Age, Biography and Wiki

Joline Blais was born on 9 May, 1960 in Lewiston, Maine, is an A 21st-century american woman. Discover Joline Blais's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 63 years old?

Popular As N/A
Occupation educator
Age 63 years old
Zodiac Sign Taurus
Born 9 May, 1960
Birthday 9 May
Birthplace Lewiston, Maine
Nationality United States

We recommend you to check the complete list of Famous People born on 9 May. She is a member of famous Educator with the age 63 years old group.

Joline Blais Height, Weight & Measurements

At 63 years old, Joline Blais height not available right now. We will update Joline Blais's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Joline Blais Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Joline Blais worth at the age of 63 years old? Joline Blais’s income source is mostly from being a successful Educator. She is from United States. We have estimated Joline Blais's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Educator

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Timeline

Joline Blais is a writer, educator, new media scholar, and permaculture designer.

As Associate Professor in the University of Maine's New Media Department, Blais teaches classes on digital narrative, sustainable design, and permaculture.

1921

In this book Blais coins the terms "autobotography," personal histories automatically recorded by digital devices such as webcams and blogs, and "executability," an ability of 21st-century expression to operate on computable, social, or legal codes.

Blais and collaborators, including John Bell, Ippolito, and Owen Smith, developed The Pool, an online project design workspace noted by the Chronicle of Higher Education as a "new avenue for new-media scholars to do their jobs."

The Pool is a collaborative online environment for creating art, code, and texts.

In place of the single-artist, single-artwork paradigm favored by the overwhelming majority of documentation systems, The Pool stimulates collaboration in a variety of forms, including multi-author, asynchronous, and cross-medium projects.

2002

With Jon Ippolito in 2002, she co-founded Still Water, a new media lab she continues to co-direct that is devoted to studying and building creative networks.

Blais' publications and creative work explore the overlap of digital culture, indigenous culture, and permaculture which has included advocacy for updated tenure and promotion criteria based on sharing rather than hierarchical principles.

2004

Joline Blais, Jon Ippolito, Lawrence Lessig, and Carrie McLaren, "Share/Share Alike," Intelligent Agent (New York and Baton Rouge) 4.2 (June 2004), http://www.intelligentagent.com.

2005

In 2005 Blais partnered with New York's Eyebeam Art and Technology Center to conceive and produce an online forum on open culture that spanned six weeks and four continents.

Entitled Distributed creativity, this system wove together correspondents from separate email lists based in California (Creative Commons), New York (Rhizome), Ireland (DATA), India (Sarai), and Australia (Fibreculture) in a global conversation on the future of creativity, intellectual property, and mobile media.

2006

Blais' 2006 book At the Edge of Art, co-authored with Ippolito and published by Thames & Hudson, investigates how new media art puts the power of networks and distributed creativity into the hands of ordinary citizens in a variety of non-art contexts.

The book creates a metaphor between digital art and the human immune system, relating the auto-immune response to the important role of art in society.

Joline Blais and Jon Ippolito, "Art As Antibody: A Redefinition of Art for the Internet Age," Intelligent Agent 6, no. 2 (Summer 2006), mirrored at http://www.intelligentagent.com/archive/ia6_2_transvergence_blaisippolito_artasantibody.pdf.

Joline Blais and Jon Ippolito, At the Edge of Art (London: Thames & Hudson, 2006).

Joline Blais, Indigenous Domain: Pilgrims, Permaculture, and Perl

2007

Her sustainability projects include LongGreenHouse (2007–2011), which wove the Wabanaki Longhouse, permaculture gardens, and networked collaboration in a hybrid "communiversity," in partnership with UMaine, the Wassookeag school, and Wabanaki elders.

Other projects include RFC: Request for Ceremony, a call for re-investing quotidian life with ceremony; and the Cross-Cultural Partnership, a legal framework for developing trust networks with indigenous peoples.

2008

In 2008 Blais expanded this work from the university to community contexts as a partner and equity member of Belfast Cohousing & Ecovillage, whose net zero prototype house was the US Green Building Council's 2011 Project of the Year.

2009

Joline Blais, Jon Ippolito, Steve Evans, Owen Smith, and Nate Stormer, "New Criteria for New Media," Leonardo (MIT Press) 42, no. 1 (Spring 2009).

2010

Joline Blais and Jon Ippolito, "New Media Innovators," in Lucas Dietrich, ed., 60: Innovators Shaping Our Creative Future (London: Thames & Hudson, 2010).