Kasia Kowalska

Katarzyna "Kasia" Kowalska (born 13 June 1973) is a Polish singer, songwriter, producer, and actress.

She belongs to the top rung of most frequently broadcast Polish rock artists.

Kowalska is one of the best-known Polish vocalists.

The estimated sale of all her albums is over one million copies, which puts her among the Polish artists with the largest number of music publishers sold in Poland.

Her musical experience began in the 1980s when she sang as a female vocalist for numerous Polish bands, including Human, Fatum and Talking Pictures.

She began her musical career with the release of her debut album, titled "Gemini", back in 1994.

The LP has turned Triple Platinum (around half million copies sold).

The album is said to represent her complex personality with the name following her zodiac sign.

It is one of the most outstanding albums of Polish rock.

In the same year she performed as a support act for Bob Dylan during his two concerts in Poland.

A year later, Kasia went on a tour called "Koncert Inaczej" which consisted of live performances of songs from the "Gemini" album in slightly different versions and jazz recitals during which she performed her favorite jazz standards of Billy Joel, Barbra Streisand etc. The concerts were recorded and realised on an album which had the same title as the tour – "Koncert Inaczej" (which means a concert differently).

In the same year, she took part in the Sopot Festival, where she won Grand Prix.

One of the judges was Malcolm McLaren.

In 1996, she represented Poland in the Eurovision Song Contest 1996 with a song called Chcę znać swój grzech... and finished 15th out of 23 and received 31 points (including 7 from three countries (Turkey, Greece, and Bosnia and Herzegovina but very few from the other ones). Afterwards, she starred in a movie called Nocne Graffiti and recorded a song for soundtrack of the movie. She also recorded a song to the soundtrack of a Disney movie, The Hunchback of Notre Dame – the prayer of Esmeralda.

Soon after that, she started working on some songs for a third album ( second studio album).

With the many changes in her life, a touch of optimism appeared in the new material.

The first song which promoted "Czekajac na…" ( Waiting for..) was called "Cos optymistycznego" ( Something optimistic) and it showed a side of Kasia that nobody ever knew existed.

The song was very much on the pop-funk side although the album itself was a combination of rock, funk and jazz and a touch of pop only in a few songs.

This new style and an image that came with it made Kasia the most popular female polish singer in that year.

The large tour for "Czekajac na…" gathered fans from around the country.

It was so big, that some people compared it to the Beatles concerts because fans often fainted from excitement.

By the end of the tour Kasia announced that she is pregnant (the father is a composer of a lot of songs on "Czekajac na.." and a known musician- Kostek Yoriadis).

In 1997 premiere has movie "Nocne graffiti" (Night graffiti).

Kasia played an 18-year-old drug addict.

On 2 May 1997 she gave birth to her daughter Aleksandra Julia Kowalska.

Summer of 1998 was a time for Kasia's big comeback.

She was ready to come back on stage again with the new material.

The album "Pelna obaw" ( Full of doubts) was a great surprise for Kasia's devoted fans.

Finally after some experimenting with funk and jazz, she came back to her rock roots.

The album is actually the most hard core in Kasia's discography.

The lyrics are as usual, really personal.

They themes : violence in the world and anger towards man.

Kasia often said that "Jagged little pill " of Alanis Morissette really inspired her to record an album filled with feminist views.

Kasia also produced this album by herself.

The next year and a half was spent on touring and coming up with material for a new album.

In 2000 the album "5" came out.

Once again Kasia showed a new side of her.

This was one of the most important albums to be realised that year in Poland.

And probably the most break through material.

On "5" the sound is still based on rock music, except that it's enriched with loops and other electronic sounds.