Laura Alonso

Laura Alonso Padín (born 2 January 1976), known as Laura Alonso, is a Spanish operatic soprano.

She began her career in 1999 when she became a member of the Aalto Theatre in Essen, Germany.

She has appeared as a guest artist with major theatres and musical ensembles internationally.

Laura Alonso Padín currently lives in Berlín.

Born in Vilagarcía de Arousa (Galicia, Spain), Alonso earned university diplomas in both singing and the violin in her native country before pursuing further studies in Germany.

A scholarship from the Alexander von Humboldt Foundation enabled her to study voice under Aldo Baldin, Anna Reynolds and Jean Cox and lied with Hartmut Höll at the Hochschule für Musik Karlsruhe.

In 1999, at 23 years of age, Alonso became a member of the Aalto Theatre in Essen, Germany.

Over the past decade she has sung numerous roles with that opera house, including Blanche in Francis Poulenc's Dialogues of the Carmelites, Gilda in Giuseppe Verdi's Rigoletto, Mimí in Giacomo Puccini's La bohème, Pamina in Wolfgang Amadeus Mozart's The Magic Flute, Susanna in Mozart's The Marriage of Figaro, and Zdenka in Richard Strauss' Arabella among others.

Other achievements include her role as Magda in La rondine, which she performed in Utrecht (Netherlands) with the TROS and Gómez Martínez as conductor, as well as her Salzburg performance in the role of Sandrina, in La finta giardiniera, on the occasion of the Mozart Year 2006 with Doris Dörrie as stage manager.

Other recent performances have taken place in Santander and La Coruña with the opera Carmen and also in La Coruña the Spanish premiere of The Rescue of Penelope by Benjamin Britten.

Her most ambitious recording project was the belcanto arias album Col sorriso d'innocenza, in collaboration with the Philharmonic Orchestra of Malaga, which was published in December 2006.

The record label Columna Musica has recently released her CD collection of Galician songs Lúa descolorida, and another one will be released shortly with Spanish repertoire.

Her most ambitious recording project is the bel canto compact disc of arias: Col sorriso d’innocenza, a collaboration with the Philharmonic Orchestra of Málaga which was published in December 2006 and has received excellent reviews by the international operatic press.

She has performed in some of the most important auditoriums and theatres in Spain, and at the end of 2007, she sang belcanto repertoire in the Opera Hall at Valladolid Auditorium, with the conductor Alejandro Posada and Canarian tenor Celso Albelo with duets and arias from Lakmé, Rigoletto, Elisir d'amore and Semiramide, alongside the Symphony Orchestra of Castilla y León.

She devotes most of the year to giving recitals and concerts.

Next music key events are a Liederabend at the Juan March Foundation in Madrid, and another one at the Auditorio Conde Duque with the pianist Manuel Burgueras, as well as several Spanish music concerts in the United States.

She has played the leading role as Rosario in her debut of the work Goyescas by Enrique Granados in 2009.

She has recently toured the main cities in Germany alongside the Chilean tenor Felipe Rojas, accompanied by the orchestra Neue Philharmonie Westfalen, singing exclusively Spanish zarzuelas.

She will make her debut in Alice Tully Hall in New York in November with the opera Las horas vacías (The Empty Hours) by Ricardo Llorca.

Recently, she has performed with the Symphony of Egypt.

She also toured the most important theatres in China.

Last May she played the role of Violetta in La traviata at the opera theatre in Darmstadt.

She has also interpreted Lucia di Lammermoor in Illinois, likewise the role of Konstanze in The Abduction from the Seraglio by Mozart, in Illinois too.

She regularly sings with highly regarded conductors such as Stefan Soltesz, Ion Marin, Philipp Jordan, Zoltan Peszko, Victor Pablo Pérez, Heiko Matthias Förster, Antonello Allemandi, Frans Brüggen, Helmuth Rilling, Jiri Kout, Karel Mark Chichon or E. Plasson, in some of the more illustrious European theatres, like the Deutsche Oper am Rhein, Nationaltheater Mannheim, Staatsoper Berlin, Oper Leipzig, Oper Frankfurt, Staatstheater Darmstadt, Opera National de Lorraine, Staatstheater Braunschweig, Theater Poissy, Komische Oper Berlin, Theater Freiburg, Theater Lubeck, Brno in the Czech Republic.

