Age, Biography and Wiki
Julia Scher was born on 9 March, 1954 in Hollywood, Los Angeles, California, United States, is an American artist (born 1954). Discover Julia Scher's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 70 years old?
| Popular As |
N/A |
| Occupation |
Artist |
| Age |
70 years old |
| Zodiac Sign |
Pisces |
| Born |
9 March, 1954 |
| Birthday |
9 March |
| Birthplace |
Hollywood, Los Angeles, California, United States |
| Nationality |
United States
|
We recommend you to check the complete list of Famous People born on 9 March.
She is a member of famous Artist with the age 70 years old group.
Julia Scher Height, Weight & Measurements
At 70 years old, Julia Scher height not available right now. We will update Julia Scher's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
| Family |
| Parents |
Not Available |
| Husband |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Julia Scher Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Julia Scher worth at the age of 70 years old? Julia Scher’s income source is mostly from being a successful Artist. She is from United States. We have estimated Julia Scher's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Artist |
Julia Scher Social Network
Timeline
Julia Scher (born 1954, Hollywood) is an American artist who works primarily with themes of surveillance.
She uses a variety of mediums and is most known for her installation art and performance art works.
Her work addresses issues of control and seduction.
Julia Scher was born in Hollywood 1954 as the daughter of a traveling salesman and a department store employee and grew up in Van Nuys, San Fernando Valley.
In 1975 she received a B.A. in Painting/Sculpture/Graphic Arts from U.C.L.A., and a 1984 M.F.A. in Studio Arts, from the University of Minnesota.
The title of her thesis was American Landscape.
Her first video art piece about women in security was
Safe & Secure in Minnesota in 1987.
She did several sideline jobs to make a living and established her own company called "Safe and Secure Productions", installing security and surveillance equipment.
At the same time Scher started using security cameras for her artwork.
Since 1988, Scher has produced a series of installations called Security by Julia.
These have taken different forms but often involve a person wearing a security uniform and an invitation to the viewer to actively participate in surveillance culture.
Other variations of the installations have included soothing voices and baby blankets.
During the 1990s she was living and working in New York and Boston.
Securityland and Wonderland are elaborate online projects Julia Scher has created with äda ‘web, launched in 1995 and 1997, respectively; they were preceded by an introductory trailer titled Danger Dirty Data in 1995.
Scher offers various areas for user exploration, many of which raise issues of control and personal privacy.
All manner of psychologically and physically invasive services and products are seductively pitched at the visitor, promising to alleviate problems caused internally and externally.
Loosely based on architectural and clinical models, Securityland and Wonderland completely destabilize the notion of neutral or straightforward interchange, using inflections that are libidinal, gendered, quasi-institutional and subtly threatening.
Scher's work has been shown in several solo and group exhibitions including the Venice Biennale, the Whitney Biennial, the Wexner Center for the Arts, Columbus, Ohio, the Walker Art Center, Minneapolis, Minnesota, Tapias Museum, Barcelona, Museo Nacional, Centro de Arte, Reina Sofia, Madrid, the San Francisco Museum of Modern Art, the Museé d’art Moderne, Paris, Künstlerhaus, Stuttgart, Kölnischer Kunstverein, Köln, the Institute of Contemporary Arts, London and the MoMA PS1, New York.
In 1996 Julia Scher taught the first Surveillance Studies class in the United States at the Massachusetts College of Art, Boston.
She received a fellowship at Harvard University/Radcliffe Bunting Institute for the field Surveillance Studies 1996-1997 and has been teaching in the Visual Arts Program at the Massachusetts Institute of Technology from 1997 - 2001 and 2005 - 2006.
She has also lectured at a number of institutions including The Cooper Union for Art and Science, Hartford University Art School, U.C.L.A., U.S.C, Harvard University, Columbia University, The Institute for Advanced Study at Princeton, and Rutgers University.
From 2006 to 2021 Julia Scher held the professorship for Multimedia and Performance / Surveillant Architectures at the Academy of Media Arts Cologne (Kunsthochschule fuer Medien Koeln).
Inspired by the French philosopher Michel Foucault and the sociologist Gary T. Marx, Julia Scher's work focuses on the subjects surveillance and cyber-sphere.
Aiming at the exposure of dangers and ideologies of monitoring systems, Scher creates temporary and transitory web/installation/performance works that explore issues of power, control and seduction.
In the last 20 years, her research has explored social control dynamics in public space.
The art projects have taken the form of interactive installations, reformulated surveillance, site tours, interventions, performances, photography, writing, net.art, linear video, and sound.
