Age, Biography and Wiki
Josep Collell was born on 18 July, 1920 in Vic, Spain, is a Spanish painter. Discover Josep Collell's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 91 years old?
Popular As |
Josep Collell |
Occupation |
N/A |
Age |
91 years old |
Zodiac Sign |
Cancer |
Born |
18 July, 1920 |
Birthday |
18 July |
Birthplace |
Vic, Spain |
Date of death |
21 July, 2011 |
Died Place |
Montevideo, Uruguay |
Nationality |
Spain
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We recommend you to check the complete list of Famous People born on 18 July.
He is a member of famous painter with the age 91 years old group.
Josep Collell Height, Weight & Measurements
At 91 years old, Josep Collell height not available right now. We will update Josep Collell's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Josep Collell's Wife?
His wife is Carmen Cano
Family |
Parents |
Not Available |
Wife |
Carmen Cano |
Sibling |
Not Available |
Children |
Not Available |
Josep Collell Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Josep Collell worth at the age of 91 years old? Josep Collell’s income source is mostly from being a successful painter. He is from Spain. We have estimated Josep Collell's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
painter |
Josep Collell Social Network
Instagram |
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Timeline
Josep Collell (July 18, 1920, Vic - July 21, 2011, Montevideo) was a Catalan painter and ceramicist who lived in Montevideo from 1950, where he developed his artistic career.
Josep Collell was born in Vic, Barcelona, Spain in 1920.
His passion for drawing and painting was shaped in the Escola Municipal de DIbuix of Vic.
From the mid-1940s artists in the Taller painted commercial vessels with the oil painting technique, but when Jorge Piria provided them with a kiln, they could already fired glazed pieces.
Julio Alpuy, Horacio Torres, Manuel Pailós, Antonio Pezzino, José Gurvich, and Julio Otero, among others, applied the constructive language to ceramics.
They wanted to build their own ceramic forms and, inspired by the technique and forms of Pre-Columbian ceramics, they investigated the preparation of clay, its firing, and also made their first burnished engobes.
Josep persisted in these preliminary essays in order to find a technique, the burnished engobe, that could allow him to paint, grease and burnish the pieces before firing so that clay became another painterly support.
In 1946 he was a founder member of “Els Vuit” (The Eight), a group of painters who shared a similar artistic concern and a desire to build bridges with the artistic strength previous to the Spanish Civil War.
He was a member of the Torres García Workshop (es) and in 1955 he created, together with his wife Carmen Cano, the Taller Collell of ceramics where for thirty years they taught their ceramic technique, the burnished engobe.
From the creation of the Taller Collell in 1955 to its closure in 1985, Josep and Carmen taught with great generosity and dedication the technique of the TC and they also projected a ceramic vision that left its artistic and human mark on the many students attending the Taller.
Presently, Casa Collell, the home and Taller Collell, exhibits Josep's work and other artists of La Escuela del Sur.
It is also the studio of the ceramicist Josefina Pezzino, who teaches, among others, the technique of the TC.
Its legacy is also present in the ceramics of Lidya Buzio and Carme Collell who have spread it through United States and Europe.
He died on July 21, 2011, and Carmen on December 11 of that same year.
On entering the Torres García Workshop (es), he discovered the Universalismo Constructivo.
It was the name given by Joaquín Torres García to the artistic language he wanted to create for Latin America in order to unite the primitive vision of Pre-Columbian Art and the geometrical abstraction of the European avant-gardes.
An aesthetic approach to project to applied arts as well, from ceramics to architecture, and a way to stimulate experimentation with different techniques and materials.
In this atmosphere, Josep Collell first encountered ceramics.