Age, Biography and Wiki
John Kirkpatrick (musician) was born on 8 August, 1947, is a John Michael Kirkpatrick is English musician. Discover John Kirkpatrick (musician)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 76 years old?
Popular As |
N/A |
Occupation |
Musician |
Age |
76 years old |
Zodiac Sign |
Leo |
Born |
8 August, 1947 |
Birthday |
8 August |
Birthplace |
N/A |
Nationality |
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We recommend you to check the complete list of Famous People born on 8 August.
He is a member of famous artist with the age 76 years old group.
John Kirkpatrick (musician) Height, Weight & Measurements
At 76 years old, John Kirkpatrick (musician) height not available right now. We will update John Kirkpatrick (musician)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
John Kirkpatrick (musician) Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is John Kirkpatrick (musician) worth at the age of 76 years old? John Kirkpatrick (musician)’s income source is mostly from being a successful artist. He is from . We have estimated John Kirkpatrick (musician)'s net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
artist |
John Kirkpatrick (musician) Social Network
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Timeline
John Michael Kirkpatrick (born 8 August 1947) is an English musician, playing free reed instruments such as the accordion and concertina and performing English folk songs and tunes.
As a child he sang in the choir and played piano.
In 1959, he joined the Hammersmith Morris Men, in the second week of their existence, beginning a career-long love of folk music.
In 1970, he became a regular at a folk club in the Roebuck pub in Tottenham Court Road and led the resident group, Dingle's Chillybom Band.
It was the beginning of a long musical relationship.
In 1972 he teamed up with Ashley and others on the album Morris On.
In 1972, Kirkpatrick recorded his first solo album Jump at the Sun which included Richard Thompson on acoustic guitar.
In 1973, Kirkpatrick moved to Shropshire and married Sue Harris.
After seeing a dance team called Gloucestershire Old Spot Morris Dancers, he formed Shropshire Bedlams to perform local dances in the Border Morris style.
Kirkpatrick had appeared on several of the tracks with Martin Carthy and offered to record two extra tracks with his wife in 1973.
In 1974, Kirkpatrick and Hutchings produced a themed album The Compleat Dancing Master, a history of English country dancing.
This brought him such publicity that he was in heavy demand as a session musician.
It was not released until 1976 but is highly regarded.
Harris sang and played oboe and hammered dulcimer, an unusual combination.
In 1976, he teamed up with Carthy for Plain Capers, a collection of morris dance tunes.
In 1977, Steeleye Span recruited both Kirkpatrick and Carthy, partly to replace fiddler Peter Knight.
Kirkpatrick appearing on the albums Storm Force Ten and Live at Last; in concert with them, he would perform solo morris dances.
In the same period, Kirkpatrick released two albums as a duo with Sue Harris.
In 1979, Kirkpatrick had appeared in the National Theatre Company's stage show Lark Rise to Candleford together with Carthy and trumpeter Howard Evans.
Prior to this the use of brass instruments in English folk music was a rare event, but all three had found it thrilling and a couple of years later formed Brass Monkey with Martin Brinsford from the Old Swan Band.
The group is an occasional gathering rather than a fixed company.
Roy Bailey, like Leon Rosselson has frequently recorded songs of social commentary, frequently on an anti-war theme.
He has made several records with Roy Bailey, as well as in a group called Band of Hope.
In 1980 he released his only single, "Jogging Along with My Reindeer".
They had four sons together, but parted in the mid 1980s.
Two more albums with Sue Harris appeared in 1981, but the constant touring, as a duo and as part of other groups, was putting a strain on the marriage.
In 1988, he and Sue published Opus Pocus, a collection of many of their own compositions from the previous 20 years, and a selection of some of the (then) more obscure traditional English tunes which had influenced them.
They share a love of early English ballads.
He performed with accordion wizard Chris Parkinson as the Sultans of Squeeze, and the pair have released one album.
In 1997, he decided to front his own "rock-folk" band, and put together a line-up consisting of Graeme Taylor (guitar, electric guitar, banjo, mandolin – ex Gryphon, The Albion Band and Home Service), Mike Gregory (drums, percussion – ex Albion Band, Home Service), Dave Berry (electric bass, double bass, tuba) and Paul Burgess (fiddle, recorders – from the Old Swan Band).
In 2009, he appeared in the BBC series, Victorian Farm, which was set in Acton Scott in Shropshire, performing traditional country songs such as "The Farmer's Boy".
In the early weeks some girls turned up and rather than have a mixed morris team, Harris took the girls aside to form Martha Rhoden's Tuppenny Dish; both teams are still flourishing and celebrated their fortieth anniversary in 2015.
By this time Kirkpatrick was an expert player of melodeon, Anglo concertina, and button accordion.
Ashley Hutchings' project Battle of the Field floundered when the Albion Country Band broke up.
They had recorded not quite enough material for an album.