Mabel Lethbridge

Her Grandfather was Sir Wroth Periam Christopher Lethbridge, 5th Baronet (1863–1950) and her paternal family were long established Somerset gentry.

Mabel Florence Lethbridge BEM (7 July 1900 – 14 July 1968) was a 20th-century English writer and business woman.

She was the youngest person at the time to receive the British Empire Medal, an award affiliated to the Order of the British Empire, for her services in the Great War as a munitions factory worker.

She was severely injured when a shell she was packing exploded and described her experiences in a series of autobiographies.

Mabel Lethbridge was born on 7 July 1900 in Luccombe, Somerset, the second youngest of six children of John Acland Musgrave Lethbridge (1869 – 1934) and the American Florence Martin (Mary) Cooper (d 1931).

Her parents divorced in 1903 and the first volume of her autobiography is brief on her childhood years, although she later records that her father worked overseas in the Empire and that she had a peripatetic upbringing that variously included Kenya, Italy and Ireland.

Her father was at one time a professional soldier and big game huntsman who had served in South Africa, but by 1907 he was a declared bankrupt in Kenya.

She suffered several years of poor health necessitating a period of convalescence near Ballinhassig and later at Coachford in Ireland from 1909 to 1912.

During this time she received little formal education for eighteen months, before attending St Angela's Convent, Cork, an Ursuline foundation in Cork City.

Her Mother's illness (which was survived) required the family to leave Ireland at short notice and return to London.

Mabel then attended Haberdashers’ Aske's School for Girls describing her period as a pupil as a mixture of good friends, boredom, bad food and teaching that she loathed.

In 1917 Lethbridge took a job as a nurse at Bradford Hospital where she tended troops who had been injured and maimed in the War.

Returning to London she applied to work at the National Munitions Filling Factory in Hayes, Middlesex lying about her age since she was under eighteen years.

She volunteered for the dangerous work of filling shells with Amatol explosive.

On 23 October 1917 she was working on a recently condemned machine that packed the Amatol into the shells.

It exploded, killing several workers and seriously injuring Lethbridge who had extensive injuries that included the loss of a lung, an ear and her left leg which was blown off.

Although temporarily blinded she managed to apply a tourniquet to her thigh, an act that certainly saved her life.

In recognition of her service she received the British Empire Medal, an award that at that time was affiliated with the Order of the British Empire, for 'services in connection with the War, in which great courage or self-sacrifice has been displayed', her citation stating 'For courage and high example shown on the occasion of an accident in a filling factory, causing loss of one leg and severe injuries to the other.' The medal was awarded to her at a ceremony in Maidstone in Kent in 1918.

However she did not receive an invalidity pension as she had lied about her age in order to work at the munitions factory.

She worked variously as a house maid, sold matches and hired a barrel organ to entertain crowds on Armistice Day in 1918.

In 1922 she married Noel Eric Sproule Kalenberg, a Cambridge University graduate and a member of a Jewish family of Dutch extraction long established in Sri Lanka.

In 1923, she spotted an opportunity with the long queues that used to form outside London theatres and cinemas and hired out chairs and stools for the waiting patrons to sit on, thereby earning the sobriquet 'Peggy the Chair Lady'.

Her enterprise drew her into a criminal underworld that flourished in the aftermath of the Great War.

The marriage produced one daughter, but failed and they divorced in 1932, Kalenberg remarrying shortly thereafter in Sri Lanka.

Lethbridge's liaisons included a romance with Silas Glossop, a civil engineer and one of the founders of Geotechnical Engineering in the UK and a long-standing affair with Colin Gill, who was commissioned to paint Lethbridge for The Imperial War Museum.

Gill's studio occupied Lethbridge's first floor at her Tite Street, Chelsea residence whilst Mabel, her daughter Suzanne and a butler occupied the rest of the house.

Suzanne Lethbridge posed for Gill's The Kerry Flute Player

Mabel Lethbridge had recognised that people wanted living accommodation in Chelsea where her family resided and accordingly opened an estate agency with a prestigious address in Cheyne Walk.

It was a major success allowing Lethbridge to remove herself from the poverty of the immediate post war years, maintain a house in London and a rural retreat in Chertsey, Surrey.

In her first volume of autobiography she describes herself as the first woman to own and run an estate agency.

He then abandoned his family and, although he lived until 1934, he did not see his children again, dying in poverty in Mexico.

There followed several years of earning a meagre living, recounted in her autobiography published in 1934.

In 1939 Lethbridge volunteered for the Ambulance Service working with her daughter Sue throughout The Blitz.

When the war ended in 1945 Lethbridge moved to St Ives in Cornwall.

The severe injuries that she had received as a worker at the Hayes Munitions Factory necessitated many more operations and her health was not improved by living in a polluted London.

In the post war period St Ives maintained a vibrant writing and artistic community with whom Lethbridge became involved in part, because of her enjoyment of bohemian values but also as a benefactor.

In 1948 Mabel converted to Roman Catholicism and in 1962 her life was the subject of BBC’s This Is Your Life.

She provided the abstract painter Sven Berlin and his wife with a cottage and a studio and championed Bryan Wynter, the latter subsequently marrying her daughter Suzanne in 1949.

Later tensions and strains arose between the tradition of established figurative painters and the generally younger abstract painters but St Ives continued to attract aspiring artists over subsequent decades.

She touched upon this work in her third and final volume of autobiography Homeward Bound published in 1967.