the act as the 'controlling mind' behind Island records at the time of the case. Island engaged Geoffrey Robinson QC as a barrister and were rewarded with a famous win at Redbridge magistrate court on 7 November 1991, with all charges dismissed and costs awarded against the Crown prosecution services. This was to be the last obscenity trial levelled against the UK music industry.

1996

Marot was an early adopter of the World Wide Web and an advocate for not only the benefits it could provide but also the changes that it would bring about in the music industry. He used the Island Record's building maintenance fund to divert money into building the UK's first major label website: island.co.uk and as a result was awarded the inaugural Music Week Prize for Website Design in 1996. In 1997 island.co.uk started selling its catalogue online, sparking a short term battle with retail giants HMV, who withdrew support for all of Polygram's new artist releases in resistance to Island's decision to become an online retailer.

1999

During this period Marot took responsibility for U2's A & R and marketing, starting with the release of Achtung Baby to just prior to the release of All That You Can't Leave Behind. In 1998 following an approach from Jubilee 2000's Jamie Drummond, Marot approached Bono to enlist his support in the campaign to eradicate third world debt. In Bono's Jubilee 2000 diary he says 'Marc Marot called me to talk about Jubilee 2000 who are organising a street protest to surround the G7 summit in Birmingham. Sounds fun, the right kind of mischief. I can sense this is the beginning of a lot of phone calls and a kind of unhipness I thought I'd shaken' On November 12, 1999 Bono credited Marot with "ruining his life" whilst receiving the MTV Free Your Mind Award at Dublin's Point Depot

2000

Island's last signing under Marot's tenure was Elbow, who were dropped by the label after his departure in 2000. The majority of the Mercury Music Prize nominated album 'Asleep in the Back' was recorded under Island's stewardship. However, it was released on the V2 label in 2001

Marot left Island records in 2000. His first task as an independent was to create the original iteration of the multi award-winning U2.com. Marot acted as producer of the site, choosing the development and editorial teams as well as the design direction.

2002

The same year Marot formed Terra Firma Management (not to be confused with the Terra Firma that purchased EMI records in 2002). His first three clients were Paul Oakenfold, Richard Ashcroft and Lemon Jelly. He managed Oakenfold until 2010. In 2006 he was approached by Yusuf Islam (Cat Stevens) with a view to helping him restart his career. Islam's first album in 28 years was An Other Cup.

2006

In 2006 Marot was on the judging panel for the music competition Pringles Unsung. In 2008 he merged his management company with Dutch-based Sports Entertainment Group (SEG). The company operates out of 10 countries worldwide, managing the careers of over 400 athletes and 25 musicians and artists including The Noisettes, Leftfield, Billy Ocean, Jess Mills, Breakage, Shy FX and Gabriella Cilmi. In January 2012 Marot resigned from the board of Sports Entertainment Group. On 3 March Music week magazine announced that he'd joined Crown Talent and media group in the capacity of Executive Chairman. Crown manage the careers of Maya Jane Coles and Talvin Singh amongst others. In December 2018 Marc left Crown to focus on his art career.

2014

Marc's involvement with digital art began when Scarlett Raven approached him to be her manager in 2014. His first action was to secure her a one-year contract with Washington Green (print publishers) and Castle Fine Art (distribution and retail). Castle put on a major 20 painting exhibition entitled The Eleventh Hour in September 2014 at their London Bruton Street gallery.