Age, Biography and Wiki
Jutta Koether was born on 1958 in Cologne, West Germany, is a German artist and musician. Discover Jutta Koether's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 66 years old?
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| Age |
66 years old |
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1958 |
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Cologne, West Germany |
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Germany
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We recommend you to check the complete list of Famous People born on .
She is a member of famous artist with the age 66 years old group.
Jutta Koether Height, Weight & Measurements
At 66 years old, Jutta Koether height not available right now. We will update Jutta Koether's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Jutta Koether Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Jutta Koether worth at the age of 66 years old? Jutta Koether’s income source is mostly from being a successful artist. She is from Germany. We have estimated Jutta Koether's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
| Source of Income |
artist |
Jutta Koether Social Network
Timeline
Jutta Koether (born 1958) is a German artist, musician and critic based in New York City and Berlin since the early 1990s.
Koether was born in Cologne and studied art and philosophy at the University of Cologne.
Since 1985, Koether has also worked as a reviewer and editor for many magazines and journals such as Spex, Texte zur Kunst, Flash Art and Artscribe.
Koether has taught at many institutions, including Columbia University, the Academy of Fine Arts in Berlin, Yale University, and Bard College.
Currently, she is a professor at the Hochschule für bildende Künste Hamburg.
For much of the 1990s, she mixed graffiti-inspired brushwork, fluorescent colors (especially bright pink), fragmented images and assorted quotations on surfaces that had a vibrant, all-over undergrowth.
She relocated to New York City in 1991.
Koether's paintings are exercises in color, line, form and pattern and often feature text.
She is also inspired by artists and intellectuals who have created an alternative to mainstream culture, including underground filmmaker Kenneth Anger and musician Patti Smith.
Dysfunction USA, Arthur Rogers Gallery, New Orleans
Her solo show at Pat Hearn Gallery, New York, in 1997 featured a soundtrack by the artist, accompanied by Tom Verlaine.
Her visionary work, according to The New York Times art critic Roberta Smith, sees painting as multipurpose.
Brushholder Value, Westfälischer Kunstverein, Münster
She has collaborated with Sonic Youth’s Kim Gordon on a number of projects, for example Her Noise at Tate Modern in 2005.
Their relationship began in Cologne when she interviewed him for Spex magazine.
Although her work is not as grandiose as Kippenberger, both their works engage with the dense history of European, and more specifically, German painting.
Koether’s 2009 show entitled Lux Exterior at Reena Spaulings further explored a common thematic in her work, the relation of painting with other aspects of theoretical and counter culture.
Koether’s 2009 show was discussed in David Joselit’s essay entitled Painting Beside Itself.
The exhibition, which included a painting entitled Hot Rod (after Poussin) (2009) along with sculptural found objects and a series of three performances, was noted by Joselit as a “sophisticated response to the question which I began [this essay]: How does a painting belong to a network?”
In spring 2012, Koether took part in the three-month exposition of Whitney Biennial.
Around that time, she conceived two large series of works that respond directly to the French artist Nicolas Poussin, a reinterpretation of his The Seven Sacraments reimagined as a series of installations, and Seasons (2012), a response to Poussin’s The Four Seasons.
