Manny Oquendo

Manny Oquendo (January 1, 1931 – March 25, 2009) was an American percussionist of Puerto Rican ancestry.

His main instruments were the timbales and the bongos.

Oquendo's timbales solos were famous for their sparse, straightforward típico phrasing, reminiscent of the Cuban timbaleros of the 1940s.

According to musician and producer Juan de Marcos González, Oquendo's tuning of the timbales was comparable to that of Silvano "Chori" Shueg.

Oquendo's solos also incorporated the rhythmic language of the folkloric quinto, the lead drum of rumba.

With Eddie Palmieri

With Tito Rodriguez

With Grupo Folklorico y Experimental

With Paul Quinichette

Oquendo grew up in New York City and began studying percussion in 1945.

He worked in the bands of Tropical and Latin music ensembles such as Carlos Valero, Luis del Campo, Juan "El Boy" Torres, Luciano "Chano" Pozo, José Budet, Juanito Sanabria, Marcelino Guerra, José Curbelo, and Pupi Campo.

In 1950, he became the bongó player for Tito Puente.

Following this he played with Tito Rodríguez in 1954 and Vicentico Valdés in 1955.

He worked freelance in New York before joining Eddie Palmieri's Conjunto La Perfecta in 1962, where he helped develop the New York–style of the Mozambique rhythm.

He was a long-time member of Eddie Palmieri's Conjunto La Perfecta, which he left in the 1970s to co-lead the Conjunto Libre.

He co-led Conjunto Libre (later simply Libre) with bassist Andy González from 1974 and had a worldwide hit with "Little Sunflower" in 1983.

This Freddie Hubbard composition was included on their album Ritmo, Sonido y Estilo.