Joan Chen

Joan Chen (born April 26, 1961) is a Chinese-American actress and film director.

She portrayed a glamorous and unstable Chinese nightclub singer who struggles to survive in 1970s Australia with her two children.

The role earned her four awards including the Australian Film Institute Award for Best Actress and the Golden Horse Award for Best Actress.

The same year saw her co-starring in two other acclaimed films: Ang Lee's Lust, Caution, opposite Tony Leung Chiu-wai, and Jiang Wen's The Sun Also Rises, opposite Anthony Wong Chau-Sang, for which she received an Asian Film Award for Best Supporting Actress.

This led to her being selected for the Actors' Training Program by the Shanghai Film Studio in 1975, where she was discovered by veteran director Xie Jin who chose her to star in his 1977 film Youth (1977 film) as a deaf mute whose senses are restored by an army medical team.

Chen graduated from high school a year in advance, and at the age of 17 entered Shanghai International Studies University, where she majored in English.

In China, she performed in the 1979 film Little Flower (film) and came to the attention of American audiences for her performance in the 1987 film The Last Emperor.

She is also known for her roles in Twin Peaks, Red Rose White Rose, Saving Face, and The Home Song Stories, and for directing the feature film Xiu Xiu: The Sent Down Girl.

Chen was born in Shanghai, to a family of pharmacologists.

She and her older brother, Chase, were raised during the Cultural Revolution.

At the age of 14, Chen was discovered on the school rifle range by Jiang Qing, the wife of leader Mao Zedong and major Chinese Communist Party figure, for excelling at marksmanship.

Chen performed alongside Liu Xiaoqing, Tang Guoqiang, and Ge Cunzhuang in Zhang Zheng's Little Flower (film) in 1979, for which she won the Hundred Flowers Award for Best Actress.

Chen portrayed a pre-Maoist revolutionary's daughter, who, reunited with her brother, a wounded Communist soldier, later learned that his doctor was her biological mother.

Little Flower was her second film and she soon achieved the status of China's most-loved actress; she was dubbed "the Elizabeth Taylor of China" by Time magazine for having achieved stardom while still a teenager.

In addition, Chen was in the 1979 film Hearts for the Motherland.

The film directed by Ou Fan and Xing Jitian depicts an overseas Chinese family that returns to China from Southeast Asia out of their patriotic feelings but encounter political troubles during the Cultural Revolution.

The songs, "I Love You, China" and "High Flies the Petrel", sung by Chen's character, are perennial favorites in China.

The same year Joan Chen portrayed a factory worker in Jia Zhangke's 24 City once fancied because she resembled Chen herself in the 1979 film Little Flower, but who missed her chance at love.

In 1981, Chen starred in Awakening, directed by Teng Wenji.

At age 20, Chen moved to the United States, where she studied filmmaking at California State University, Northridge.

Her first Hollywood movie was Tai-Pan, filmed on location in China.

In 1985 she appeared in the U.S. television show Miami Vice as May Ying, former wife of Martin Castillo and husband to Ma Sek in the episode "Golden Triangle (Part II)".

She went on to star in Bernardo Bertolucci's The Last Emperor in 1987 and the David Lynch/Mark Frost television series Twin Peaks as Josie Packard.

She starred alongside Rutger Hauer in 1989's The Blood of Heroes, written and directed by David Webb Peoples.

In 1993 she co-starred in Oliver Stone's Heaven & Earth.

She portrayed two different characters in Clara Law's Temptation of a Monk: a seductive princess of Tang dynasty, and a dangerous Temptress.

She shaved her head on-screen for the role.

The award-winning film was adapted from a novel by Lilian Lee.

In 1994 she co-starred with Steven Seagal in the action-adventure On Deadly Ground; she returned to Shanghai to star in Stanley Kwan's Red Rose White Rose opposite Winston Chao, and subsequently won a Golden Horse Award and a Hong Kong Film Critics Society Award for her performance.

In 1996, she was a member of the jury at the 46th Berlin International Film Festival.

Tired of being cast as an exotic beauty in Hollywood films, Chen moved into directing in 1998 with the critically acclaimed Xiu Xiu: The Sent Down Girl, adapted from the novella Celestial Bath by her friend Yan Geling.

She later directed Autumn in New York, starring Richard Gere and Winona Ryder, in 2000.

In the middle of the 2000s, Chen made a comeback in acting and began to work intensely, alternating between English and Chinese-language roles.

In 2004, she starred in Hou Yong's family saga Jasmine Women, alongside Zhang Ziyi, in which they played multiple roles as daughters and mothers across three generations in Shanghai.

She also starred in the Asian-American comedy Saving Face as a widowed mother, who is shunned by the Chinese-American community for being pregnant and unwed and has come to live with her lesbian daughter.

In 2005, she appeared in Zhang Yang's family saga Sunflower, as a mother whose husband and son have a troubled father-son relationship over 30 years.

In 2007, Chen was acclaimed for her performance in Tony Ayres' drama The Home Song Stories.

In 2008, she starred alongside Sam Chow in Shi Qi, directed by Joe Chow , as a rural mother of a 17-year-old in eastern Zhejiang province.

She starred in the Asian American independent film Americanese and in Michael Almereyda's Tonight at Noon, the first part of a two part project, scheduled to be released in 2009.

She co-starred in Bruce Beresford's 2009 adaptation of the autobiography of dancer Li Cunxin, Mao's Last Dancer, along with Wang Shuangbao and Kyle MacLachlan.