Age, Biography and Wiki
Joshua Dysart was born on 21 June, 1971 in United States, is an American comic book writer. Discover Joshua Dysart's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 52 years old?
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He is a member of famous Writer with the age 52 years old group.
Joshua Dysart Height, Weight & Measurements
At 52 years old, Joshua Dysart height not available right now. We will update Joshua Dysart's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Joshua Dysart Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Joshua Dysart worth at the age of 52 years old? Joshua Dysart’s income source is mostly from being a successful Writer. He is from United States. We have estimated Joshua Dysart's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Joshua Dysart Social Network
Timeline
Joshua Dysart (born June 21, 1971) is an American comic book writer.
He has done work for DC Comics, Vertigo Comics, Dark Horse Comics, Image Comics, Valiant Entertainment, IDW Publishing, Penny-Farthing Press, Virgin Comics and Random House Books.
It was a reboot of the shared superhero universe of 1990's era publisher Valiant Comics.
He has since done two monthly series, the revamp of Harbinger and the original Imperium, and co-wrote Bloodshot for the publisher, as well as multiple single issues over the years.
He and artist Khari Evans are responsible for bringing back the popular Faith/Zephyr character, an overweight female superhero, in her current incarnation.
Dysart co-created and wrote Violent Messiahs in 1997.
Dysart has lived in Venice Beach since the early 2000s.
The book has received overwhelmingly positive reviews for its humanist exploration of community disintegration and displacement.
The AV CLUB said, "the book is a savage takedown of a society that prioritizes profit over people."
And Comics Beat concluded that it was, "As compassionate a portrayal of the homeless as any medium has seen in recent years."
Goodnight Paradise is a prime example of a perennial theme of Dysart's:"'The issue of displaced humanity has been central to a lot of my work, going all the way back to my Unknown Soldier days, but this was the first time I’ve turned that lens on my own community. I suppose there’s a richness of character and general detail that comes from the fact that this is pulled from more than a decade of material and thought on the subject and the place.' - Joshua Dysart"
The first eight issues, collected in the graphic novel Violent Messiahs Vol. I: Book of Job in 2002, were nominated for the Harvey Award, the Wizard Fan Award, and the Eisner's Russ Manning Award.
The storyline took place in Acholiland, Uganda, in 2002 during the war between the Lord's Resistance Army and Ugandan People's Defence Force.
Dysart spent a month in Northern Uganda for research.
From 2008 to 2010 he wrote a revamp of The Unknown Soldier for Vertigo.
Issue #1 of Unknown Soldier was released in October 2008.
The last four issues, a story arc entitled "Lamenting Pain", was not collected until 2009, when IDW Press decided to publish a trade which also featured never before seen developmental material and an unseen short story by Dysart.
More work followed, including a two-year stint as the monthly writer of Swamp Thing, writing issues #9–29 of the fourth series.
Dysart has also worked on Conan and Hellboy and has co-written with Mike Mignola on a series of projects in the same setting of Hellboy.
It was nominated for an Eisner Award for Best New Series in 2009.
and won a Glyph Comics Awards for Best cover.
In December 2009 Dysart gave an exhaustive interview to WORLD VISION REPORT about his experiences in the conflict zone and attempts to adapt them into a mainstream, commercial work.
In 2010 Unknown Soldier won the Glyph for STORY OF THE YEAR.
Unknown Soldier was featured on the front page of the art section of the New York Times and Dysart was interviewed by the BBC, who also published some of his research photos on their website.
In June 2010, Vertigo Comics published Dysart's graphic novel based on Neil Young's 2003 album Greendale.
Cliff Chiang drew the book.
It spent two weeks at #3 on the New York Times Graphic Novel Best-Seller list.
In 2012 Joshua Dysart became one of the primary architects of the Valiant Universe when he helped launch the "Summer of Valiant" with fellow creators Robert Vinditti, Duane Swierzinski, Fred Van Lente, and Justin Jordan.
In 2013 he helmed Valiant's first summer crossover, Harbinger wars, which introduced his original creation, a team of super-powered children called Generation Zero.
Generation Zero and Faith were both given their own individual series.
For the work Dysart once again went to a war zone, traveling across northern Iraq in 2014 to interview Syrians, Yazidis, Kurds, and Arabic Christians who were fleeing both the Syrian Conflict and the rise of Da'esh.
The work was first published, free to read, on Huffington Post World in four installments.
In 2015 the World Food Programme released Living Level-3: Iraq by Dysart, Alberto Ponticelli, Pat Masioni, and Thomas Mauer.
In 2017 WFP released Living Level-3: South Sudan, the sequel by Dysart and the same team.
Again, Dysart spent ten days traveling in the subject country for research.
Focusing on the intersection of famine, civil war, and free market inflation in destabilizing the youngest nation in the world.
In 2018 Dysart once again was part of the launch line-up of a brand new company TKO Studios with an original graphic novel Goodnight Paradise.
A murder mystery that takes place in the homeless culture of Venice Beach, California as it is rapidly gentrifying due to technology companies moving in.