Age, Biography and Wiki

Luigi Veronesi was born on 28 May, 1908 in Milan, Italy, is an Italian painter. Discover Luigi Veronesi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 89 years old?

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Occupation Photographer painter film director
Age 89 years old
Zodiac Sign Gemini
Born 28 May, 1908
Birthday 28 May
Birthplace Milan, Italy
Date of death 25 February, 1998
Died Place Milan, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 28 May. He is a member of famous painter with the age 89 years old group.

Luigi Veronesi Height, Weight & Measurements

At 89 years old, Luigi Veronesi height not available right now. We will update Luigi Veronesi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Luigi Veronesi Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Luigi Veronesi worth at the age of 89 years old? Luigi Veronesi’s income source is mostly from being a successful painter. He is from Italy. We have estimated Luigi Veronesi's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income painter

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Timeline

1908

Luigi Veronesi (28 May 1908 – 25 February 1998) was an Italian photographer, painter, scenographer and film director born in Milan.

1920

Luigi Veronesi trained as textile designer in the 1920s and by practised photography.

He was introduced by Raffaelle Giolli to a group of Italian intellectuals associated with the review Poligono.

At the age of 20, he became interested in painting and took lessons with the Neapolitan painter Carmelo Violante, then professor at the Accademia Carrara of Bergamo (Italy).

1932

In 1932 he travelled to Paris and met Fernand Léger.

Veronesi's first works presented in the Gallery Il Milione in Milan were still figurative, though he moved later in the direction of abstract art.

Influenced by Constructivist theories (and politically aligned with Communism), Veronesi used the cyanotype photogram after 1932 as a means of revealing metaphysical qualities in objects.

1934

In 1934, he exhibited xylographic works with the German artist Josef Albers in the Gallery Il Milione.

In the same year he joined the photographic group Abstraction-Création in Paris, experimented in constructivism, and adhered to the Bauhaus method.

1935

On 4 March 1935, he participated to the first collective exhibition of abstract art of Italy in the atelier of the painters Felice Casorati and Enrico Paolucci in Turin together with the artists Oreste Bogliardi, Cristoforo De Amicis, Ezio D'Errico, Lucio Fontana, Virginio Ghiringhelli, Osvaldo Licini, Fausto Melotti, Mauro Reggiani and Atanasio Soldati, who signed the Manifest of the first collective exhibition of Italian abstract art.

1936

In 1936, Veronesi was the illustrator of a geometry book of Leonardo Sinisgalli and he participated to the triennal of Milan.

In that year he also participated to an exhibition of abstract art in the city of Como (Italy) with the artists Lucio Fontana, Virginio Ghiringhelli, Osvaldo Licini, Alberto Magnelli, Fausto Melotti, Enrico Prampolini, Mario Radice, Mauro Reggiani, Manlio Rho and Atanasio Soldati.

Experimenting with the photogram Veronesi combined the photographic image with oil on canvas in large-scale colour images by preparing a light-sensitive canvas on which he placed objects in the dark for exposure and then fixing.

1938

The shapes became the matrix for an abstract painting to which he applied colour and added drawn geometric lines to enhance the dynamics, exhibiting them in a solo show at the Galerie L’Equipe in Paris in 1938–1939.

Veronesi's interest in music continued, creating a polydimensionality in his art intended as an overall theme, and his research into the mathematical relationships of musical notes intensified as he translated musical notes into tonal relationships of colour.

He thus created numerous chromatic transpositions of musical scores.

Veronesi was also active in theatre and cinema with nine experimental and abstract films made between 1938 and 1980, seven of which were destroyed during bombing in World War II.

He participated to the national exhibition of scenography in Rome in 1938.

1940

From the 1940s, he worked as scenographer with Giorgio Strehler, the founder of the Piccolo Teatro of Milan, in particular in works of Luigi Pirandello, and later built several sets for the Scala Theater of Milan until the end of the 1980s.

1942

In 1942, he made the scenography of the opera Minnie la candida of Riccardo Malipiero.

1947

He participated to the exhibition Arte astratta arte concreta in the Royal Palace of Milan (Palazzo Reale) in 1947 and adhered to the Movimento Arte Concreta (M.A.C.) in Milan in 1949.

He worked several years as graphic designer.

1963

From 1963 to 1979, Veronesi taught graphic arts at the graduate course of industrial design in Venice and later was professor of colour science at the Brera Academy (Milan).

1980

In the 1980s, he participated in the exhibition on Italian abstract art in the framework of the 33rd Biennale di Venezia; he staged a personal exhibition in Bolzano in 1980 and another in Pordenone (Italy) in 1984; and he was the coauthor, with Giancarlo Pauletto, of a book on the Italian artist Genesio De Gottardo published in 1989.

Luigi Veronesi was a polyvalent and eclectic artist who managed to synthesise the avant-garde movements of various regions of Europe.

1990

In the late 1990s, the musician Sergio Maltagliati expanded on Veronesi's research.

After World War II, he was the co-founder of the photographic group La Bussola.

1998

He died in Milan in 1998.