Age, Biography and Wiki

Laurent Bouzereau was born on 30 November, 1961 in France, is a producer,director,writer. Discover Laurent Bouzereau's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 62 years old?

Popular As N/A
Occupation producer,director,writer
Age 62 years old
Zodiac Sign
Born 30 November, 1962
Birthday 30 November
Birthplace France
Nationality France

We recommend you to check the complete list of Famous People born on 30 November. He is a member of famous Producer with the age 62 years old group.

Laurent Bouzereau Height, Weight & Measurements

At 62 years old, Laurent Bouzereau height not available right now. We will update Laurent Bouzereau's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Laurent Bouzereau Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Laurent Bouzereau worth at the age of 62 years old? Laurent Bouzereau’s income source is mostly from being a successful Producer. He is from France. We have estimated Laurent Bouzereau's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Producer

Laurent Bouzereau Social Network

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Timeline

1929

Bouzereau then produced another Laserdisc (LD) for Criterion, Alfred Hitchcock's Blackmail (1929).

1941

Universal Studios then contacted Bouzereau to produce Laserdiscs for Spielberg's 1941 (1979) and Jaws (1975).

While the LD for 1941 (1979) was on hiatus, he then edited the EPK interviews for the film Alive (1993) and worked in feature development for ZM Productions. From here on in, he would produce some of the best making-of documentaries for home video, DVDs especially.

Almost all of his first films were of feature-length, this includes The Making of '1941' (1996), The Last Picture Show: A Look Back (1999) and The Making of Steven Spielberg's 'Jaws' (1995) to name a few. Unfortunately, the DVD format changes, and there is more demand for shorter documentaries to appeal to the masses.

1976

Once Bouzereau heard that The Criterion Collection, a Laserdisc distributor for classic film, was making a Laserdisc for Brian De Palma's Carrie (1976), he called them up and told them he had some collectibles they may be interested in. As it turns out, some of those at Criterion had already read his book and wanted his input on the Laserdisc, so he recorded a very informative audio commentary track to be included on the Laserdisc. This was his first foray into the home video circuit.

1988

On top of writing for these magazines, he wrote the book "The De Palma Cut" in 1988 about Brian De Palma's visual style and controversial films.

1995

This resulted in having to personally cut down the The Making of Steven Spielberg's 'Jaws' (1995) for the 25th Anniversary Jaws (1975) DVD. Now, the majority of his work it split up into three or so featurettes rather than one documentary.

2005

Currently, Laurent Bouzereau is the best-known home video/movie documentary filmmaker. His name has appeared in the closing credits for over 150 "making-of" documentaries and featurettes thus far, and he has only been in the business for 10 years as of 2005. It all started when he collected film memorabilia for classic Steven Spielberg and Brian De Palma films at the time of their release. It was clear that he loved films, and would hopefully get to make them in the future. He first started in the "film business" when he came over to the United States from France to work in film distribution. This was then followed up by several writing gigs for French magazines including 'L'Ecran Fantastique' and 'Globe'.