Age, Biography and Wiki

John Kirkpatrick (musician) was born on 8 August, 1947, is a John Michael Kirkpatrick is English musician. Discover John Kirkpatrick (musician)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 76 years old?

Popular As N/A
Occupation Musician
Age 76 years old
Zodiac Sign Leo
Born 8 August, 1947
Birthday 8 August
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 8 August. He is a member of famous artist with the age 76 years old group.

John Kirkpatrick (musician) Height, Weight & Measurements

At 76 years old, John Kirkpatrick (musician) height not available right now. We will update John Kirkpatrick (musician)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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John Kirkpatrick (musician) Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is John Kirkpatrick (musician) worth at the age of 76 years old? John Kirkpatrick (musician)’s income source is mostly from being a successful artist. He is from . We have estimated John Kirkpatrick (musician)'s net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1947

John Michael Kirkpatrick (born 8 August 1947) is an English musician, playing free reed instruments such as the accordion and concertina and performing English folk songs and tunes.

John Kirkpatrick was born in Chiswick, London, England.

As a child he sang in the choir and played piano.

1959

In 1959, he joined the Hammersmith Morris Men, in the second week of their existence, beginning a career-long love of folk music.

1970

In 1970, he became a regular at a folk club in the Roebuck pub in Tottenham Court Road and led the resident group, Dingle's Chillybom Band.

The club hosted a film show of Morris dancing and Ashley Hutchings turned up.

It was the beginning of a long musical relationship.

1972

In 1972 he teamed up with Ashley and others on the album Morris On.

In 1972, Kirkpatrick recorded his first solo album Jump at the Sun which included Richard Thompson on acoustic guitar.

1973

In 1973, Kirkpatrick moved to Shropshire and married Sue Harris.

After seeing a dance team called Gloucestershire Old Spot Morris Dancers, he formed Shropshire Bedlams to perform local dances in the Border Morris style.

Kirkpatrick had appeared on several of the tracks with Martin Carthy and offered to record two extra tracks with his wife in 1973.

1974

In 1974, Kirkpatrick and Hutchings produced a themed album The Compleat Dancing Master, a history of English country dancing.

1975

He became part of Richard Thompson's backing band in 1975.

This brought him such publicity that he was in heavy demand as a session musician.

He recorded with Pere Ubu, Viv Stanshall, Jack the Lad, Gerry Rafferty, Maddy Prior and others.

1976

It was not released until 1976 but is highly regarded.

Harris sang and played oboe and hammered dulcimer, an unusual combination.

In 1976, he teamed up with Carthy for Plain Capers, a collection of morris dance tunes.

1977

In 1977, Steeleye Span recruited both Kirkpatrick and Carthy, partly to replace fiddler Peter Knight.

Kirkpatrick appearing on the albums Storm Force Ten and Live at Last; in concert with them, he would perform solo morris dances.

In the same period, Kirkpatrick released two albums as a duo with Sue Harris.

1979

In 1979, Kirkpatrick had appeared in the National Theatre Company's stage show Lark Rise to Candleford together with Carthy and trumpeter Howard Evans.

Prior to this the use of brass instruments in English folk music was a rare event, but all three had found it thrilling and a couple of years later formed Brass Monkey with Martin Brinsford from the Old Swan Band.

The group is an occasional gathering rather than a fixed company.

Roy Bailey, like Leon Rosselson has frequently recorded songs of social commentary, frequently on an anti-war theme.

He has made several records with Roy Bailey, as well as in a group called Band of Hope.

1980

In 1980 he released his only single, "Jogging Along with My Reindeer".

They had four sons together, but parted in the mid 1980s.

1981

Two more albums with Sue Harris appeared in 1981, but the constant touring, as a duo and as part of other groups, was putting a strain on the marriage.

1988

In 1988, he and Sue published Opus Pocus, a collection of many of their own compositions from the previous 20 years, and a selection of some of the (then) more obscure traditional English tunes which had influenced them.

1996

He recorded with Frankie Armstrong in 1996 and 1997.

They share a love of early English ballads.

He performed with accordion wizard Chris Parkinson as the Sultans of Squeeze, and the pair have released one album.

1997

In 1997, he decided to front his own "rock-folk" band, and put together a line-up consisting of Graeme Taylor (guitar, electric guitar, banjo, mandolin – ex Gryphon, The Albion Band and Home Service), Mike Gregory (drums, percussion – ex Albion Band, Home Service), Dave Berry (electric bass, double bass, tuba) and Paul Burgess (fiddle, recorders – from the Old Swan Band).

2009

In 2009, he appeared in the BBC series, Victorian Farm, which was set in Acton Scott in Shropshire, performing traditional country songs such as "The Farmer's Boy".

2015

In the early weeks some girls turned up and rather than have a mixed morris team, Harris took the girls aside to form Martha Rhoden's Tuppenny Dish; both teams are still flourishing and celebrated their fortieth anniversary in 2015.

By this time Kirkpatrick was an expert player of melodeon, Anglo concertina, and button accordion.

Ashley Hutchings' project Battle of the Field floundered when the Albion Country Band broke up.

They had recorded not quite enough material for an album.