Age, Biography and Wiki

Kathleen Blake Yancey was born on 5 July, 1950, is an A Florida Democrats. Discover Kathleen Blake Yancey's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 73 years old?

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Age 73 years old
Zodiac Sign Cancer
Born 5 July, 1950
Birthday 5 July
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We recommend you to check the complete list of Famous People born on 5 July. She is a member of famous with the age 73 years old group.

Kathleen Blake Yancey Height, Weight & Measurements

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Kathleen Blake Yancey Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Kathleen Blake Yancey worth at the age of 73 years old? Kathleen Blake Yancey’s income source is mostly from being a successful . She is from . We have estimated Kathleen Blake Yancey's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1950

Kathleen Blake Yancey (5 July 1950 ) is the Kellogg W. Hunt Professor of English at Florida State University in the rhetoric and composition program.

Her research interests include composition studies, writing knowledge, creative non-fiction, and writing assessment.

1983

She earned her MA in English at Virginia Polytechnic and State University and her PhD in 1983 from Purdue University.

Prior to working at Florida State University, she held faculty positions at University of North Carolina – Charlotte and Clemson University.

At Clemson University, she directed the Clemson Digital Portfolio Institute and developed the Studio for Student Communication.

Yancey has focused her research on various areas of composition and rhetoric studies, including the intersection of composition, cultural studies, and the delivery of composition instruction.

In addition, Yancey had focused on writing that people choose to do and refers to this as everyday writing.

Some examples include a letter, a general note, an email, etc. She also discusses how scholars in academia do not necessarily focus on this concept but emphasizes the importance of it as this type of writing could give more creative freedom than a traditional assignment.

She created a classroom setting where students determined the importance of the writing they do independent of the classroom and coined this the Museum of Everyday Writing.

She has mentioned that people can use technology in one way and use in other types of fashion.

She has advocated that technology should be learned to possibly help students transfer knowledge from one context to another.

She has researched and published on the subject of reflection in the practice of composing.

She has discussed how students and teachers should set aside time for reflection because individuals can see what has worked, what they did not notice, and what to do in the future.

She also believes that people should not blame themselves or others when things do not work and plans must change.

She has also produced work on the assessment of student writing and the transfer of writing knowledge, and she has also focused on the subject of writing across the curriculum.

She has talked about how administrators and teachers should find ways to help students incorporate their self-sponsored and everyday writing practices into the academic classroom.

1999

In addition, she served on the Council of Writing Program Administrators as President, Past President, and Vice President from 1999–2005.

She also serves on the National Board for Miami University’s Howe Center for Writing Excellence, the Executive Committee for the Association for Authentic, Experiential and Evidenced-Based Learning (AAEEBL), and the editorial boards of the Kairos and Computers and Composition journals.

In addition, she co-leads the Inter/National Coalition on Electronic Portfolio Research with Barbara and Darren Cambridge.

2001

From 2001–2005, Yancey served on the Conference on College Composition and Communication (CCCC) as Chair, Past Chair, Associate Chair, and Assistant Chair.

she currently serves as editor of the College Composition and Communication journal, and she co-edited the Assessing Writing journal, which she also co-founded, for seven years.

2004

In her 2004 Chair’s Address at CCCC, she indicated her ongoing interest in the impact of digital technologies on composition studies.

Along with this, she has produced research on multimodal composition.

She has also continuously explored portfolio pedagogy in works such as Electronic Portfolios: Emerging Practices in Student, Faculty, and Institutional Learning, Electronic Portfolios 2.0: Emergent Research on Implementation and Impact and Portfolios in the Writing Classroom: An Introduction and her co-leadership of the Inter/National Coalition on Electronic Portfolio Research with Darren and Barbara Cambridge.

2007

Yancey also served as President, Past President, President-Elect, and Vice-President of the National Council of Teachers of English (NCTE) from 2007–2009.

2011

From 2011–2014, she served as President, Past President, and Vice President of the South Atlantic Modern Language Association (SAMLA).