Age, Biography and Wiki

Junichi Sato was born on 11 March, 1960 in Aichi Prefecture, Japan, is a Japanese anime director (born 1960). Discover Junichi Sato's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 64 years old?

Popular As N/A
Occupation Anime director
Age 64 years old
Zodiac Sign Pisces
Born 11 March, 1960
Birthday 11 March
Birthplace Aichi Prefecture, Japan
Nationality Aichi

We recommend you to check the complete list of Famous People born on 11 March. He is a member of famous director with the age 64 years old group.

Junichi Sato Height, Weight & Measurements

At 64 years old, Junichi Sato height not available right now. We will update Junichi Sato's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Who Is Junichi Sato's Wife?

His wife is Yasuno Sato

Family
Parents Not Available
Wife Yasuno Sato
Sibling Not Available
Children Not Available

Junichi Sato Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Junichi Sato worth at the age of 64 years old? Junichi Sato’s income source is mostly from being a successful director. He is from Aichi. We have estimated Junichi Sato's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income director

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Timeline

Junichi Sato (佐藤 順一) is a Japanese anime director.

1980

Sato has been active since the 1980s and is a hit maker who, as series director of children's TV animation during his time at Toei Dōga, brought out the first series of long-running popular titles such as Sailor Moon and Ojamajo Doremi.

After leaving Toei, he has continued to demonstrate his skills by working on popular series such as Sgt. Frog.

1981

Sato passed Toei Dōga's trainee recruitment exam while still a student in the animation course of the film department of Nihon University College of Art, and dropped out of university to join the company in 1981.

Shortly before this, he had received an honorable mention for a manga he submitted to Shogakukan's call for new manga artists, and was discussing his subsequent work with the editorial department.

1983

After working as a production assistant, he passed the director's selection test around 1983.

1986

In 1986, he was selected as the youngest series director in Toei Dōga's history for Maple Town Stories.

After a minor misunderstanding, he got into trouble with the producer and was demoted to episode director of the sequel, New Maple Town Stories.

1989

He was to have directed Studio Ghibli's 1989 film Kiki's Delivery Service, produced by Hayao Miyazaki, but left the project before it started.

Negotiations between Toei and Ghibli were difficult, and Sato himself was the point of contact for the trainees in labor-management negotiations between Toei and the trainees, so it was difficult for him to announce that he would quit Toei.

Ghibli's Toshio Suzuki told him he could come to Ghibli in the form of a secondment, but in the final stages Toei Dōga came to the conclusion that they would not second someone who had been brought up in-house, and he was forced to give up directing the film.

Next in line to direct the film was Sunao Katabuchi, who had been involved with Hayao Miyazaki's films since his student days, but the main sponsor balked at this, and Miyazaki ended up directing the film.

1992

Sato acted as series director on Sailor Moon since 1992.

He participated in the work from the planning stage and provided input on character settings and changes from the original manga.

1995

Sato directed the film Junkers Come Here (1995).

The film was made outside Toei, but the head of the production departmen had changed from the time of Kiki's Delivery Service, so he was able to direct the film while still working for Toei.

Sato joined Neon Genesis Evangelion (1995) in return for asking Hideaki Anno, a Sailor Moon fan, to do key animation and storyboards for it.

Sato was asked by junior colleague Kunihiko Ikuhara to storyboards his first post-independent work, Revolutionary Girl Utena, he drew it under his real name despite it being a non-Toei film, as a pseudonym would not be celebratory.

Sato directed his first original work, Magic User's Club, after Triangle Staff offered his the chance to make an OVA.

Because the previous head of the production department had returned, he could not be paid for his work outside the company via Toei.

Moreover, out of consideration for Toei, he was nominally the general manager, even though his actual job was a director.

Sato worked with Takuya Igarashi as series director on Ojamajo Doremi.

He was involved from the very beginning of the project, when it was only decided to do a magical girl story.

So he was able to be involved from the stage of deciding what kind of story it would be.

He requested a double-headed system with two directors, as he was too busy to concentrate on Ojamajo Doremi and thought that if it was an original production, it would be better to have as many brains, especially young ones, to come up with ideas as possible.

1996

He won the Mainichi Film Award for Best Animation Film in 1996 and 2020 for his films.

Sato was born in Nagoya and moved to Ama, when he entered junior high school, where he stayed until he moved to Tokyo for university.

1998

He left Toei in 1998.

When he approached the production department to produce a TV series of Magic User's Club, they asked him to do it after he had resigned and was no longer officially affiliated with Toei, so he replied 'Okay'.

He then worked as a freelancer for about a year until the show ended, and then also stepped down from his position as series director of Ojamajo Doremi.

2000

He started working for Hull Filmmaker in 2000.

Sato directed Sgt. Frog in response to Sunrise's offer to make the original manga less manic and sexy and more family-friendly.

2005

He has worked on ARIA series since 2005.

2017

After working for Toei Dōga (currently Toei Animation) and then TYO Animations (formerly Hal Film Maker), he joined Twin Engine in 2017.

2020

The film A Whisker Away (co-directed with Tomotaka Shibayama), whose release had been postponed due to the covid-19 pandemic, was cancelled for theatrical release and distributed worldwide on Netflix from 18 June 2020.

The film Looking for Magical Doremi (co-directed with Halka Kamatani) was released in theatres on 13 November of the same year.

Sato has directed and supervised a wide range of works for children and adults, many of which have become long-term series.

He is also active in the production of original works and is actively involved from the planning stage.

During his experience at Toei, he learnt a lot about how to make commercial-based animations and the know-how of children's productions.

Generally in Japan, not much marketing is done in the production of animation, but in the toy business for children, it is done thoroughly.