Age, Biography and Wiki
Jonas Baes was born on 1961 in Los Baños, Laguna, is a Filipino composer. Discover Jonas Baes's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 63 years old?
| Popular As |
N/A |
| Occupation |
Composer |
| Age |
63 years old |
| Zodiac Sign |
N/A |
| Born |
1961 |
| Birthday |
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| Birthplace |
Los Baños, Laguna |
| Nationality |
Philippines
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He is a member of famous Composer with the age 63 years old group.
Jonas Baes Height, Weight & Measurements
At 63 years old, Jonas Baes height not available right now. We will update Jonas Baes's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Jonas Baes Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Jonas Baes worth at the age of 63 years old? Jonas Baes’s income source is mostly from being a successful Composer. He is from Philippines. We have estimated Jonas Baes's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Composer |
Jonas Baes Social Network
Timeline
Jonas Baes (born 1961 in Los Baños, Laguna) is a Filipino composer.
He enrolled in the University of the Philippines' College of Music in 1977 as a student of Ramon P. Santos, and encountered the musical compositions of Jose Maceda, attended several seminar-workshops of visiting lecturers, and did research on the music of the Iraya-Mangyan people of Mindoro, which became the inspiration for his compositions.
His early works in the 1980s were influenced by Maceda in the use of large numbers of performers, while in the 1990s he experimented with various methods by which the audience becomes integral in the performance.
At the beginning of the new century, Baes experiments with notions of structure-agency integration [after Anthony Giddens] and simulacrum [after Jean Baudrillard].
It is typical for social theory to influence the work of Baes who has made a mark on contemporary music and cultural politics in the Asian region.
Baes is also active as an ethnomusicologist and writer.
Some of Jonas Baes' musical compositions include:
PANTAWAG [music for calling people] for 15 bamboo scrapers, 15 palm leaves, and 20 muffled "forest" voices [1981]
BASBASAN [blessing] for 20 bean-pod rattles and 20 muffled men's voices [1983]
Baes is known for writing music utilizing "unorthodox" musical instruments like bean-pod rattles, leaves, iron-nail chimes, as well as various Asian instruments such as bamboo scrapers, bamboo flutes, and vocal music using Asian vocal techniques.
DALUY [flow] interval music for five animator-percussionists and about a hundred bird whistles distributed among the audience [1994]
IBO-IBON [birdwoman] for dancer wearing small bells, two large wind chimes passed around the audience, four animator-callers, and iron nail chimes played by the audience [1996]
SALAYSAY [narratives/ inspired by Jean Baudrillard] for solo voice, three percussionists, and pairs of pebbles distributed among the audience
BANWA [imagined community, after Benedict Anderson] for four bamboo scrapers, "bamui" trail caller, "sarunai" oboe, "khaen" mouth organ, and about a hundred iron nail chimes distributed among the audience [1997/2001]
WALA [nothingness] for seven or hundreds of men's voices [1997/2001]
PATANGIS-BUWAYA [and the crocodile weeps] for four sub-contrabass recorders or any blown instruments [2003]
