Age, Biography and Wiki
John Miller was born on 1954 in Cleveland, Ohio, is an American painter. Discover John Miller's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?
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He is a member of famous painter with the age 70 years old group.
John Miller Height, Weight & Measurements
At 70 years old, John Miller height not available right now. We will update John Miller's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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John Miller Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is John Miller worth at the age of 70 years old? John Miller’s income source is mostly from being a successful painter. He is from United States. We have estimated John Miller's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
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Not Available |
| Source of Income |
painter |
John Miller Social Network
Timeline
John Miller (born 1954) is an artist, writer, and musician based in New York and Berlin.
Miller and artist Mike Kelley met as graduate students at the California Institute of the Arts in the late 1970s.
He received a B.F.A. from the Rhode Island School of Design in 1977.
He attended the Whitney Museum of American Art Independent Study Program in 1978 and received an M.F.A. from California Institute of the Arts in 1979.
Miller worked as a gallery attendant at Dia:Chelsea.
He is currently Professor of Professional Practice in Art History at Barnard College
In 1991, he received a Fellowship from the Berliner Kunstlerprogramm, German Academic Exchange Service (D.A.A.D.).
In 2000, JRP Edition and the Consortium published The Price Club: Selected Writings, 1977-1996. (Geneva and Dijon: JRP Editions and the Consortium, 2000) In 2001, Revolver Verlag published When Down Is Up: Selected Writings.
His work was included in the Biennale d'Art Contemporain de Lyon in 2005 and in the 2010 Gwangju Bienniale, 10,000 Lives.
Other solo museum exhibitions include one at the Museum Ludwig Cologne (2011) in conjunction with his being awarded the Wolfgang Hahn Prize, a mid career retrospective at the Kunsthalle Zürich (2009), the Kunstverein in Hamburg (1999), Le Magasin in Grenoble (1999), and MoMA PS1 in New York (1998).
In 2011, Miller received the Wolfgang Hahn Prize from the Society for Contemporary Art at the Museum Ludwig in Cologne.
JRP-Ringier and the Consortium published a collection of his criticism titled The Ruin of Exchange: Selected Writings in 2012, as part of their Positions series.
The Ruin of Exchange is edited by Professor Alexander Alberro (Geneva and Dijon: JRP-Ringier and les Presses du Reel, 2012)
In 2014, his artwork was included in the Hayward Gallery’s exhibition, "The Human Factor: the Figure in Contemporary Sculpture."
Miller's work is in the collections of institutions including the Museum of Contemporary Art, Los Angeles; the Whitney Museum, New York; the Carnegie Museum of Art, Pittsburgh; Museum Ludwig, Cologne, Stedelijk Museum Amsterdam, and the Institute of Contemporary Art, Miami, as well as private collections and foundations like the Rubell Museum in Miami, Sammlung Ringier, Switzerland, Sammlung Schürmann, Aachen / Berlin and the Sammlung Falkenberg in Hamburg.
In 2015, Afterall Books published Miller's study Mike Kelley: Educational Complex as part of its One Work series.
Miller has had several solo museum exhibitions, most recently in 2016 a mid career survey "I Stand, I Fall" at the Institute of Contemporary Art / ICA, Miami curated by Alex Gartenfeld.
The exhibition "brings together some 75 works that trace Miller’s use of the figure throughout his career in order to incisively comment on the status of art and life in American culture."
