Age, Biography and Wiki
Karl Francis was born on 30 November, 1942 in 1943, is a director,producer,writer. Discover Karl Francis's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 81 years old?
Popular As |
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Occupation |
director,producer,writer |
Age |
81 years old |
Zodiac Sign |
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Born |
30 November, 1943 |
Birthday |
30 November |
Birthplace |
1943 |
Nationality |
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We recommend you to check the complete list of Famous People born on 30 November.
He is a member of famous Director with the age 81 years old group.
Karl Francis Height, Weight & Measurements
At 81 years old, Karl Francis height not available right now. We will update Karl Francis's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Height |
Not Available |
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Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Karl Francis Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Karl Francis worth at the age of 81 years old? Karl Francis’s income source is mostly from being a successful Director. He is from . We have estimated Karl Francis's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Director |
Karl Francis Social Network
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Timeline
Karl Francis began making films in 1971, turning out mainly documentaries for television. He worked initially as a researcher and writer. He studied film at the late age of 26, having previously had an honours degree in Modern History, Politics & Economics. He wrote his own scripts and began directing following a deep disappointment at the way his film 'A Breed of Men', starring Stanley Baker, was directed. He went on to produce successful documentaries for television, including 'Weekend World' (presented by Peter Jay) and 'Second House' presented by Melvin Bragg. His series for the BBC - 'Man in his Place' - received brilliant reviews, which gave him showreels to sell his feature work.
In 1973, he was blacklisted by the BBC for five years, so he made his own film after putting his house up for sale. It was called 'Above Us The Earth', and was described by critic John Berger as 'A film which is relentlessly and remarkably truthful. . . I know of no other film which has been made in which miners inhabit the film itself as if it were their own village. ' He subsequently acquired the rights to a Dylan Thomas short story and made his first feature film 'The Mouse and the Woman', which again received wonderful reviews and praise from David Putnam. The New Statesman described this First World War drama as 'Illuminated by flashes of raw visual poetry. ' The Sunday Express called it 'Stunningly acted' and 'eloquently photographed. . . turned by Francis' alchemy to golden dramatic value.
' Francis then went to Alcoholics Anonymous, and in 1981 gave up drinking successfully. Since then, he produced numerous award-winning films, most of which he wrote and directed himself.
He mixed successful documentaries, which include the hugely important 1985 film 'Ms Rhymney Valley', an extraordinary epic telling of the Miners' Strike for the BBC from the point of view of the miners. During the mid-90s, Karl Francis took on the responsibility of becoming Head of Drama for BBC Wales, but it was not for him. He then moved abroad, making films more often in Spain and Africa. His film 'One of the Hollywood Ten', starring Jeff Goldblum, received wonderful reviews, but given its left-wing sympathies had a limited distribution.
These include 'Giro City' with Glenda Jackson, 'Boy Soldier' with Richard Lynch, '1996' for the BBC, 'Rebecca's Daughters' with Peter O'Toole and Joley Richardson, among many others.
In 2007, his film 'Hope Eternal', which is a metaphysical love story about depression and grief against a powerful storyline of human trafficking, he employed 95% of black African actors and crew.