Jordie Albiston

Jordie Albiston (30 September 1961 – 28 February 2022) was an Australian poet.

Jordie Albiston grew up in Melbourne, the second of four children.

She studied music at the Victorian College of the Arts before completing a doctorate in English at La Trobe University.

Albiston's first collection of poems, Nervous Arcs, won the Mary Gilmore Award, was runner-up in the Anne Elder Award and Shortlisted for the New South Wales Premier's Prize.

Her next two books were documentary collections, respectively concerning the first European women in the Port Jackson and Botany Bay settlements and Jean Lee, the last woman hanged in Australia.

Botany Bay Document was later transformed into a performance work entitled Dreaming Transportation by Sydney composer Andrée Greenwell.

In 2003, the performance premiered at the Sydney Festival, and in 2004 was staged again at the Sydney Opera House featuring Deborah Conway.

The ABC RN studio production of this work won the Grand Prix Marulic (Croatia).

In 2006, Albiston's biographical verse The Hanging of Jean Lee was used as the text for an opera created by Andrée Greenwell.

Featuring Max Sharam, it was first staged at the Sydney Opera House in The Studio.

XIII Poems brought together commissioned poems written between 2009 and 2013.

Jack & Mollie (& Her) is a book-length poem comprising decasyllabic cinquains.

Albiston had dogs with these names so it is likely the narrative is autobiographical.

Albiston's sixth collection, the sonnet according to 'm', won the 2010 New South Wales Premier's Prize and was runner-up in the Chief Minister's Award (Australian Capital Territory).

[K]indness is a hand-bound limited edition artists' book, with etchings by Sheree Kinlyside in response to one poem.

[T]he Book of Ethel consists of "perfect square" syllabic rhymed stanzas, charting the life of Albiston's Cornish great grandmother.

Albiston was selected by The Age for its annual Top 100 list of "Melbourne's most influential, inspirational and creative people" in 2010, and is featured on podcasts on ABC Radio National (2019) and the Australian Book Review Podcast (2020).

The libretto of this work was subsequently shortlisted for the Victorian Premier's Prize for Best Music Theatre Script, and the opera was remounted in Melbourne in 2013.

Albiston's fourth book, The Fall, a collection of chained verse, was shortlisted for premiers' prizes in Victoria, New South Wales and Queensland.

This was followed by Vertigo: a cantata, which utilises musical structures and devices in place of traditional organisational techniques and punctuation.

Twenty years after its original publication, Hannah Kent featured Botany Bay Document in her essay "Australia in Three Books" (Meanjin 2016).

This title was twice noted in Australian Book Review 2016 Books of the Year.

Euclid's dog: 100 algorithmic poems uses various mathematical concepts and proofs as bases for its eight poetic forms.

"This is not a book of high mathematics: rather an attempt to migrate some of the innate robustness, austerity and elegance of Euclidean thought into the realm of poetic structure".

Euclid's dog was chosen as one of the Australian Book Review 2017 Books of the Year and shortlisted for the Queensland and New South Wales premiers' prizes in 2018.

A collection of found poems based on the letters and postcards from WWI Victorian soldiers, Warlines was written on a State Library of Victoria Fellowship.

In the Australian Book Review, David McCooey refers to this work as "a masterpiece ... Albiston reworks her source material into highly formal and stylised linguistic works. Warlines is – like her other collections – a technical tour de force".

It was subsequently celebrated as a Book of the Year in the Australian Book Review (2018).

[E]lement: the atomic weight & radius of love extends Albiston's longstanding conversation with mathematics and poetic form into the realm of science.

These love poems are structured according to numerical facets of atomic theory, while embracing various historical aspects, anecdotes and fancies associated with the 70 or so elements included here.

"Using chemistry as a trope, Albiston tabulates the human predicament of love: its foundations and fundamentals; its configuration of emotions; its recurring properties; and its assumption of elements yet to be defined."

This title was noted in the Australian Book Review Books of the Year 2020 (McCooey), as well as shortlisted for the Australian Literature Society Gold Medal and the 2021 New South Wales Premier's Prize.

Fifteeners is a collection of 15-line sonnets.

Here Albiston reinvents the sonnet structure, trading metre for syllabics, and employing fifteen lines in lieu of the traditional fourteen.

"Themes of destruction and loss, hope and wonder, and the pressing state of an unstable world, are coded like enduring questions into the machinery of these extraordinary poems."

Albiston's work is well-represented in anthologies and has been translated into a number of languages.

She has an entry in Who's Who in Twentieth-Century World Poetry and is mentioned in The Cambridge Companion to Australian Literature and The Princeton Encyclopedia of Poetry and Poetics (4th ed.).

Critical analyses of her work can be found in publications such as Axon, Biography (US), Feeding the Ghost: Criticism on Contemporary Australian Poetry, Truth and Beauty: Verse Biography in Canada, Australia and New Zealand (NZ), Reclaiming Romanticism: Towards an Ecopoetics of Decolonization (UK), Humanities for the Environment: Integrating knowledge, forging new constellations of practice (UK) and Westerly.

She is referred to as a major Australian poet in the Australian Book Review.

Composers who have set Albiston's poetry to music include Andrew Ford (Australia), Leonard Lehrman (United States), Barry McKimm (Australia), Raffaele Marcellino (Australia), Rachel Merton (Australia), Peter Skoggard (Canada) and Kezia Yap (Australia).