Jon Rafman

His work has been included in numerous prestigious international biennials, including the 58th Venice Biennale, 13th Lyon Biennale, 9th Berlin Biennale, and Manifesta 11.

Jon Rafman (born 1981) is a Canadian artist, filmmaker, and essayist.

His work centers around the emotional, social and existential impact of technology on contemporary life.

In 2008, Rafman started Nine Eyes of Google Street View, a long-term archival photo project which uses screenshots of Google Street View images as its source.

These images from across the world are arranged in a massive database and published in books, on blogs and as prints for his various exhibitions.

Rafman later began to keep an ongoing Tumblr blog where he would post his Google Street View images.

He is widely known for exhibiting found images from Google Street View in his online artwork 9-Eyes (2009-ongoing).

Rafman was born in Montreal, Canada.

He holds an M.F.A. from The School of the Art Institute of Chicago and a B.A. in Philosophy and Literature from McGill University.

He lives in Montreal.

Rafman's work focuses on technology and digital media, often using narrative to emphasize the ways in which they connect users back to society and history.

Much of his work focuses on melancholy in modern social interactions, communities and virtual realities (primarily Google Earth, Google Street View and Second Life), while still bringing light to the beauty of them in a manner sometimes inspired by Romanticism.

His videos and art utilize personal moments intended to reveal how pop culture ephemera and subcultures shape individual desires, and will often define those individuals in return.

Rafman's Kool-Aid Man in Second Life project consists of films and participatory tours around the virtual universe of Second Life, which is hosted by his avatar, a 3D render of the Kool-Aid Man.

Rafman conducted these tours live, inviting audience members to take part in the exploration of the virtual world as he guided and contextualized the experience Kool-Aid Man in Second life is a quasi-ethnographic tour of the wildly varied fantasies invented and pursued by denizens of the web's murkier corners.

Rafman describes this project as an exploration of new communities that formed as the internet became a ubiquitous aspect of modern life.

In September 2013, Rafman collaborated with Brooklyn-based experimental musician Daniel Lopatin, better known by his stage name Oneohtrix Point Never, on a music video for Still Life to accompany the release of R Plus Seven on Warp Records.

His artwork has gained international attention and was exhibited in 2015 at Musée d'art contemporain de Montréal (Montreal) and Stedelijk Museum Amsterdam.

The two later collaborated to create a two-part music video for Sticky Drama, from Lopatin's 2015 album Garden of Delete.

In 2015, the City of Montreal and the Contemporary Art Galleries Association awarded Rafman the Prix-Pierre-Ayot prize for emerging artists.

Rafman represented Quebec twice as a finalist in the competition for the 2015 and 2018 Sobey Art Award.

In 2016, Rafman's animated feature-length film Dream Journal premiered at the Sprüth Magers gallery in Berlin.

Inspired by Rafman's habit of recording and animating his dreams, the film through a series of dream episodes explores the effects that technology and the internet have on the human psyche.

Rafman has called the process of working on the film a form of "worldbuilding" with the desire to create a Boschian-like vision of our current hellscape.

Its musical score was created by Oneohtrix Point Never and James Ferraro.

Around 2021, Rafman began working with emerging AI technologies and applications, such as Midjourney, ChatGPT, and Runway.

His film Counterfeit Poast (2022) utilizes AI-generated imagery and iPhone facial recognition apps to create a series of character studies inspired by "copypasta".

The film premiered at the MAXXI museum in Rome in 2022.

Rafman has been posting his experiments with AI image-making on his @ronjafman Instagram account.

On the 8th of February 2024, the music video for Vultures (Havoc Version) by superduo ¥‎$ was released.

The video was created by Rafman, completely by using AI-generated imagery.

The video was originally uploaded on Kanye West's Instagram, but would later be uploaded to his YouTube channel as well.

The video uploaded to YouTube would garner over 2 million views in under 24 hours.

Jon Rafman's oeuvre has been situated within the Post-Internet art movement.

He has risen to acclaim with his project Nine Eyes of Google Street View, which developed a distinctly post-internet approach to photography.

In 2018, Parisian fashion house Balenciaga commissioned Rafman to create an immersive LED tunnel for their Spring-Summer 2019 show.

Rafman is represented by art galleries Sprüth Magers (Berlin, Los Angeles, London) and Seventeen (London).

Among public collections holding examples of his work are The Museum of Modern Art in New York City, the Stedelijk Museum in Amsterdam, the MAXXI in Rome, National Gallery of Canada in Ottawa, Moderna Museet in Stockholm, and others.

In July 2020, accusations of sexual misconduct were leveled against Rafman on the instagram account @surviving_the_artworld and reported by the Montreal Gazette.

Jon Rafman successfully sued the Gazette for defamation.