Letitia Huckaby

The Clotilda, the ship that had brought them as slaves from Africa, was scuttled in Mobile Bay in 1860 after delivering in order to their conceal illegal activity.

The wreckage has since been rediscovered and is the subject of archaeological research.

The Talley Dunn Gallery divides the involved artworks into four categories: Water/Landscapes, Ancestors, Descendants, and Africatown.

5 Paperdolls: A Contemporary Tale: This exhibition, first shown in 2020, is a body of works created by Huckaby inspired by the 16th Street Baptist Church bombing of September 15, 1963.

The explosion resulted in the deaths of four children, with dozens of others left wounded.

Carita Letitia Huckaby (née Jenkins, born 1972) is an American photographer who creates multimedia artwork combining photography and textiles to depict both family narratives and African American history.

Before beginning her career as an artist, Huckaby's journey with the arts began in the form of ballet.

She was selected to take part in the Oklahoma Summers Arts Institute in 1988 and 1989, where she studied modern dance at Quarts Mountain under the tutelage of Pat Catterson.

This is where she was first exposed to photography as an art form, and she was instantly enamored with it.

Her parents were less enthused about her prospective career in photography, so she studied journalism with a focus on advertising at the University of Oklahoma.

Huckaby earned a degree in Journalism from the University of Oklahoma in 1994, after which she took the position of Promotions Coordinator at a radio station in Lawton, Oklahoma.

During this time, she studied at a vocational academy, intent on making photography a hobby.

She was then invited by the Oklahoma Arts Institute to assist their Public Relations department, where she had the opportunity to visit the photography exhibit Christopher James, an internationally known photographer.

Huckaby was taken with his work, particularly his piece Dying Man, and was so moved by it that she decided to return to school and earned a BFA focusing on art photography from the Art Institute of Boston in 2001.

During her time in Boston, she discovered her calling in documentary photography.

She documented a dance studio that offered free classes to inner-city children, a historic jazz club called Wally's that was part of the Chitlin' Circuit, backstage at Bobbi Brown cosmetics shows, helping a photographer at a Bishop Desmond Tutu wedding, and honing her craft by using street photography to capture city life.

She staged her first show, began working as a photpgraher, and was the recipient of multiple awards and scholarships.

After earning her degree in Boston, she moved back south to be closer to her family.

Her career as a freelance journalist for newspapers and school systems began when she settled in the Dallas/Fort Worth region, where she photographed babies, sports, and weddings.

She married painter Sedrick Huckaby, had her first child, and lost her father.

After this, Huckaby returned to the University of North Texas, where she earned an MFA in photography in 2010.

Huckaby was one of the artists selected by independent curators to participate in the 2013 Texas Biennial, which showcases "the best emerging and established visual artists in Texas."

Her works have been shown at the Dallas Contemporary; the Galveston Arts Center in Galveston, Texas; Renaissance Fine Art in Harlem, New York; the McKenna Museum in New Orleans; the Tyler Museum of Art; and the Dallas African-American Museum.

Her work is part of the permanent collections of the Art Museum of Southeast Texas in Beaumont, the Samella Lewis Contemporary Art Collection at Scripps College in Claremont, California, and the Brandywine Workshop in Philadelphia, Pennsylvania.

She has also given public lectures at the Fort Worth Contemporary Arts Center and the Dallas Contemporary.

Huckaby has also created public art projects, including a piece along the Trinity River in Fort Worth at the 4th Street trailhead, one at the Ella Mae Shamblee Branch library in Fort Worth, and an installation of glass panels at the new Highland Hills Branch Library in Dallas, which reveals silhouettes of community members above the library's main entrance.

She co-founded Kinfolk House, a collaborative project space housed in a historic, hundred year-old home in Forth Worth, in the neighborhood of Polytechnic.

She was named the Texas Artist of the Year in 2022.

Letitia Huckaby is represented by the Talley Dunn Gallery, Dallas.

Bayou Baroque: The mixing of materials to reveal historical topics is exemplified by this 2015 exhibit honoring the nuns at the Sisters of the Holy Family Mother House in New Orleans, Louisiana.

The pieces present black women with the same solemn compositional weight as that shown in older master religious paintings.

At the same time, the works echo the flowered backgrounds of Kehinde Wiley’s contemporary portraits, but bring a domestic twist to the flat plains.

Beautiful Blackness: This one-woman show was exhibited at the new Foto Relevance Gallery in the Houston Museum District in 2020.

The exhibition involves works drawn from multiple portfolios by the artist and taps deep into the historical entanglements surrounding African American life in the rural American South.

Huckaby describes it as an exploration of the remains of Freedmen's towns across the south and following the path of the Exodusters.

A Tale of Two Greenwoods: This project was executed and exhibited in 2020.

This Same Dusty Road: This 2020 exhibition examines Huckaby's own faith, family, and cultural heritage in Louisiana, with much of the involved art coming from her memories of family who lived along Louisiana Highway 19.

Through these works, Huckaby looks into her own family, particularly the women, and confronting past and present inequities while composing her pieces to evoke old masterworks and altar pieces.

And Thy Neighb(our): This 2020 exhibition, for which the title was derived from Luke 10:27 ("He answered, “‘Love the Lord your God with all your heart and with all your soul and with all your strength and with all your mind’[a]; and, ‘Love your neighbor as yourself."), focuses on essential concepts of the twenty-first century such as community, the collective, home, and identity.

Bitter Waters Sweet: In this 2022 exhibition, Huckaby looks at the legacy of Africatown, a historic Black community near Mobile, Alabama.