Age, Biography and Wiki

Karsten Januschke was born on 4 March, 1980 in Bad Segeberg, Schleswig-Holstein, Germany, is a German conductor. Discover Karsten Januschke's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 44 years old?

Popular As Karsten Januschke
Occupation Conductor
Age 44 years old
Zodiac Sign Pisces
Born 4 March, 1980
Birthday 4 March
Birthplace Bad Segeberg, Schleswig-Holstein, Germany
Nationality Germany

We recommend you to check the complete list of Famous People born on 4 March. He is a member of famous Conductor with the age 44 years old group.

Karsten Januschke Height, Weight & Measurements

At 44 years old, Karsten Januschke height not available right now. We will update Karsten Januschke's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Karsten Januschke Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Karsten Januschke worth at the age of 44 years old? Karsten Januschke’s income source is mostly from being a successful Conductor. He is from Germany. We have estimated Karsten Januschke's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Conductor

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Timeline

1980

Karsten Januschke (born 4 March 1980) is a German conductor in opera and concert who made an international career.

Januschke was born in Bad Segeberg on 4 March 1980.

He studied in Vienna: first piano and musicology, then conducting with Georg Mark at the Konservatorium Wien, completing with distinction.

2004

During his studies he worked as répétiteur at the Vienna State Opera from 2004, where he conducted a version for children after Wagner's Der Ring des Nibelungen.

He also assisted regularly at the Theater an der Wien and the Bayreuth Festival, working with Christian Thielemann and Kirill Petrenko.

2008

He worked at the Oper Frankfurt from 2008 to 2015 and then turned to freelance work.

He focused on Mozart operas, but has also conducted contemporary works such as the German premiere of Olga Neuwirth's Lost Highway.

He became solo répétiteur at the Oper Frankfurt in 2008, and later Kapellmeister, learning a broad repertoire.

2010

This included Pimpinone in 2010, Lior Navok's Die kleine Meerjungfrau, Mozart's Die Zauberflöte, Così fan tutte and Idomeneo, Stravinsky's Mavra, Verdi's La traviata and Don Carlos, and Die Fledermaus by Johann Strauss.

He also led performances of Puccini's La bohème, Humperdinck's Hänsel und Gretel, and Aribert Reimann's Die Gespenstersonate.

2015

From 2015, Januschka worked freelance but still based in Frankfurt.

2017

In the 2017/18 season he conducted performances of Arnulf Herrmanns Der Mieter that had its world premiere in Frankfurt; he had also prepared the Philharmonia Chor Wien, together with Walter Zeh.

2018

In the 2018/19 season, he conducted performances of Purcell's Dido and Aeneas and Bartok's Bluebeard's Castle that Barrie Kosky had staged in 2010, with Cecelia Hall as Dido, Andreas Bauer as Bluebeard and Claudia Mahnke as Judith.

He also conducted Mozart's Don Giovanni at the New National Theatre Tokyo, the German premiere of Olga Neuwirth's Lost Highway and Handel's Tamerlano at the Oper Frankfurt, Beethoven's Fidelio at the Vorarlberger Landestheater, and Die Zauberflöte at the Oper im Steinbruch St. Margarethen festival.

In 2024, he conducted the first production in Frankfurt of Offenbach's Die Banditen, with a small orchestra and 22 soloists, 11 of them tenors.

A reviewer from Die Deutsche Bühne noted:"Conductor Karsten Januschke does everything right and keeps a low profile. With the rather small orchestra in excellent form, he plays a lean, dry, delicate Offenbach, freed from false ideas of sound. Rhythm and dance take centre stage. Splashes of colour are well-dosed and discreet, while the marches and dances release great energy."

In concerts, he conducted the Deutsches Symphonie-Orchester Berlin, the Norddeutsche Philharmonie Rostock, the Münchener Kammerorchester, the MDR Leipzig Radio Symphony Orchestra, the Mecklenburgische Staatskapelle in Schwerin, the Budapest Philharmonic Orchestra and the Ensemble Modern, among others.