Age, Biography and Wiki

Lina Bryans (Lina Hallenstein) was born on 26 September, 1909 in Hamburg, Germany, is an Australian artist (1909–2000). Discover Lina Bryans's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 91 years old?

Popular As Lina Hallenstein
Occupation N/A
Age 91 years old
Zodiac Sign Libra
Born 26 September, 1909
Birthday 26 September
Birthplace Hamburg, Germany
Date of death 30 September, 2000
Died Place Melbourne, Victoria, Australia
Nationality Germany

We recommend you to check the complete list of Famous People born on 26 September. She is a member of famous artist with the age 91 years old group.

Lina Bryans Height, Weight & Measurements

At 91 years old, Lina Bryans height not available right now. We will update Lina Bryans's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Lina Bryans Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Lina Bryans worth at the age of 91 years old? Lina Bryans’s income source is mostly from being a successful artist. She is from Germany. We have estimated Lina Bryans's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1909

Lina Bryans (26 September 1909 – 30 September 2000), was an Australian modernist painter.

Lina Bryans was born in Hamburg, Germany, on 26 August 1909, second daughter of wealthy prosperous Michaelis-Hallenstein family of industrialists, Australians Edward and Lina Hallenstein, who were then visiting Europe.

The following year they settled in Toorak, Melbourne, Victoria, and Lina grew up moving between Australia, England and France.

She used her knowledge of French to work as a translator.

1930

Bryans went to live in Darebin Bridge House, a converted coach-house at Darebin, in the late 1930s, joining Ada May Plante.

Bryans subsequently purchased it using her inheritance, painted and decorated it distinctively and named it "The Pink Hotel".

It became an artists' colony for Bryans, Plante, Frater, Ambrose Hallen and Ian Fairweather and other artists.

1932

She married Baynham Bryans in 1931 and they had a son, Edward (24 June 1932 – 23 March 2010), who made his name as a newsreader on ABC radio and television.

1936

The marriage broke down and Lina moved to South Yarra in 1936.

She met William (Jock) Frater and decided with his help and encouragement to become a painter.

She'd had no involvement with art before.

A modernist, Bryans was associated with Frater's circle which included Ada May Plante and Isabel Hunter Tweddle.

1937

Her first works were painted early in 1937 and Basil Burdett selected her Backyards, South Yarra in 1938 for the Herald Exhibition of Outstanding Pictures of 1937.

1938

Her work was included in Burdett's article in Studio (1938) and in the exhibition, Art of Australia 1788-1941, shown at MOMA (New York) in 1941.

1940

Her well-known, jaunty portrait of Australian writer Jean May Campbell, The Babe is Wise, (named after Campbell's novel of the year before) was painted in 1940.

It is held in the National Gallery of Victoria collection.

Bryans was a member of the Independent Group.

1945

From 1945 she opened the doors to the Meanjin group: Vance and Nettie Palmer, Rosa and Dolia Ribush, Jean Campbell, Laurie Thomas and Alan McCulloch.

There they joined the moderates in the Contemporary Art Society (Norman Macgeorge, Clive Stephen, Isobel Tweddle and Rupert Bunny, Sybil Craig, Guelda Pyke, Elma Roach, Ola Cohn and Madge Freeman and George Bell).

The liberal, conservative modernists in Melbourne were thus given an identity and a base, attracting group of writers associated with the journal Meanjin, in turn sparking an interest in journalism in Lina's son Edward.

It included Nude (1945, NGV) and Portrait of Nina Christesen (1947), both painted at Darebin, which she sold later that year and moved to Harkaway, near Berwick.

1948

In 1948 Bryans had her first solo exhibition.

She took a few lessons from George Bell in 1948 and from Mary Cockburn Mercer in 1951.

1953

In 1953 she went to America, then to France, where she studied for a few months at La Grande Chaumière and visited Mercer in the south of France.

Back at Melbourne, she once more became prominent in the city's artistic and cultural milieu.

1960

Landscape painting was always important to Bryans and throughout the 1960s and 1970s, it became more dramatic and abstract.

In the 1960s, as a guest exhibitor, she was one of the most important and professional artists associated with the Society, and critics consistently placed her works at the forefront of MSWPS group shows.

1965

In 1965 she visited Central Australia and painted modernist paintings of the Australian bush in heightened colour.

1966

She was awarded the 1966 Crouch Prize for Embedded Rock (1964, BFAG).

Her major work Landscape Quartet from her second solo exhibition, held at Georges Gallery in 1966, was purchased by the National Gallery of Victoria, which awarded her a retrospective in 1982, held at Banyule Gallery in 1982, which subsequently toured regional galleries in Victoria.

In 1966 one faction of the MSWPS was anxious to see the high-standing artist Lina Bryans elected president for her dynamic outlook.

1991

In 1991 she rejoined the Melbourne Society of Women Painters and Sculptors, in which she had first enlisted in 1940 and quit in 1966.

1994

In the 1994 Queen's Birthday Honours Bryans was awarded the Medal of the Order of Australia (OAM) for "service to the visual arts as a landscape painter".

2001

Nevertheless, as Forwood notes (2001), her portraits 'best reveal her contribution to Australian art’, moreover, 'her seventy-three portraits of friends engaged in the world of art and letters form a pictorial biography of Bryans herself’.