Age, Biography and Wiki

Juan Carlos Baglietto was born on 14 June, 1956 in Rosario, Argentina, is an Argentine musician, singer and composer. Discover Juan Carlos Baglietto's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 67 years old?

Popular As N/A
Occupation Singer-songwriter
Age 67 years old
Zodiac Sign Gemini
Born 14 June, 1956
Birthday 14 June
Birthplace Rosario, Argentina
Nationality Argentina

We recommend you to check the complete list of Famous People born on 14 June. He is a member of famous Singer with the age 67 years old group.

Juan Carlos Baglietto Height, Weight & Measurements

At 67 years old, Juan Carlos Baglietto height not available right now. We will update Juan Carlos Baglietto's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Julián Baglietto, Joaquín Baglietto

Juan Carlos Baglietto Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Juan Carlos Baglietto worth at the age of 67 years old? Juan Carlos Baglietto’s income source is mostly from being a successful Singer. He is from Argentina. We have estimated Juan Carlos Baglietto's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Singer

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Timeline

1956

Juan Carlos Baglietto (born June 14, 1956, in Rosario, Santa Fe) is an Argentine musician, singer and composer.

He is one of the iconic figures of the musical movement called Trova Rosarina, a famous generation of singers and composers based in the city of Rosario, who came to prominence during the 80's, and were famous for their groundbreaking work in pop music, with a sound rooted in rock, tango and "folklore argentino".

1980

Baglietto was a member of various small bands until "Irreal" was formed, in 1980, comprising himself, Juan Chianelli (keyboards), Jorge Llonch (bass), "Piraña" Fegundez (flute), Alberto Corradini (guitar) and Daniel Wirtz (drums).

They attracted a big audience to their concerts, but were always pursued by the censors of the Proceso.

1981

Halfway through 1981 Baglietto launched himself as a solo musician.

1982

He made his début in Buenos Aires, but he didn't achieve a breakthrough until he became the surprise hit of the Festival de La Falda in 1982.

By this time, he had armed himself with a supporting group consisting of Silvina Garré as a backing singer, Fito Páez as keyboardist, Rubén Goldín on guitar, Sergio Sainz on bass and José "Zappo" Aguilera on drums.

With this band, he recorded Tiempos difíciles, the first Argentine rock album to achieve a gold disc.

Many of its tracks, like Mirta, de regreso or Era en abril, were widely played on the radio stations of the capital and this fuelled the success of his concert in Obras, right after the Falklands War.

This success affected a little the sales of Actuar para vivir, the following album.

1983

In May 1983 a concert in Obras, of all the Rosarian musicians, was organised, called El Rosariazo.

Baglietto performed together with Litto Nebbia, Silvina Garré y Fabián Gallardo.

His band filled the Astral theatre five nights in a row, billed as "Baglietto".

1984

In November 1984 he performed the show "Por qué cantamos", together with Celeste Carballo, Nito Mestre and Oveja Negra.

1985

Modelo para armar (1985) was the first disc since his collaboration with Fito Páez, in which Baglietto tried to make a break with the style that he had been associated.

For this, he specially composed all-new material.

1986

His subsequent disc, Acné (1986) is an hommage "to the music I grew up with."

Having this in mind, he chose tracks that hadn't originally been hits, for example Los días de Actemio (by Los Gatos) or Tema de Pototo (by Almendra).

In September 1986, he performed in front of an audience of 100,000 at the Monumento a la Bandera in Rosario, Argentina, as part of the festivals for "Mil Días en Democracia," (a thousand days of democracy) alongside Fito Páez, Silvina Garré y Antonio Tarragó Ros.

1988

Mami (1988) was recorded after a year and a half of silence, accompanied by Sergio Sainz (bass), Eduardo Rogatti (guitar), Marco Pusineri (drums) and Rubén Goldín (vocals).

Since his second album, Baglietto and Garré had worked together sporadically.

1990

In 1990, they made the decision to perform a show together in which they would record a live disc, with the justification: "This collaboration gives us the possibility to demonstrate how different we can be. With the years, we have been moving further apart in style, but even so, we work well together."

His next work, Ayúdame a mirar (1990), is a completely acoustic recording, with guitars and percussion, for which a variety of composers contributed tracks: Adrián Abonizio, Rubén Goldín, Chico Buarque, Mezo Bigarrena and Joaquín Sabina, among others.

1991

On a more traditional vein, together with Lito Vitale he headed a collaboration that culminated in Postales de este lado del mundo (1991), an album which included themes from popular traditional Argentine composers, like Carlos Gardel, Homero Manzi, the brothers Expósito, Mariano Mores, Enrique Santos Discépolo and María Elena Walsh.

1996

Luz quitapenas (1996) was a reunion of the musicians that accompanied him when he was starting out: Adrián Abonizio, Fito Páez, Jorge Fandermole and Rubén Goldín.

1998

Two years later, 15 años (1998) was recorded live during one of the shows in the Opera theatre.

The album is a collection of his most important hits, with the participation of artists such as León Gieco, Fito Páez, Ana Belén, Joaquín Sabina and Alejandro Lerner.

In 1998, Juan Carlos Baglieto recorded the theme "Paths of the Soul" next to Kennedy Choir and with more than 120

Argentine artists under the direction of Instrumental pianist and conductor Nazareno

Andorno.

2001

In 2001 he went back to work with Lito Vitale, together with Lucho González as a guest musician.