She has collaborated with stage directors such as A. Pilavachi, De Tomasi, Johannes Schaaf, Pontiggia, Berndt, Schlingensief or Hilsdorf and performed at festivals in Las Palmas and Tenerife, the Festival Royaumont, Bregenzer Festspiele, Verbier Festival, Expo Hannover, Innsbrucker Festwochen, Île-de-France, Santander, Salzburg Festival, or the Opera Week of Berlin, among others.

Highlights in her career include her Giulia in La Scala di seta by Rossini, during a European tour with the Freiburger Barockorchester, under the baton of Attilio Cremonesi.

Her performances in Ariadne auf Naxos at the Staatsoper in Berlin or her debut at the Festival of Innsbruck (Austria) with the role of Cleopatra in Giulio Cesare by Antonio Sartorio, published by ORF, which awarded her the eminent Diapason d’Or of the French critique.

Also deserving of mention are successes like her Magda in Puccini's La Rondine, which she performed in Utrecht (Netherlands) with the TROS and maestro Gómez Martinez, and the performances at the Salzburg Festival in the role of Sandrina from La Finta Giardiniera, on the occasion of the Mozart year with staging by Doris Dörrie.

Another accomplishment was the great concert of Spanish songs with the Hamburg Symphony, and the famous Chinese guitarist Xuefei Yang at the Laeiszhalle Hamburg.

In 2009 she performed the role of Rosario in the German premiere of the work Goyescas.

She is the recipient of the Aalto Theatre's Best Artist Award and performed at the theatre for the 2010 European City of Culture festivities.

As a guest artist, Alonso has made appearances at numerous concert venues and theatres internationally.

In Europe she has sung at leading theatres in Pisa, Düsseldorf, Mannheim, Leipzig, Frankfurt, Darmstadt, Nancy, Braunschweig, Poissy, Freiburg, Lübeck, Barcelona, and Breno.

Her performance credits also include appearances at the Auditorium in Rishon Le Zion (Israel), Palacio de las Bellas Artes in Mexico City, Teatro de Guanajuato, Philharmonie de Cologne, Musikhalle in Hamburg, Konzerthaus and Philharmonie in Berlin, Karlsruhe, Dortmund and Essen, Kuppel Saal in Hannover (Germany), Herodes Aticus in Athens, Concertgebouw in Amsterdam, Los Angeles Auditorium, and Palau de Valencia and Barcelona, among others.

She has performed with several important conductors, including Rafael Frühbeck de Burgos, Heiko Mathias Förster, Philipp Jordan, Carlos Kalmar, Jiří Kout, Ion Marin, Víctor Pablo Pérez and Stefan Soltesz.

Some of the other opera roles in her repertoire include Antonia, Zerbinetta, Susanna, Oscar, Lucia, Lulu, Giulia, Nannetta, Sophie, Elvira, Amina, and Violetta in La traviata.

She has collaborated with stage directors A. Pilavachi, De Tomasi, Johannes Schaaf, Pontiggia, Berndt, Schlingensief o Hilsdorf at the Las Palmas de Gran Canaria and Tenerife Festivals, at the Festival in Royaumont, Bregenzer Festspiele, Maestranza in Sevilla, at the Expo in Hannover, Innsbrucker Festwochen, Ille de France Festival, Santander Festival, at the Autumn Festival in Madrid, and the Opera Week in Berlin, among other musical events.

She sang Giulia in La scala di seta, performed during a tour with the Freiburger Barockorchester under the baton of Attilio Cremonesi.

At the Berlin Staatsoper she appeared in with Ariadne auf Naxos.

With her debut at the Innsbruck Festival (Austria) in the role of Cleopatra in Giulio Cesare in Egitto by Antonio Sartorio, she won the Diapason D'or, awarded by the French critics; the recording of the performance was issued on compact disc.