Age, Biography and Wiki
Joly Braga Santos was born on 14 May, 1924, is a Portuguese composer and conductor. Discover Joly Braga Santos's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 64 years old?
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64 years old |
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Taurus |
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14 May, 1924 |
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14 May |
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Date of death |
18 July, 1988 |
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We recommend you to check the complete list of Famous People born on 14 May.
He is a member of famous composer with the age 64 years old group.
Joly Braga Santos Height, Weight & Measurements
At 64 years old, Joly Braga Santos height not available right now. We will update Joly Braga Santos's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Joly Braga Santos Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Joly Braga Santos worth at the age of 64 years old? Joly Braga Santos’s income source is mostly from being a successful composer. He is from . We have estimated Joly Braga Santos's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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composer |
Joly Braga Santos Social Network
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Timeline
Having studied violin and composition at the National Conservatoire of Lisbon, he became a disciple of Luís de Freitas Branco (1890–1955), the leading Portuguese composer of the preceding generation.
José Manuel Joly Braga Santos, ComSE (May 14, 1924 – July 18, 1988) was a Portuguese composer and conductor, who was born and died in Lisbon.
José Manuel Joly Braga Santos was born in Lisbon in 1924 and died in this city in 1988, at the peak of his musical creativity.
In 1945 he visited England where he met Ralph Vaughan Williams, who encouraged him to use his native folksong in his symphonic music and also suggested that he should take lessons in counterpoint.
He was undoubtedly the leading Portuguese symphonist of the 20th century, and perhaps of all time.
Apart from an innate sense of orchestration, his musical language is based on a strong musical architecture as well as drama, with long melodic phrases and a natural instinct for structural development.
In his own words, he wanted “to contribute toward a Latin symphonism and to react against the predominant tendency, of the generation that preceded me, to reject monumentalism in music”.
In his first works, the composer showed a modal tendency motivated by the desire to establish a connection between contemporary music and the golden age of Portuguese music: the Renaissance.
We also find a melodic outline of the oldest folk songs of his country.
Although he was not particularly interested in the Portuguese folklore, studying and composing at the country home of his mentor, in the rural south of Portugal - the Alentejo - he naturally accepted the influence of the very old local folklore that he considered "of mesmerizing originality and grandeur".
The first four symphonies, which followed each other quite rapidly (between the ages of 22 and 27), were immediately performed by the Portuguese Radio Symphony Orchestra in Lisbon, and met with great success.
The conductor and founder of the Portuguese Radio Symphony Orchestra was the great Portuguese conductor Pedro De Freitas Branco, a friend of Maurice Ravel, Manuel de Falla, and former director of the Orchestre Lamoureux.
Pedro De Freitas Branco early recognised his brother’s pupil’s talent and launched Joly Braga Santos's international career during the 1950s, conducting several international premieres of his works around Europe.
Other works of this period are the Concerto for Strings, Variations on an Alentejo Theme, and three Symphonic Overtures.
Following closely the works of post-war European composers, his style became, from 1960 onwards, more chromatic.
The period of travel and the time he devoted to conducting provided him with what he described as a useful period of rest, decisive for the evolution of his musical style toward increased chromaticism and less traditional form.
To this period belong the works Three Symphonic Sketches, Sinfonietta, the Requiem, his 5th and 6th Symphonies, and Divertimento no. 2.
Joly Braga Santos also wrote three operas, chamber music for a wide variety of instruments and ensembles, film scores, and several choral works based on poems from the great classical and modern Portuguese and Spanish poets such as Camões, Antero de Quental, Teixeira de Pascoaes, Fernando Pessoa, Garcilaso de la Vega, Antonio Machado and Rosalía de Castro.
Joly Braga Santos lectured on composition at the National Conservatoire of Lisbon, where he introduced the chair of Musical Analysis.
He was also director of the Oporto Symphony Orchestra and one of the founders of the Juventude Musical Portuguesa (Portuguese Musical Youth).
As a critic and journalist he produced a vast range of work for several Portuguese and foreign newspapers and journals.
He died in Lisbon, of a stroke.
The Three Symphonic Sketches (1962) were distinguished by Donemus in 1963, and the 5th Symphony, by the «Tribune Internationale des Compositeurs» (UNESCO) in 1966.
Most of the works were recorded, from the 1970s onwards, by the Portuguese label Strauss SP, and more recently, by the Naxos / Marco Polo label.
In 1977, Joly Braga Santos was distinguished with the Order of Santiago de Espada by António Ramalho Eanes, the President of the Portuguese Republic.
In 2004, the recording of the Symphony No. 4 by Naxos/Marco Polo, performed by the National Symphony Orchestra of Ireland and conducted by Álvaro Cassuto received the Cannes Classical Award for the CD Premier category.