Age, Biography and Wiki

John Psathas (Ioannis Psathas) was born on 1966 in Wellington, New Zealand, is a New Zealand composer. Discover John Psathas's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 58 years old?

Popular As Ioannis Psathas
Occupation Composer
Age 58 years old
Zodiac Sign N/A
Born 1966
Birthday
Birthplace Wellington, New Zealand
Nationality New Zealand

We recommend you to check the complete list of Famous People born on . He is a member of famous Composer with the age 58 years old group.

John Psathas Height, Weight & Measurements

At 58 years old, John Psathas height not available right now. We will update John Psathas's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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John Psathas Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is John Psathas worth at the age of 58 years old? John Psathas’s income source is mostly from being a successful Composer. He is from New Zealand. We have estimated John Psathas's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Composer

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Timeline

1966

John Psathas, (born Ioannis Psathas, Ιωάννης Ψάθας; 1966) is a New Zealand Greek composer.

He has works in the repertoire of such high-profile musicians as Evelyn Glennie, Michael Houstoun, Michael Brecker, Joshua Redman and the New Juilliard Ensemble, and is one of New Zealand's most frequently performed composers.

He has established an international profile and receives regular commissions from organisations in New Zealand and overseas.

The son of Greek immigrant parents, Psathas grew up in Taumarunui and then Napier.

He attended Napier Boys' High School and left early to study composition and piano at Victoria University of Wellington.

He supported himself as a student partly by playing up to nine gigs a week in a jazz trio.

Psathas studied further with composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since lectured in music at Victoria University and continued to fulfill a busy schedule of commissions.

1991

Early success came with Matre's Dance in 1991, an energetic duet for percussion and piano since taken up and championed by percussionist Evelyn Glennie.

This work and Drum Dances have become part of the standard repertoire for percussionists around the world.

2000

A highlight of 2000 was the premiere of the saxophone concerto Omnifenix at an outdoor concert before an audience of 8000 people at the 2 Agosto Festival in Bologna, Italy.

This work was tailored to the particular improvising talents of tenor saxophonist Michael Brecker.

According to his publisher Promethean Editions, a new work by John Psathas is an individual, unique entity, and his music is like that of no one else.

His 'sound' is difficult to define – the harmony and improvisational feel of jazz, the compelling rhythmic drive and excitement of rock music and the sustained repetitive textures of minimalism are apparent as influences, yet they combine and intermingle with something else more intangible.

This undefinable quality is partly what makes his one of the most original voices in the arena of contemporary classical music in New Zealand.

A retrospective concert of Psathas' chamber music was given in the 2000 New Zealand International Festival of the Arts, culminating with the premiere of the specially commissioned Piano Quintet.

In the programme to the concert, he described the process of creating his music:

"'When I write music, it's not a sense of inventing I experience, as much as it is a sense of finding something that exists at the remote periphery of what I know. It is like seeing things – that aren't really there – in the corner of one's eye, but not spinning around to view them, because then they would simply cease to be. It is a case of being aware of a thing in one's peripheral vision and, while staring straight ahead, trying to decipher, without looking at it, the true nature of what it is. What one is finding is exactly the right thing for any given moment in a musical work.'"

In 2000 his percussion works for the Rhythm Spike release gained him the Tui Award for Best Classical Recording at the New Zealand Music Awards.

The double concerto View From Olympus for piano, percussion and orchestra was premiered at the Commonwealth Games in Manchester, performed by Evelyn Glennie, Philip Smith and the Halle Orchestra conducted by Mark Elder.

2001

Psathas' collaboration with Evelyn Glennie has been long-standing and produced many commissioned works, including the 2001 double concerto for piano and percussion View From Olympus.

Glennie has also released recordings of many of his works.

2002

This work was awarded the 2002 SOUNZ Contemporary Award, New Zealand's major annual composition award.

2003

In 2003 a new CD of chamber works, Fragments, was released to critical acclaim and went on to win another Tui Award for Best Classical Album in 2004.

He was named in 2003 as the recipient of one of five Arts Foundation of New Zealand Artist Laureate Awards, which carry cash prizes of $40,000.

2004

In 2004 Psathas achieved the largest audience for New Zealand-composed music when billions heard his fanfares and other music at the opening and closing ceremonies of the Athens Olympics.

Additionally, his Three Psalms piano concerto, premiered by the New Zealand Symphony Orchestra and soloist Stephen Gosling, was awarded the 2004 SOUNZ Contemporary Award for excellence in composition.

2005

This high-profile work was recognised in New Zealand's 2005 New Year Honours by his appointment as an Officer of the New Zealand Order of Merit (ONZM).

2007

Psathas won his third Best Classical Album award in the 2007 New Zealand Music Awards, for View from Olympus.

2014

In 2014 Psathas was awarded a Higher Doctorate of Music by Victoria University of Wellington for his substantial contribution to New Zealand music, and embarked on an ambitious international project as part of New Zealand's WW100 programme to mark the centenary of World War I.

The result of this two-year collaboration with film makers and 150 musicians from all over the world was No Mans Land, a multimedia work including film, live performance and pre-recorded musical score.

2016

It premiered at the 2016 New Zealand Festival of the Arts before being taken on an international tour.

The work examines the journey and ultimate triumph of the human spirit, juxtaposed against and overcoming the futility and terrors of war.

2018

In 2018 Psathas retired from his long university tenure to become a full-time freelance composer, and was granted the position of Emeritus Professor at the New Zealand School of Music.

2020

In 2020 he began a three-year Composer-in-Residence partnership with Orchestra Wellington.

Notable works by John Psathas: