Age, Biography and Wiki

Kia Asamiya (Kikuchi Michitaka (菊池 通隆)) was born on 9 March, 1963 in Kitakami, Iwate Prefecture, Japan, is a Japanese character designer and manga artist. Discover Kia Asamiya's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 61 years old?

Popular As Kikuchi Michitaka (菊池 通隆)
Occupation Manga artist
Age 61 years old
Zodiac Sign Pisces
Born 9 March, 1963
Birthday 9 March
Birthplace Kitakami, Iwate Prefecture, Japan
Nationality Japan

We recommend you to check the complete list of Famous People born on 9 March. He is a member of famous Manga artist with the age 61 years old group.

Kia Asamiya Height, Weight & Measurements

At 61 years old, Kia Asamiya height not available right now. We will update Kia Asamiya's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Kia Asamiya Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Kia Asamiya worth at the age of 61 years old? Kia Asamiya’s income source is mostly from being a successful Manga artist. He is from Japan. We have estimated Kia Asamiya's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Manga artist

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Timeline

Michitaka Kikuchi (菊池 通隆), best known by the pen name Kia Asamiya (麻宮 騎亜), is a Japanese manga artist whose work spans multiple genres and appeals to diverse audiences.

1980

Before becoming a manga artist, Asamiya graduated from the Tokyo Designer School, then worked as a character designer for a number of anime series, and even designed models for some of the later Godzilla films (1980s).

For this career, he used his real name, and maintained the two professional identities separately for many years.

Several of the anime series that he worked on were very popular inside and outside Japan, most notably Sonic Soldier Borgman and Project A-ko.

Even after focusing primarily on his manga career, Asamiya continued to do character designs and creative consultation on anime series based on his stories, occasionally under the Kikuchi name.

2000

In the early 2000s, Asamiya shifted his focus from teenage and young-adult stories to stories designed for children and for an American audience.

In the former case, he credits his children as a motivation but, in the latter case, he points to a long-standing desire to work with his favorite American characters.

To that end, he has worked on projects with Image Comics, Marvel Comics, and DC Comics, with projects such as Batman: Child of Dreams, as well as developing a manga adaptation of the film Star Wars: Episode I – The Phantom Menace.

He is well known for using influences from American comics, television, and films in his work, and describes himself as a big fan of Batman and Star Wars.

One of the most widely published Japanese manga artist, nearly all of his stories have been translated into other languages, including English.

His two most successful and popular manga series to-date are Martian Successor Nadesico and Silent Möbius.

While many Japanese artists (and artists in general) are quite reclusive, Asamiya often makes an effort to be available to his fans.

He maintains a website with news and information about his studio, TRON (named after the Disney film Tron).

He aids and assists his official fan club by sending them regular announcements and limited-edition merchandise.

Despite these actions, he shunned all public photography and had the habit of depicting himself with a placeholder sign for a face.

It has become a trademark feature of his books that instead of a picture of the artist, there is an elaborately decorated rectangle sporting the words "Now Printing" (a message used in Japan for placeholder images).