Age, Biography and Wiki

Jonas Baes was born on 1961 in Los Baños, Laguna, is a Filipino composer. Discover Jonas Baes's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 63 years old?

Popular As N/A
Occupation Composer
Age 63 years old
Zodiac Sign N/A
Born 1961
Birthday
Birthplace Los Baños, Laguna
Nationality Philippines

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Jonas Baes Height, Weight & Measurements

At 63 years old, Jonas Baes height not available right now. We will update Jonas Baes's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Jonas Baes Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Jonas Baes worth at the age of 63 years old? Jonas Baes’s income source is mostly from being a successful Composer. He is from Philippines. We have estimated Jonas Baes's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Composer

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Timeline

1961

Jonas Baes (born 1961 in Los Baños, Laguna) is a Filipino composer.

1977

He enrolled in the University of the Philippines' College of Music in 1977 as a student of Ramon P. Santos, and encountered the musical compositions of Jose Maceda, attended several seminar-workshops of visiting lecturers, and did research on the music of the Iraya-Mangyan people of Mindoro, which became the inspiration for his compositions.

1980

His early works in the 1980s were influenced by Maceda in the use of large numbers of performers, while in the 1990s he experimented with various methods by which the audience becomes integral in the performance.

At the beginning of the new century, Baes experiments with notions of structure-agency integration [after Anthony Giddens] and simulacrum [after Jean Baudrillard].

It is typical for social theory to influence the work of Baes who has made a mark on contemporary music and cultural politics in the Asian region.

Baes is also active as an ethnomusicologist and writer.

Some of Jonas Baes' musical compositions include:

1981

PANTAWAG [music for calling people] for 15 bamboo scrapers, 15 palm leaves, and 20 muffled "forest" voices [1981]

1983

BASBASAN [blessing] for 20 bean-pod rattles and 20 muffled men's voices [1983]

1992

From 1992 to 1994, he studied with Mathias Spahlinger in Freiburg, Germany.

Baes is known for writing music utilizing "unorthodox" musical instruments like bean-pod rattles, leaves, iron-nail chimes, as well as various Asian instruments such as bamboo scrapers, bamboo flutes, and vocal music using Asian vocal techniques.

1994

DALUY [flow] interval music for five animator-percussionists and about a hundred bird whistles distributed among the audience [1994]

1996

IBO-IBON [birdwoman] for dancer wearing small bells, two large wind chimes passed around the audience, four animator-callers, and iron nail chimes played by the audience [1996]

SALAYSAY [narratives/ inspired by Jean Baudrillard] for solo voice, three percussionists, and pairs of pebbles distributed among the audience

1997

BANWA [imagined community, after Benedict Anderson] for four bamboo scrapers, "bamui" trail caller, "sarunai" oboe, "khaen" mouth organ, and about a hundred iron nail chimes distributed among the audience [1997/2001]

WALA [nothingness] for seven or hundreds of men's voices [1997/2001]

2003

PATANGIS-BUWAYA [and the crocodile weeps] for four sub-contrabass recorders or any blown instruments [2003]