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John Pope-Hennessy (John Wyndham Pope-Hennessy) was born on 13 December, 1913 in London, England, is a British art historian. Discover John Pope-Hennessy's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 80 years old?

Popular As John Wyndham Pope-Hennessy
Occupation Art historian
Age 80 years old
Zodiac Sign Sagittarius
Born 13 December, 1913
Birthday 13 December
Birthplace London, England
Date of death 31 October, 1994
Died Place Florence, Italy
Nationality London, England

We recommend you to check the complete list of Famous People born on 13 December. He is a member of famous historian with the age 80 years old group.

John Pope-Hennessy Height, Weight & Measurements

At 80 years old, John Pope-Hennessy height not available right now. We will update John Pope-Hennessy's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Richard Pope-Hennessy (father)Una Pope-Hennessy (mother)
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John Pope-Hennessy Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is John Pope-Hennessy worth at the age of 80 years old? John Pope-Hennessy’s income source is mostly from being a successful historian. He is from London, England. We have estimated John Pope-Hennessy's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income historian

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Timeline

1913

Sir John Wyndham Pope-Hennessy (13 December 1913 – 31 October 1994), was a British art historian.

1955

Between 1955 and 1963, Pope-Hennessy's three-volume Introduction to Italian Sculpture was published, covering Gothic, Renaissance and High Renaissance and Baroque sculpture.

The following year, he was named Slade Professor of Fine Art at the University of Cambridge.

1967

Pope-Hennessy was director of the Victoria and Albert Museum between 1967 and 1973, and director of the British Museum between 1974 and 1976.

He was a scholar of Italian Renaissance art.

Many of his writings, including the tripartite Introduction to Italian Sculpture, and his magnum opus, Donatello: Sculptor, are regarded as classics in the field.

Born into an Irish Catholic family in the Belgravia district of Central London, Pope-Hennesssy's father was Major-General Richard Pope-Hennessy, who was the son of the politician Sir John Pope Hennessy.

Pope-Hennessy's mother was Dame Una Pope-Hennessy.

He was the elder of two sons; his younger brother, James Pope-Hennessy, was a noted writer.

Pope-Hennessy was educated at Downside School, a Catholic boarding school for boys, in Stratton-on-the-Fosse.

He then went on to Balliol College at the University of Oxford, where he specialised in modern history.

At Oxford, he was introduced by Logan Pearsall Smith, a family friend, to Kenneth Clark, who later became a mentor.

Upon graduation, Pope-Hennessy embarked his journeyman years by travelling in continental Europe and becoming acquainted with art collections, both public and private.

During World War II he served as a Flight Lieutenant in the Deputy Directorate of Intelligence at the Air Ministry.

Pope-Hennessy served as the director of the Victoria and Albert Museum between 1967 and 1973, and then as director of the British Museum from 1974 until 1976.

There, he was nicknamed by colleagues as "The Pope".

1968

As the museum's director he wrote the foreword for several exhibition catalogues –Musical Instruments as Works of Art (1968), Berlioz and the Romantic Imagination, English Watches, Fine Illustrations in Western European Printed Books and The Fashionable Lady in the 19th Century (all in 1969), Charles Dickens (1970), Kokoschka: Prints and Drawings (1971), a.o.– and introduced the Museum's first Yearbook in 1969.

But even before that he wrote the texts and was responsible for the following publications

Metropolitan Museum of Art catalogues

1972

He also wrote a foreword for Helmut Gernsheim's photographies of Beautiful London, contributed to a book on Westminster Abbey (1972), and wrote an autobiography that was published in 1991.

1974

Traumatised by the murder of his gay brother James in January 1974, Pope-Hennessy left the British Museum after only two years as director.

Initially, he went to Tuscany, but was enticed by an offer from the Metropolitan Museum of Art to head its department of European painting, and moved to New York City.

He combined this curatorial post with a professorship at New York University's Institute of Fine Arts.

Pope-Hennessy was elected to the American Philosophical Society in 1974 and the American Academy of Arts and Sciences in 1978.

1980

Although never really rich, Pope-Hennessy improved his financial situation substantially in the 1980s by selling two paintings he had acquired in 1946 in the sale of the Bridgewater House collection: Domenichino's Christ Carrying the Cross, which he had bought for GBP38, to the Getty Museum for USD750,000 and Annibale Carracci's Vision of Saint Francis, which he had bought for only GBP28, to the National Gallery of Canada for GBP100,000.

With these proceeds he was able to afford his new lodging in Florence.

Hence, he retired at the age of seventy-five and moved permanently to Florence with his lover, Michael Mallon, and resided at Palazzo Canigiani, where he died five years later.

Pope-Hennessy is buried in the Cimitero degli Allori in Florence.

His gravestone includes a quote from the First Epistle to the Corinthians in the Bible.

The remains of his impressive art collection in Florence were sold two years after his death for roughly GBP1,000,000 at Christie's in New York.

Victoria and Albert Museum publications

1986

In 1986, Philippe De Montebello, director of the Metropolitan Museum of Art, created the John Pope-Hennessy Curatorship of European Paintings.

Pope-Hennessy also served on the boards of the Venice in Peril Fund and Save Venice Inc., two non-profit organisations dedicated to the conservation and preservation of Venetian cultural heritage.

Besides his own scholarly publications, some of which became classics and were often reprinted, and his responsibilities as a museum director, he provided his name and expertise for others (such as Sotheby's or the Collins Encyclopedia of Antiques).

The Metropolitan Museum also published John Pope-Hennessy: A Bibliography in 1986, compiled by Everett Fahy

Posthumous compilations