Age, Biography and Wiki
Julia Bacha was born on 17 November, 1980 in Rio de Janeiro, Brazil, is a Brazilian documentary filmmaker. Discover Julia Bacha's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 43 years old?
| Popular As |
N/A |
| Occupation |
Director, Producer, Writer |
| Age |
43 years old |
| Zodiac Sign |
Scorpio |
| Born |
17 November, 1980 |
| Birthday |
17 November |
| Birthplace |
Rio de Janeiro, Brazil |
| Nationality |
Brazil
|
We recommend you to check the complete list of Famous People born on 17 November.
She is a member of famous Director with the age 43 years old group.
Julia Bacha Height, Weight & Measurements
At 43 years old, Julia Bacha height not available right now. We will update Julia Bacha's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Julia Bacha's Husband?
Her husband is Lucas Welch
| Family |
| Parents |
Not Available |
| Husband |
Lucas Welch |
| Sibling |
Not Available |
| Children |
Not Available |
Julia Bacha Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Julia Bacha worth at the age of 43 years old? Julia Bacha’s income source is mostly from being a successful Director. She is from Brazil. We have estimated Julia Bacha's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Director |
Julia Bacha Social Network
Timeline
Julia Bacha (born 1980) is a Brazilian documentary filmmaker.
She has filmed under-documented stories from the Middle East including issues related to Palestine.
Her 2021 film, Boycott, explores anti-boycott legislation and related freedom of speech issues.
Bacha was born in Rio de Janeiro, Brazil.
When she was 17 she moved to the US to study Middle Eastern history and politics at Columbia University.
She got accepted to Tehran University for a master's degree but could not acquire a visa, and instead went to Cairo to work on a documentary, Control Room.
In 2003, she graduated from the Columbia University School of General Studies.
Bacha has filmed under documented stories from the Middle East.
In 2004, she was the co-writer (with director Jehane Noujaim) and editor of Control Room, a documentary about Al Jazeera.
Bacha and Noujaim received a nomination for the Writers Guild of America Award for Best Documentary Screenplay for the film.
Two years later, she co-directed (with Ronit Avni) the documentary Encounter Point, which was the official selection at Tribeca Film Festival, Hot Docs, Jerusalem Film Festival, Vancouver International Film Festival and San Francisco International Film Festivals, where it won the Audience Award for Best Documentary.
By 2006, Bacha had become creative director at the non-profit Just Vision.
Bacha directed the 2009 documentary Budrus, which was shown at the 60th Berlin International Film Festival and became runner up in the festival's documentary competition.
Budrus won over 18 international prizes, including the 2012 PUMA Creative.Impact Award, the $50,000 prize is given to the documentary film that had the greatest impact on society.
In 2013, her 2012 film My Neighbourhood won the Peabody Award and premiered online at The Guardian.
In 2014, it won a Special Mention at the Social Impact Media Awards.
On November 12, 2017, her film Naila and the Uprising (2017) premiered at the DOC NYC film festival.
Bacha's latest feature-length documentary, Boycott, which explores anti-BDS laws and related freedom of speech issues, premiered in November 2021 at Doc NYC.
The film tells the stories of people in three states who refused to sign a pledge to not boycott Israel as a condition for receiving state funds and contracts, deciding instead to challenge their states' anti-boycott legislation as unconstitutional.
The film was funded by grants from groups including Doc Society, International Documentary Association, Fork Films and the Sundance Institute.
