Jimmy Robinson

James Kelly Robinson II (July 29, 1950, Washington, D.C. – January 6, 2018, New York ) was an American recording engineer, record producer and musician.

Jimmy Robinson was born July 29, 1950, in Washington D.C. to James K. Robinson I and Louise H. Robinson and spent his early childhood growing up in College Park, Maryland.

He was best known for his engineering techniques with both analogue and digital audio recordings with prominent popular pop and rock records in American music from the late 1960s to the present.

In addition to his recording expertise, Robinson was also an accomplished musician in his own right and had been awarded gold records as both a saxophonist and bass guitarist.

At an early age Robinson took a strong interest in music and electronics while attending schools in the Washington metropolitan area and began playing saxophone aged 12 with various bands before joining in the band "The Nowhere Men" at the age of 18 in 1968.

In 1969, The Nowhere Men were playing a show at The Cellar Door in DC's Georgetown district when Robinson met former Electric Flag drummer Buddy Miles.

Buddy took a liking to Robinson's sax playing and invited him up to New York City to work a few gigs and meet Gary Kellgren, and subsequently Jimi Hendrix, at the Record Plant recording studios in New York City.

Gary Kellgren was impressed with Robinson's technical ability and asked him to begin working as an assistant engineer at the Record Plant NYC.

At his first session there in 1969, he worked with engineer Jack Adams and R&B singer Patti LaBelle.

During his tenure working at the Record Plant, Robinson developed a close working relationship with Hendrix whom he would drive home and hang out with after sessions.

Hendrix preferred to work at night and since Gary Kellgren and fellow engineer Eddie Kramer preferred to record during the day, Robinson soon became one of Hendrix's regular recording engineers for late night sessions.

Upon hearing that Capitol Records was looking for Hendrix to fulfill a contract he had signed with Ed Chaplin of PPX Enterprises before he had put together the Jimi Hendrix Experience, Hendrix decided to form a band with Buddy Miles and long-time friend and bass player Billy Cox.

The name "Band of Gypsys" was already mentioned as an alternative name for his band by Hendrix in his speeches during the Woodstock concert.

Capitol Records sent out Wally Heider to record the live debut of the Band of Gypsys and Gary Kellgren sent Robinson as the Record Plant's preferred engineer.

The first live show was to be performed at the Fillmore East on New Year's Eve 1969 with the Voices of East Harlem as the opening act.

The Band of Gypsys' performances were recorded two nights in a row with two shows each night.

After the shows, the recordings were sent over to Juggy Sound Studios (owned by producer Juggy Murray) where the album was to be mixed by Eddie Kramer.

For a few days the tapes went missing, but were soon found, mixed by Kramer, and then delivered to Capitol Records.

The Band of Gypsys Live at the Fillmore East went up the charts quickly to #4 in the US and #5 in the U.K. and was RIAA certified gold that same year.

This was a first for a live recording.

Initially, it was unclear if it was going to be a commercial success.

However, shortly after its release it was hailed by critics as the standard for which all artists should strive in live recordings.

The recording was Jimmy Robinson's first gold record for recording.

Robinson's recording of "Machine Gun" (Capitol Records STAO-472 -US) on Band of Gypsys is considered by most Hendrix aficionados to be the best live solo recording of Hendrix.

Loose Ends, the fourth and last studio album released by Hendrix which Robinson engineered and overdubbed, was released by manager Michael Jeffery.

Unfortunately, Warner Bros. Records decided not to release the album in the US & Canada because of content.

It was released in the UK, France and Japan.

Under the advice of Eddie Kramer and manager Michael Jefferies, Hendrix decided to construct his own recording studio, Electric Lady.

After construction was completed, Kramer and Andy Edlen invited Robinson to work there in the summer of 1970.

During his tenure working at Electric Lady, Robinson began working on a few tracks for Stevie Wonder's Talking Book and Innervisions.

Robinson also worked with several prominent artists of the time including Roberta Flack, Led Zeppelin (on Houses of the Holy), Blood Sweat and Tears, and Miles Davis' Live Evil.

In August 1972, jazz vibraphonist Michael Manieri asked Robinson to be his assistant and join GNU Music.

Robinson worked for Manieri until the end of the year.

In January 1973 Bob Margoulieff and Malcolm Cecil invited Robinson to Los Angeles to work on a few projects, and he decided it was time to leave NYC.

Upon arriving in Los Angeles, Robinson found himself as the lead candidate to be Chief Engineer of Larrabee Sound on Bob Margoulieff and Malcolm Cecil's recommendation.

In February 1973 Robinson was invited to join Larabee Sound as Chief Engineer under the supervision of Jackie Mills.

The first slate of recording projects included Cher, Al Wilson, Robbie Krieger, John Densmore from The Doors, Chris DeMarco, and Rachel Perry.

As Robinson was working at Larabee his fondness for technology and instrument construction led him to begin working with Paul Beaver as part of the synthesizer team Beaver and Krouse on a suggestion from Walter Sear; he began developing a polyphonic synthesizer with Paul Beaver that never came to fruition due to Beaver's untimely death in 1974.

Robinson married Maggie Welch, sister of Bob Welch, the guitarist and vocalist for Fleetwood Mac; the couple invited Bob to move into their home in Laurel Canyon.

Bob and Robinsom became good friends, and shortly after Bob moved in they had a discussion about Welch's desire to leave Fleetwood Mac.