Age, Biography and Wiki
Lynda Myles was born on 2 May, 1947 in Arbroath, United Kingdom, is a British writer and producer (born 1947). Discover Lynda Myles's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 77 years old?
| Popular As |
N/A |
| Occupation |
Film producer |
| Age |
77 years old |
| Zodiac Sign |
Taurus |
| Born |
2 May, 1947 |
| Birthday |
2 May |
| Birthplace |
Arbroath, United Kingdom |
| Nationality |
United Kingdom
|
We recommend you to check the complete list of Famous People born on 2 May.
She is a member of famous Writer with the age 77 years old group.
Lynda Myles Height, Weight & Measurements
At 77 years old, Lynda Myles height not available right now. We will update Lynda Myles's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Lynda Myles's Husband?
Her husband is Jan Leighton (? - ?) ( divorced) ( 1 child)
| Family |
| Parents |
Not Available |
| Husband |
Jan Leighton (? - ?) ( divorced) ( 1 child) |
| Sibling |
Not Available |
| Children |
Not Available |
Lynda Myles Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Lynda Myles worth at the age of 77 years old? Lynda Myles’s income source is mostly from being a successful Writer. She is from United Kingdom. We have estimated Lynda Myles's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Writer |
Lynda Myles Social Network
Timeline
Lynda Myles (born 2 May 1947) is a British writer and producer.
On September 4, 1967, Myles and her then boyfriend, David Will, wrote a letter to the editor of The Scotsman newspaper that was critical of the Edinburgh International Film Festival.
The students were invited to work with festival director Murray Grigor, which they did, with great impact, as their focus was on auteurs like Samuel Fuller and other influential American New Wave filmmakers.
From Spring 1968 onwards, she began working at Edinburgh International Film Festival, first in programming, and then as a deputy editor of the festival.
From 1973 to 1980, Myles was director of the Edinburgh International Film Festival.
She was the first woman director of a film festival.
In 1979, together with Michael Pye, Lynda Myles coined the term 'the movie brats' which came to define a new generation of American film-makers, nurtured by watching and studying popular films themselves rather than by theatre or industry apprenticeship.
It was this generation whose work Myles had championed in her role at the Edinburgh Film Festival.
The term went into common usage, and was recently quoted by Steven Spielberg in several interviews regarding his work.
The argument underlying the phrase was made in her and Pye's study of this generation.
She was director and curator of film at the Pacific Film Archive, University of California, Berkeley for two years.
She was Senior Vice–President at Columbia Pictures.
Myles was appointed Commissioning Editor for Drama at the BBC for two years.
From 1990 to 1994, Myles was co-executive director of the East-West Producers' Seminar, a training program for young producers in Eastern Europe.
She is most well known for her work as the director of the Edinburgh International Film Festival and for producing film adaptions of Irish writer Roddy Doyle's The Barrytown Trilogy: 1991's The Commitments, 1993's The Snapper, and 1996's The Van.
As a student at University of Edinburgh, Myles was active in Edinburgh University Film Society.
In 1991, Myles co-produced the first of three films in Roddy Doyle's The Barrytown Trilogy, The Commitments. She continued to work as an independent producer, making the second and third films in The Barrytown Trilogy, The Snapper and The Van.
Myles produced the 1997 film of Simon Donald's play, The Life of Stuff for BBC Films.
In 2000, she produced Roddy Doyle's film When Brendan Met Trudy for BBC Films.
Myles co-produced Chen Kaige's 2002 film, Killing Me Softly, for the Montecito Picture Company.
Since 2004, Myles has been the Head of the Fiction Department at National Film and Television School outside London.
