Age, Biography and Wiki

Kim Victoria Abeles (Kim Victoria Wright) was born on 28 August, 1952 in Richmond Heights, Missouri, U.S.A., is an American artist and academic (born 1952). Discover Kim Victoria Abeles's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 71 years old?

Popular As Kim Victoria Wright
Occupation N/A
Age 71 years old
Zodiac Sign Virgo
Born 28 August, 1952
Birthday 28 August
Birthplace Richmond Heights, Missouri, U.S.A.
Nationality United States

We recommend you to check the complete list of Famous People born on 28 August. She is a member of famous artist with the age 71 years old group.

Kim Victoria Abeles Height, Weight & Measurements

At 71 years old, Kim Victoria Abeles height not available right now. We will update Kim Victoria Abeles's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Kim Victoria Abeles Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Kim Victoria Abeles worth at the age of 71 years old? Kim Victoria Abeles’s income source is mostly from being a successful artist. She is from United States. We have estimated Kim Victoria Abeles's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1952

Kim Victoria Abeles (born August 28, 1952) is an American interdisciplinary artist and professor emeritus.

She was born in Richmond Heights, Missouri, and currently lives in Los Angeles.

She is described as an activist artist because of her work's social and political nature.

In her work, she’s able to express these issues and shine a light on them to larger audiences.

She’s able to show the significance of the issues by creating a piece that involves an object and adds the struggle attached to it, which represents what is happening in current events.

She is also known for her feminist works.

Abeles has exhibited her works in 22 countries and has received a number of significant awards including a Guggenheim Fellowship.

1978

In addition, she moved to smoggy Los Angeles in 1978.

1980

Then in 1980, sweatshops started to pop up around her Los Angeles studio.

By seeing all this, she wanted to take an approach to her art that was more about "real life."

She has stated she is a "concept seeker and "object maker" this can be seen through her like Smog Collectors.

Kim Victoria Abeles received her BFA in painting from Ohio University and earned a MFA in studio art from the University of California, Irvine in 1980.

In connection with her thesis, about Shingon Buddhism, she created constructions incorporating kimono.

Critics connect Abeles' early works to those of Edward Kienholz and Wallace Berman, founders of the California assemblage tradition.

Kienholz's The State Hospital was an early inspiration to Abeles.

Abeles has worked in a variety of different mediums including repurposed materials, drawing, multimedia, sculpture and installations.

She often experiments with materials.

Intensive research, in which she immerses herself in her subject, is a significant part of her working process.

Kim Abeles commented on her art as, "results from the urban experience, chronicling historical and contemporary issues housed in sculpture and installation."

Her work begins with a singular person or idea and through her own independent research and exploration will delve into her chosen topic until she feels comfortable beginning her artwork.

She describes her artwork as the poetic spirit in a visual language.

Many of her projects address contemporary social and environmental issues.

She has explored topics including HIV/AIDS, pollution, gender roles, domestic violence, feminism, civil rights, and labor.

Kim Abeles explores such topical issues through humor and metaphors.

Most of her work has revolved around three central themes: civil rights, feminism, and the environment.

With her range of media and distinctive styles, Kim Abeles seamlessly unites her call for activism with her work aesthetics through new innovative techniques.

Abeles has worked with several educational organizations and schools to collaborate on installations and exhibitions.

She has worked with the multiple art centers like: The Contemporary Art Center in Cincinnati, Community Arts Resource in Santa Monica, Orange Country Museum of Art Teen Council, the California Science Center, and the CU Museum of Natural History in Boulder.

Her more defining collaborators include the Bureau of Automotive Repair, the Santa Monica Bay Restoration Project, and the Lakota Indians of South Dakota.

She has also collaborated in projects with agencies to ensure raising awareness for different topics such as pollution control agencies, museums, health clinics, etc.

1987

In 1987, her work Smog Collector caught national and international attention, mentioned in Newsweek, National Public Radio, CBS Evening News, and The Wall Street Journal.

Abeles accreits this piece as a tribute to what she first noticed upon moving into her new art studio in the city of Los Angeles- the smog.

Abeles created an innovative technique, using stencils and adhesives to collect smog particulate and produce symbols and images.

Abeles was motivated to create the project through her own curiosity and the effects of a year-long protest against a factory near her home that she said was "spewing formaldehyde".

1998

Aside from her work as an artist, she was a professor in public art, sculpture, and drawing at California State University, Northridge from 1998 to 2009, after which she became professor emerita in 2010.

Kim Victoria Abeles was born in Richmond Heights, Missouri.

As a child, she spent some time living in Pittsburgh, Pennsylvania, an experience which she says influenced her work ''The Smog Collector.

''

Kim Abele's main influences for her sculptures and installations stem from the urban world and historical and contemporary issues.

She focuses on this because she had her childhood in the known "steel town" of Pittsburgh.